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William Louis Sonntag (1822-1900). Classic Italian Landscape with Temple of Venus, c. 1860. Oil on canvas, 36 x 60 in. (91.4 x 152.4 cm).The Romantic Era:In search of new subject matter, many artists traveled to Europe and some went to remoter spots, such as South America.
Robert Henri (1865-1929). Indian Girl in White Ceremonial Blanket, c. 1921. Oil on canvas, 32 x 26 in. (81.3 x 66 cm).Realism and Abstraction: The Early Twentieth Century:The enormous political and social change taking place in America during the early decades of the twentieth century was reflected in the arts. Immediately following the turn of the century, the revival of realism, albeit in a new form, represented a rebellion against the established art academies and the prevailing taste for picturesque American Impressionist scenes. Led by Robert Henri, a group of artists known as the Eight (most of whom were also called the Ashcan painters) celebrated the vitality of the common city dweller and his modern, often gritty, environment, which was well captured by their brash realist style.
Joshua Johnson (active 1796-1824). Mrs. Hugh McCurdy and Her Daughters, c. 1804. Oil on canvas, 44 x 38-3/4 in. (11.8 x 98.4 cm).The Colonial and Federal Periods:The Baltimore portraitist Joshua Johnson, the first known African-American to become a professional painter, portrayed his well-to-do white subjects in simple compositions. His charming, if somewhat stiff, figures are often linked by carefully chosen gestures and decorative details like the fruit, parasol, and graceful curve of the sofa seen in Mrs. Hugh McCurdy and Her Daughters.
George Inness (1825-1894). Sunset in the Woods, 1891. Oil on canvas, 48 x 70 in. (121.9 x 177.8 cm).Impressionism and Realism:Works by George Inness and Worthington Whittredge exemplify the shift from operatic landscape painting toward a more poetic and atmospheric style, one concerned with light, color, individual brush strokes, and tonal relationships.
Gene Davis (1920-1985). Black Popcorn, 1965. Oil on canvas, 114 x 114 in. (289.6 x 289.6 cm).Postwar Abstraction and Representation:Washington D.C., was the epicenter of Color Field painting in the late 1950s. The artists of this informal movement rejected gesture and the illusions of depth, emphasizing instead flatness, geometry, and even a sleek machine-made look. The Corcoran collection contains many stellar examples of this movement, notably Gene Daviss masterwork Black Popcorn, Kenneth Nolands Brown Stretched, and Thomas Downings Seven.
American Treasures of the Corcoran Gallery of Art

By David C. Levy, Sarah Cash, and Terrie Sultan 
Size: 4 x 4 3/8" 
Hardcover, 288 pages
240 full-color illustrations
Published 2000
ISBN: 978-0-7892-0625-1
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A tiny tour through one of the countrys first and best collections of American art.

The Corcoran Gallery of Art, Washingtons oldest and largest private art museum, is recognized nationally and internationally for its outstanding collection of American art. Its founder, William Wilson Corcoran, was among the first American collectors to appreciate contemporary art of his country, at a time when most of his peers favored European works. His important collection of mainly American paintings and sculpture formed the nucleus of the art museum he founded in 1869.

Over its 130-year history, the Corcorans collection of American art has grown dramatically through purchases and generous gifts. Today the Corcorans holdings total over 14,000 objects dating from the 16th century B.C. to the present, including a world-renowned core collection of 19th-century American paintings, sculpture, prints, drawings, and photographs. The collections of 18th- and 20th-century American painting, sculpture, and works on paper are augmented by a highly regarded collection of modern and contemporary photographs and media arts.

David C. Levy is President and Director of the Corcoran Gallery of Art, Washington, D.C. Sarah Cash is the Bechhoefer Curator of American Art; Terrie Sultan is Curator of Contemporary Art.

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