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p. 055
Pedro Una and Son, 
Puebla, Mexico
Mexican saddle and saddle bags trimmed with padded flower design in combination with floral stamping; silver inlaid rigging rings and stirrup trim.
Fleischer Collection, Scottsdale
p. 150 152

Left to right: Leather gauntlets with fringe and beaded buffalo pattern on cuffs, and beaded floral hand; Sioux gauntlets with chevron-pattern quillwork cuffs, c. 1930; leather gauntlets with deer pattern on beaded cuffs, floral beaded hand, and fringe
Buffalo Bill Historical Center, Cody, Wyoming
p. 125

S. D. Myres, Sweetwater, Texas
Ranger-style gun belt with laced edges and floral design on belt and holsters (detail)
Fleischer Collection, Scottsdale
p. 047

Equestrienne in bowler hat, stylish gauntlets, and with horsehair quirt, stands beside her horse, which has a horsehair bridle and cowgirl-style, double-rigged, heavily carved sidesaddle, c. 1900
Panhandle Plains Historical Museum, Canyon, Texas
p. 423
U.S. Lithograph Co., Russell-Morgan Print
The Farewell Shot, Positively the Last Appearance (in the Saddle)
of Col. W. F. Cody, “Buffalo Bill,” c. 1910
40.5 x 28 in. 
Buffalo Bill Historical Center, Cody, Wyoming
p. 158

Horsehair bridle with detail of hitched hair design and rosette 
Fleischer Collection, Scottsdale
p. 149
Dude cowgirls pose at a Wyoming ranch, the second one from the right wearing fancy beaded gauntlets, c. 1930
Buffalo Bill Historical Center, Cody, Wyoming
p. 385

Olson-Nolte, San Francisco
Saddle with ensemble including vest and chaps
Fleischer Collection, Scottsdale
Fine Art of the West

By B. Byron Price 
Size: 10 x 12" 
Cloth, 276 pages
200 color and 75 black-and-white photographs
Published 2004
ISBN: 978-0-7892-0659-6
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This landmark study delves into the traditional arts and crafts of the wild American West and their lasting effects on contemporary design.

Visually breathtaking, Fine Art of the West brings together the most artistically significant objects created by master craftsmen from the mid-nineteenth century to today. B. Byron Price, a leading expert of Western American art, explores the fascinating origins of these objects in the Old West, as the legacy of Spanish-American craftsmen and the workaday equipment of cowboys. The story continues as he traces their influence upon innovative designers employing them as a basis for a new, vigorous tradition in decorative art.

Working saddles and their offspring: the trophy, parade, and presentation saddles are discussed in depth and appear in stunning full-page reproductions, complemented by a definitive selection of chaps, cuffs, gauntlets, and gun leather. Price also focuses on quirts and other objects that illustrate artistry with hide and hair, as well as fine metalwork, including buckles, bits, spurs, and jewelry. Hats and boots, workaday and fancy, conclude the survey. Contemporary craftsmen who carry on these traditions today are represented alongside illustrations of their work. A glossary and bibliography complete this first comprehensive look at one of Americas most fascinating forms of artistic expression.

B. Byron Price is the director of the Charles M. Russell Center for the Study of Art of the American West, University of Oklahoma. He is a former director of the National Cowboy and Western Heritage Museum in Oklahoma City and of the Buffalo Bill Historical Center in Cody, Wyoming. His books include Imagining the Open Range: Erwin E. Smith, Cowboy Photographer and Cowboys of the American West.

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