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Introduction - The Baroque Palace
Page 66. Thommaso Maria Conca, Ceiling vault with Apollo scenes and ancient Greek poets; in the center panel, The Contest Betwen Apollo and Marsyas, 1782-87.  Museo Pio Clementino, Musei Vaticani, Rome
Rome, Villa Boncompagni Ludovisi
Page 120. Plate 29.  Sala della Fama, details of the ceiling painting (Guercino and Tassi): Honos, Virtus, and Amor Virtutis
Florence, Palazzo PittiPage 167.  Plate 53.  General view looking toward the north and west walls.
Florence, Palazzo Medici RiccardiPage 249.  Plate 44  Luca Giordano, Apotheosis of the Medici, early 1680s.Oil on canvas, 54 3/4 x 25 5/8.  Sir Denis Mahon Collection, London; 1892
Introduction - The Baroque Palace
Page 58. Carlo Innocenzo Carlone, Ceiling painting with Triumph of Reason over Its Adversaries, c. 1745.Villa Lechi, Montirone, near Brecia.
Rome, Villa Boncompagni Ludovisi
Page 113. Plate 19.  Guercino, Fama, Honos, Virtus, and Amor Virtutis, 1621.Sala Superiore, Casino DellAurora
Rome, San Andrea Della VallePage 134.  Plate 36.  Evangelists from the cupola pendentives: Luke
Florence, Palazzo PittiPage 187. Plate 72.  Sala di Saturno: The Heros Death and Apotheosis
Italian Frescoes: The Baroque Era
1600–1800

Text by Steffi Roettgen
Photographs by Antonio Quattrone and Ghigo Roli 
Size: 11 x 13" 
Cloth, 484 pages
330 plates, 260 in full color
Published 2007
ISBN: 978-0-7892-0936-8
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The fifth and final volume of the only comprehensive survey in modern times of the surviving Italian frescoes from the Baroque era, 1600 to 1800, this groundbreaking work is an achievement in scholarship and publishing of the same magnitude as Abbevilles Art of Florence and Art and Spirit of Paris.

"The fifth in a series of sumptuous volumes dedicated to Italian frescoes published by Abbeville, Italian Frescoes: The Baroque Era, 1600—1800 caps a triumphant finish to one of the finest set of artbooks that one might wish for. As lavishly illustrated as its predecessors, the present volume covers the whole of Italy, giving not only in situ contexts but also vivid details of frescoes one could never see at first hand. This is a gorgeous book! *****” -- Art Times

"...Steffi Roettgens Italian Frescoes: The Baroque Era, 1600-1800 helps restore the good name of the baroque and impresses upon the reader the impact these works once had for a contemporary audience and still have for modern audiences today." -- Art Blog by Bob

Roettgen’s comprehensive scholarship (and Stockman’s graceful translation) emerges as the treasure within the treasure of this volume... With this final volume in the series, you’ll discover new insights about one of the most astonishing and productive periods in Western art. -- NotableBookReviews.com

Following the success of the previous volumes in this extraordinary Italian Frescoes series — The Age of Giotto; The Early Renaissance; The Flowering of the Renaissance; and The High Renaissance and Mannerism — this new publication features twenty-five fresco cycles, each representing a notable achievement in the history of art. The fresco cycles presented include brilliant works by Domenichino, Sebastiano Ricci, Guercino, and Tiepolo — all of them still visible on walls and ceilings of palaces and churches spanning Italy from Venice to Naples.

The authors present such celebrated sites as the Barberini Palace in Rome and the Pitti Palace in Florence, as well as lesser-known gems. Each of the chapters is concise and authoritative, offering a descriptive and interpretive essay on all aspects of the fresco cycle, covering the artists and their patrons in the context of their cultural and political history. Each essay concludes with a diagram of the site, followed by a series of full- and double-page color plates showing the entire cycle, many reproduced from new photographs of recently restored frescoes.

No publisher until now has attempted to gather together and document all the important fresco cycles of Italian art from the late thirteenth to the eighteenth century. While this volume is a continuation of the previous books, Italian Frescoes: The Baroque Era certainly stands alone as an incredible treasury of art and scholarship that will be eagerly collected by art historians and art lovers alike.

Steffi Roettgen studied at the universities of Munich, Erlangen, and Bonn and has taught at the Technical University of Berlin and the University of Munich. Currently she is associated with the Art History Institute in Florence. She is the author of Italian Frescoes: The Early Renaissance and Italian Frescoes: The Flowering of the Renaissance. Antonio Quattrone is regarded as one of the leading photographers of works of art; his many books include other volumes in the Italian Frescoes series. Ghigo Roli also specializes in fine art photography.

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