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Chapter 1. Persia From the Achaemenids to the Sasanians - Darius: The Classicism of the Achaemenids plate 27.  Gold rhyton in the form of a winged lioni, from Ecbatana, National Museum, Tehran
Chapter 2. Islamic Persia - Mud, Brick, and Turquoise: The Architecture of Persiaplate 127.  Mausoleum of Pir-i Alamdar at Damghan
Chapter 2. Islamic Persia - Timeless Figures: Persian Miniaturesplate 153.  The Mosque of Shah Abbas in Esfahan, 1612-37, detail of mosaic decoration, pishtaq with muqarnas, and two lateral minarets
Chapter 2. Islamic Persia - Flowers of Wool: Persian Carpetsplate 174.  Carpet with animals and medallions, second half of the sixteenth century, Staatlihe Museen, Berlin - Preussicher Kulturbesitz, Museum für Ilamische Kunst, inv. i7/56
Chapter 1. Persia From the Achaemenids to the Sasanians - Darius: The Classicism of the Achaemenids plate 16.  Struggle between a lion and a bull, details of the decoration of the stairway of the palace of Darius at Persepolis
Chapter 1. Persia From the Achaemenids to the Sasanians - The Khosrow Kings: Continuity as Reinventionplate 88.  Bronze bust of Sasanian king.  From Lajvard, sixth-seventh century, Musée du Louvre, Paris
Chapter 2. Islamic Persia - Mud, Brick, and Turquoise: The Architecture of Persiaplate 142.  Details of a decorative ceramic mosaic panel, Congregational Mosque, Yazd, c. 1375
Chapter 2. Islamic Persia - Timeless Figures: Persian Miniaturesplate 159.  Two Elephants, from The Use of Animals by Ibn Bakhtishu, c. 1290, Pierpont Morgan Library, New York, Ms M500, f.134r
The Art and Architecture of Persia

By Giovanni Curatola & Gianroberto Scarcia 
Size: 9 7/16 x 12 13/16" 
Cloth, 264 pages
248 ful-color and 16 black-and-white illustrations
Published 2007
ISBN: 978-0-7892-0920-7
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$95.00


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This vibrantly illustrated text offers detailed historical and cultural insight into the art and architecture of one of the oldest regions of the world.

"Valuable...[and] timely...ought to be on the shelves of libraries throughout America..." -- Art Times

The history of the area now known as Iran, but often still referred to as Persia, spans millennia, boasting a rich and complex artistic and cultural legacy. Populated since prehistoric times, thus making it one of the most dynamic areas of Islamic civilization, this region was home to the world’s first powerful empire (lead by Cyrus the Great during the Achaemenid dynasty) and has influenced the aesthetic grammar of a large portion of central Asia, including Armenia, Georgia, and India.

From the ancient Iranian civilizations in 500 BC, through the Islamic period, and on to modern-day Iran, Iran: The Art and Architecture of Persia explores the common characteristics and thematic threads running through Persian art. Iran presents its readers with archaeological landscapes, monuments, sculptures, carpets, and dazzling ornaments and art objects from this stunning artistic milieu. The text takes as it subject the most fascinating and unusual facets of the Persian artistic experience, with a particular focus on post-Hellenic culture, namely late antiquity and the Middle Ages. Iran investigates how the examined regions were hothouses of specific artistic developments and identifies how the Iranian passage along the Silk Route acted as a bridge between distant lands for trade as well as the dissemination of religious and material culture.

The two authors, Gianroberto Scarcia and Giovanni Curatola, write in an engaging, refreshingly accessible manner, catering both to specialists and to novices wishing to immerse themselves in this captivating region and its art. Author Scarcia writes the first part of the book, covering the era from the Achaemenids to the Sassanids and examining the great architecture from Persepolis onward while also addressing the powerful metalwork produced by these cultures. The second part, by Curatola, explores the Islamic period, when architectural decoration moved into the forefront with brilliant chromatic effects etched onto massive built works. The same colors bloom throughout the other arts, including carpets and miniature paintings. Dynamic and absorbing, Iran and its over 200 color photos will take readers on a virtual tour of this region and the art it has produced over the centuries.

Giovanni Curatola is a professor of Islamic archeology and art history at the University of Udine. In addition to having written numerous scholarly publications, he has curated such exhibitions as Islamic Art in Italy and Shamans and Dervishes of the Steppes. Gianroberto Scarcia is a professor of Arabic-Islamic cultural history at the University of Venice and a lecturer in Islamic history, law, and art. He recently wrote the book Scirin: Queen of the Magi.

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