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Piet Mondrian, Evolution, 1910-11. Oil on canvas, triptych; two panels, each 70 1/16 x 33 7/16 (178 x 85 cm), one panel 72 1/16 x 34 12 in. (183 x 87.5 cm). Haags Gemeentemuseum, The Hague.
William Morgner, Friendly Apparition, 1911-12. Oil on canvas, 44 1/2 x 28 15/16 in. (113 x 73.5 cm). The Robert Gore Rifkind Collection, Beverly Hills, California.
Jasper Johns, Book, 1957. Encaustic and book on wood, 9 3/4 x 13 in. (24.8 x 33 cm). Martin Z. Margulies.
Georgia OKeeffe, Music: Pink and Blue No.1, 1919. Oil on canvas, 48 x 30 in. (121.9 x 76.2 cm). Mr. and Mrs. Barney A. Ebsworth.
Norman Zammitt, Untitled, 1977-78. Acrylic on canvas, 77 x 133 (195.6 x 337.8 cm). Los Angeles County Museum of Art. Gift of William J. and Marilyn Lasarow.
The Spiritual In Art
Abstract Painting, 1890-1985

By Maurice Tuchman et al. 
Size: 10 1/2" x 10 1/2" 
Paperback, 436 pages
523 illustrations, 122 in full color
Published 1995
ISBN: 978-0-7892-0056-3
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$75.00


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Well-reasoned and well-written, this massive and profusely illustrated volume has transformed the study of abstract art.

From the 1890s through the present day, various forms of spirituality have influenced artists and inspired many important transitions from representational art to abstraction. Mystical and speculative philosophies with origins in both eastern and western cultures, as well as other utopian ideas, have been at the heart of the groundbreaking work of Paul Gauguin, Vasily Kandinsky, Piet Mondrian, Georgia OKeeffe, Jackson Pollock, and Joseph Beuys.

Published in conjunction with an exhibition organized by the Los Angeles County Museum of Art, this collection of essays by over a dozen distinguished art historians reveals the many aspects of this profound undercurrent of abstract art.

Maurice Tuchman is senior curator of 20th-century art at the Los Angeles County Museum of Art.

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