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Plate 43.
Mask of TutankhamunThebes West, Valley of Kings, tomb of Tutankhamun, New Kingdom, Eighteenth Dynasty, 1334-1325 BC;chased and polished gold, lapis lazuli, semiprecious stones, faience, height: 21 1/4 in., width: 15 9/16 in. Egyptian Museum, CairoThis mask of solid gold, most likely a realistic depiction of the king, is probably the most famous piece from the tomb treasures of Tutankhamun.  Creating a three-dimensional object of this size and capturing the individuality of the person represented is something only a master goldsmith can achieve, when artistic empathy meets craft skills.
Plate 98.  Beard comb, Solokha kurgan, steppe of the Dnieper region, Ukraine, Scythian, fifth to fourth century BC; gold, height: 4 13/16 in., width: 4 in.Hermitage, Saint Petersburg.This comb demonstrates how an everyday object can become a piece of jewelry.  The goldsmith has imaginatively used the long upper edge to depict a dramatic battle scene over a frieze of lions.  Animals were popular motifs in Scythian jewelry, while human figures were rarer.
Plate 246.  Benvenuto Cellini, Saliera, 1540-43; gold, enamel, ivory, ebony base, 10 1/4 x 13 3/16 in.  Kunsthistorisches Museum, Vienna.Cellinis saltcellar is one of those small creations that cause all current standards to be forgotten.  The base has relief figures representing the times of day and the winds; atop the base rest Terra (goddess of the earth) and Neptune (god of the sea), surrounded by land and sea creatures.  This artful object was used to hold salt and pepper: on Neptunes side is the ”ship of salt,” and to the right of Terra is the ”temple of pepper.”
Plate 284.  Elisabeth Treskow, grape brooch, c. 1941; gold, diamonds, pearls, hieght: 2 1/2 in. Schmuckmuseum, Pforzheim, Germany.The jewelry creations of Elisabeth Treskow are associated above all with the ancient technique of granulatoin, which had been largely forgotten in the modern age until goldsmiths rediscovered it.  Treskow used granulation beginning in the 1930s, above all for motifs from ancient mythology and elements from the world of flora and fauna.  This brooch in the form of grapes is one of her masterpieces in terms of both technique and form.
Frontmatter
Pectoral, Tolima culsture, Colombia, AD 1-500
sheet gold, height: 9 3/16 in., width 10 1/8 in.
Museo del Oro, Bogotá.
Plate 91. Stater, obverse head of Apollo, Macedonian, minted c. 336 BC under Philip II (359-336 BC); gold, 0.3 oz.  Münkabinett, Staaliche Museen zu Berlin.plate 92. Stater, obverse: Pan, minted in Pantikapaion (Now Kerch, on the Black Sea in Ukraine), 350-320 BC; gold, 0.32 oz.  Münzkabinett, Staaliche Museen zu Berlin.The magnificent gold staters of the colony of Pantikapaion are entierely marked by the spirit and style of the Greek motherland.  The ivy-wreathed head of Pan is also a kind of coat of arms for the city, as Pan was its protector.
Plate 160. Kyaiktiyo Pagoda, new Kyaikto, Myanmar, eleventh centurey AD; gold leaf, height: 19 ft. This rock which has been completely covered with little pieces of gold by devout Buddhists, is one of the most important pilgrimage sites in Myanmar.  There is a legend that this boulder stays balanced at the edge of a great abyss only because one of the Buddhas hairs has been precisely placed in the Stupa built on the rock.
Plate 254.  Vessel fo two nautilus shells, Florence (?), early seventeenth centurey; gold on nautilus shell.  Museo degli Argenti, Florence.This vessel is an especially splended ecample of its kind, because it was made from two nautilus shells.  Ornamental with vegetal motifs in gold and resting on an openwork base, this goblet was probably an outstanding showpiece in its owners collection.l
The Lure of Gold
An Artistic and Cultural History

By Hans-Gert Bachmann 
Size: 10 1/4 x 11 13/16" 
Cloth, 280 pages
260 illustrations, 240 in full color
Published 2006
ISBN: 978-0-7892-0900-9
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The dazzliningly illustrated story of how the worlds most beatiful element has influenced the art, economy, and society of every civilization.

The Editor’s Picks for Holiday Books (2006): “This book is full of treasures ... it is likely the wealth of sumptuous, glimmering illustrations — crowns, small sculptures of hunters, animals and goddesses, coins, ceremonial armor, and all manner of exquisitely designed jewelry — that make this volume in invaluable. The text is eminently readable, yet dense with history.” -- Art New England, Dec/Jan 2007

"With nearly 300 images of jewelry, coins, religious artifacts and more, the book zips through world history as seen in gold’s reflected gleam. Mr. Bachmann begins in the Bronze Age but is at his most fascinating when the tour reaches Europe during the first millennium." -- The Wall Street Journal, November 4, 2006

“Pizzaro might have slit your throat for The Lure of Gold (Abbeville, $75). A savvy text relates mankind’s venerably irrational mania for the gleaming stuff. The full-page photos bring on a Fred C. Dobbs mood: a gilt-clad temple in Kyoto, Mycenaean, masks, Egypt’s Tut, gold-drunk Versailles, a lovable Colombian toy raft made entirely of the sunburst metal.” -- San Diego Tribune, December 3, 2006

"In The Lure of Gold (Abbeville, $75) archaeometallurgist Hans-Gert Bachmann journeys through six glittering millennia of artistic and cultural history, from Egypt’s gold-tipped obelisks to the Kremlin’s gilded domes... this lavishly illustrated book examines the meanings of gold across civilizations, as well as techniques for working the radiant and durable metal. Find out how compositions on Celtic coins foreshadowed Art Deco motifs and how the same material that once legitimized powerful rulers has become Snoop Dogg’s bling." -- Archaeology magazine, March–April 2007

When Hesiod, the Greek poet of the eighth century B.C., recounted the history of the world as he understood it, he described the legendary first generation of mortal men, who lived in peace and ease, as the “people of gold.” Nearly three millennia later, we still refer to a particularly happy or prosperous era as a “golden age.” The reason Hesiod’s metaphor translates so perfectly into our own idiom is that the mystique of gold, the quintessential precious metal, is truly universal. The very scarcity of gold accounts for part of its allure and much of its monetary value: the total volume of gold ever mined, from prehistory to the present day, would probably fit inside a cube with sides just twenty yards (18 m) long. Yet gold’s incredible material properties also contribute to its appeal. Gold does not corrode, so it never loses its brilliant luster, and it can be chased, embossed, punched, drawn into wires, hammered foil-thin, and shaped in countless other ways.

This engaging book reveals that the ways in which gold, in turn, has shaped humanity are no less numerous. Since prehistory, for example, artisans have fashioned gold into ritual objects and high-status ornaments; beginning in the sixth century B.C., gold served as currency; and even in the modern era it has encouraged wars of conquest and triggered frantic gold rushes. Each chapter is devoted to one historical epoch, explaining how people of that time mined and refined gold, and how they used it for cultural and economic purposes. Two hundred gorgeous color photographs illustrate golden objets d’art as diverse as the funerary masks of Tutankhamen; intricate Celtic jewelry; a figurine of “El Dorado,” a pre-Columbian chief said to ritualistically cover his entire body in gold dust; bejeweled medieval reliquaries and crucifixes; and even Gustav Klimt’s gold-drenched canvas The Kiss. With its authoritative yet lively text and these arresting illustrations, The Lure of Gold sets, as it were, the gold standard for books on material culture.

Dr. Hans-Gert Bachmann, who studied geosciences at the University of Bonn, has taken part in many archaeological excavations and surveys in Europe and the Near East. From 1963 to 1993 he held a senior position at Degussa, a global gold and silver refining company based in Germany. Currently he is an honorary professor at the University of Frankfurt am Main and at the Institute of Archaeology, University College, London.

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