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Innu (Naskapi-Montagnais) coat and leggings, early 1800s. Labrador, Canada. Painted caribou skin and sinew thread. Coat: 42-3/4 x 22-1/4 in. (109 x 57 cm); leggings: 18 x 4-3/4 in. (46 x 12 cm).In museums, clothing is often used to illustrate cultural differences, but for Indian people who participate in cultural events, it evokes much more meaning. My mother once told me a rule about jingle dresses, worn by Anishinabe (Chippewa) women for powwow dancing. These dresses are festooned with rows of small, shiny metal cones that used to be, and occasionally still are, made from the lids of snuff tins. The skill of the dancer can be judged by the rhythm and tone of the sound the dress makes.
Nazca spout vessel, 200-600. Peru. 7-1/2 x 6-3/8 in. (18.4 x 16.2 cm).Some of the objects made for ritual use, such as a Nazca spout vessel, reflect Indian ideas about the creation of the world.
Absaroke (Crow) childs shirt, n.d. Montana. Hide with beads and wool. Length: 16-3/4 in. (42 cm).Children are very much a part of everyday life in Indian communities. At tribal council meetings, ceremonies, and social gatherings, young children are almost always present, observing their parents and learning the ways of adult life.
Pomo basket, n.d. California. Vegetal fibers with feathers and shells. Diameter: 8 in. (20.2 cm).Objects made for everyday uses, often held special sacredness for the people who made them. Though these things might be regarded by observers as utilitarian or secular, everyday objects were imbued by their makers with some of the same cultural and personal beliefs, world views, and values found in ceremonial and sacred objects.
Joseph Medicine Crow (Absaroke [Crow]), 1994. Photograph by David Neel.Historical photographs of Native Americans show a people caught in a clash of cultures and politics. They illustrate not only the devastating effects of these conflicts on Native cultures but also the strength and resilience demonstrated in the face of such devastation.
Treasures of The National Museum of The American Indian

By W. Richard West, Jr., et al. 
Size: 4 x 4 3/8" 
Cloth, 320 pages
283 illustrations, 227 in full color
Published 2004
ISBN: 978-0-7892-0841-5
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This little volume provides an impressive overview of the most significant collection of art by Native Americans anywhere in the world.

Established by an act of Congress in 1989, the Smithsonian’s National Musuem of the American Indian (NMAI) is dedicated to the preservation, study, and exhibition of the life, languages, literature, history, and the arts of Native Americans. The museum’s collections span more than 10,000 years and — as this lavishly illustrated miniature volume demonstrates — include a multitlude of fascinating objects, from ancient clay figurines to contemporary Indian paintings, from all over the Americas.

Richard W. West, Jr. is the Director of the National Museum of the American Indian. His coauthors, Charlotte Heth, Richard W. Hill, Sr., and Clara Sue Kidwell, all played important roles in the development of the museum.

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