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James McNeil Whistler (1834-1903). Nocturne: Blue and Gold--Southampton Water, 1872. Oil on canvas, 19-7/8 x 29-7/8 in. (50.5 x 75.9 cm).The story of nineteenth-century North American art traces the struggle faced by this nations artists trying at once to emulate the achievements of a European heritage and at the same time seeking to express a unique, American character and identity.
Henri Rousseau (1844-1910). The Waterfall, 1910. Oil on canvas, 45-5/8 x 59 in. (116-150 cm).The turn of this century inspired many artists to make a conscious break with the past. Liberated from having to mirror nature and claiming the right to re-create their surroundings according to formal, emotional, or spiritual considerations, they eagerly embraced experimentation.
Berthe Morisot (1841-1895). Woman at Her Toilet, c. 1875. Oil on canvas, 23-3/4 x 31-5/8 in. (59.6 x 80.3 cm).The European art world was changed forever with the controversial works introduced in 1874 by the Impressionists. Shunning the academic classicism and heroic subject matter of their predecessors, these artists threw open the windows of their studios, intent on depicting everyday Parisian life in the dancehalls, theaters, outdoor cafes, and at the racetrack.
Pablo Picasso (1881-1973). The Old Guitarist, 1903. Oil on panel, 48-1/8 x 32-1/2 in. (122.9 x 82.6 cm).The first half of the century witnessed an astounding proliferation of successive ”isms,” foremost among them Cubism, Expressionism, and Surrealism.Pablo Picasso experimented with a number of approaches. From the somber and expressive hues of his ”blue period” and the monochromatic, fragmented compositions of his Cubist period, to the stark, noble figures of his ”classical period”, Picasso exemplifies the prototypical twentieth-century European painter, constantly reinventing himself and his art.
Alex Katz (b. 1927). Vincent and Tony, 1969. Oil on canvas, 72 x 120 in. (183 x 305 cm).Continuing interest in the figure is seen in the work of many contemporary artists as well--testimony perhaps to the impact of tradition on painters today.
Treasures of 19th and 20th Century Painting
The Art Institute of Chicago

By James Wood, Director of The Art Institute of Chicago 
Size: 4 x 4 3/8" 
Hardcover, 336 pages
300 full-color illustrations
Published 1997
ISBN: 978-0-7892-0402-8
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The Art Institute of Chicago houses some of the most celebrated European and American paintings from the nineteenth and twentieth centuries. Included in this collection are numerous masterpieces of realism, Impressionism, Post-Impressionism, Surrealism, Cubism, Abstract Expressionism, and other aspects of modernism.

The Art Institute of Chicago houses some of the most celebrated European and American paintings from the nineteenth and twentieth centuries. Included in this collection are numerous masterpieces of realism, Impressionism, Post-Impressionism, Surrealism, Cubism, Abstract Expressionism, and other aspects of modernism. Today a number of these paintings are revered as icons of modern Western culture, emblems of the inspired experimentation that has taken place on both sides of the Atlantic.

For the last century, the Art Institute has supported the achievements of the most distinguished artists from Europe and America, acquiring and exhibiting now-beloved works of Edgar Degas, Henri Matisse, Georgia OKeeffe, Jackson Pollock, and others. This folio is presented as both an introduction to this collection and as a survey of the styles, subjects, and themes of Western art of the last two centuries, from the linear classicism of Jean-Auguste-Dominique Ingres through the optical studies of Claude Monet and the Impressionists; from the lyrical, colorful abstractions of Vasily Kandinsky to the fractured picture planes of Pablo Picasso and the Cubists; from the enigmatic compositions of Salvador Dali and the Surrealists to the media-appropriated Pop-art portraits of Andy Warhol. These magnificent paintings eloquently narrate the discussions of the nature of art, quality, innovation, style, and form that have defined the modern era in art history.

James N. Wood is Director and President of The Art Institute of Chicago.

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