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p. 71Alfred Eisenstaedt In one of the most famous images of the twentieth century, a jubilant sailor celebrates a long-awaited victory over Japan in 1945, bending a nurse over backward in a passionate embrace.  In the background celebrants jam Times Square, New York.  For years after the image was published, a succession of people came forward, claiming to be the original subjects.  Eisie revealed that he saw the scene unfolding out of the corner of his eye.  He took the one shot and then the couple disappeared.
p. 135Jerry LampenIraqi women leave the besieged city of Basra.  Once again, we see the consequences of war - the suffering of the innocent fleeing under a shroud of black smoke.
p. 193James NachtweyA businesman stops amid dust and detritus to stare up at the burning World Trade Center Towers in Lower Manhattan after the terrorist attacks.  Nacthweys impeccable composition and the subjects pose convey the awe-inspiring magnitude of the horror.
p. 106Frank HurleyThis is the morning after the first battle of Passchendaele on the Western Front and wounded Australian infantry are still in the mud seeking assistance.  This photograph is almost a homage to a Renaissance painting depicting some gruesome biblical scene.  Hurley presents the complete picture: in the foreground we see the consequences of the battle for the men, while in the background there is the bleak landscape and the ominous sky.  It really is a photograph of hell on earth.
p. 51Larry BurrowsIn this harrowing image of raw and absolute grief, a distraught widow cries over a plastic bag that contains the remains of her husband, killed in the 1968 Tet offensive, and recently found in a mass grave.  Burrows was the supreme war photographer who could document all sides of the conflict and who had a natural empathy with the Vietnamese people.
p. 80Alexander GardnerIn 1862, in the midst of the Civil War, Gardner captured (from left to right) Major Allan Pinkerton, US President Abraham Lincoln and General John A. McClernand, standing in front of a pitched tent on a battlefield.  The photograph poses the obvious question - what is the President doing so close to the heat of the battle?
p. 159Mary Ellen MarkThis image, titled ”Christopher with his Kitten, Sandgap”, was taken in Kentucky in 1990.  Mark has always favoured strong and direct eye contact in her portraiture.  This is taken from the essay ”Rural Poverty”.
p. 127Josef KoudelkaFrom the angle of the photograph it looks as if the foolhardy Koudelka has jumped on to the tank in order to achieve this menacing perspective of Prague, 1968.  Perhaps the crowd is waving at him.
Photojournalism 1855 to the Present: Editor's Choice

By Reuel Golden 
Size: 9 x 11" 250 pages
250 illustrations, 64 in full color
Published 2006
ISBN: 978-0-7892-0895-8
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A compelling anthology of photojournalism from the nineteenth century to the present, profiling fifty-four masters of the field and reproducing their most stirring images.

In the age of citizen photos, [Photojournalism] shows that professional photography is still peerless. -- TIME Europe

An excellent title promising interest for history buffs, photography and art students alike. -- California Bookwatch (July 2006)

...the work of the world’s great photographers, capturing history, events, the famed and the unknown is all here in a brilliant collection enhanced by an excellent text... Anyone with an interest in photograph will find this book invaluable and inspiring. -- BookViews.com

Ever since Roger Fenton inaugurated the genre by photographing the Crimean War in 1855, the worlds great photojournalists have used a variety of approaches to bear witness to their times. At one end of the photojournalistic spectrum are war photographers like Robert Capa and Larry Burrows, who capture the most extreme events of human existence as they happen; at the other are social documentarians like Lewis Hine and Sebastião Salgado, who step back from the single dramatic incident to cover in depth such economic and cultural issues as labor and migration. By compiling 250 of the most memorable images from photojournalism’s 150-year history, Photojournalism 1855 to the Present: Editor’s Choice provides a fascinating introduction to the entire range of the field.

Author Reuel Golden, a noted authority on photojournalism, selected the fifty-four photographers featured in this book based on their critical reputations and historical importance. For each photographer, Golden provides a portfolio of representative images—many reproduced at full-page size—as well as a brief biography and an insightful critical commentary on his or her career. In these commentaries and in his informative introduction, Golden discusses the particular challenges of photojournalism, such as the relationship between photographer and subject, and the moral ramifications of aestheticizing human suffering. Yet perhaps most importantly, his text also encourages the reader to look closer and discover how well the photographs speak for themselves. From Frank Hurley’s groundbreaking World War I battlefield shots to Mary Ellen Mark’s stark portraits of American poverty and James Nachtwey’s haunting pictures of the September 11 attacks, the images in this book prove that even in our era of twenty-four-hour video-on demand, the still photograph remains as powerful as ever.

Reuel Golden is senior editor of the world’s biggest magazine for professional photographers, the New York—based Photo District News. He is the author of Twentieth Century Photography.

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