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Louise Dahl-Wolfe (1895-1989).Model in Dior Suite, Walking Poodles in Paris, c. 1940. Gelatin silver print, 10 1/2 x 9 1/2 (25.4 x 23.8 cm).  Gift of Helen Cumming Ziegler.
Elizabeth Catlett (born 1915).Stepping Out, 2000. Bronze, 20 x 9 1/2 in.(76.2 x 24.1 cm). Promised gift of Wallace and Wilhelmina Holladay.
Esther Mahlangu, a member of Ndebele tribe of South Africa, arrived at NMWA to celebrate a display of the BMW she was commissioned to paint with her tribal designs.  Taking advantage of Mahlangus visit, we asked her to create a mural on the façade of the newly acquired building next door, which was to become the site of the new Museum annex.  The exotic artist on the scaffolding stopped traffic on New York Avenue for hours.
Anni Albers (1899-1994)Untitled, 1969.Serigraph on paper, 24 x 22 1/2 in. (61 x 57.2 cm).
On April 7, 1987, the National Museum of Women in the Arts (NMWA) opened to the public in Washington, D.C.  A former Masonic temple was transformed into a temple of women artists.
Elisabeth-Louise Vigée-Lebrun (1755-1842). Portrait of Princess Belozersky, 1798.  Oil on canvas, 31 x 26 1/4 in. (78.7 x 66.7 cm). Gift of Rita M. Cushman in memory of George A. Rentschler.
Frida Kahlo (1907 - 1954).Self-portrait Dedicated to Leon Trotsky, 1937.Oil on Masonite, 30 x 24 in. (76.2 x 61 cm). Gift of the Honorable Clare Boothe Luce.
In 2006 I was given the National Medal of Arts by President George W. Bush.  This picture was taken after the White House ceremony with the President and Mrs. Bush.
A Museum of Their Own
National Museum of Women in the Arts

By Wilhelmina Cole Holladay 
Size: 10" x 11" 
Cloth, 240 pages
170 illustrations, 130 in full color
Published 2008
ISBN: 978-0-7892-1003-6
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An inspiring memoir relating how Wilhelmina Cole Holladay succeeded in founding and establishing the best-known museum devoted to women in the arts.

Museums acquire such gravitas, it seems as though theyve always been here, so its instructive to be reminded of how much vision and work is involved.... [The National Museum of Women in the Arts] changed the status of women artists and the life of its founder, who now tells the museums success story in an entertainingly anecdotal, inspiring, and beautifully illustrated memoir. -- Booklist

Aside from the story of her and the institution’s life, Holladay considers hundreds of pieces in all mediums... Readers will find this richly rewarding, whether they’re interested in the personal story of this National Medal of Arts winner or the fine art she’s collected. -- PublishersWeekly.com

A Museum of Their Own includes some gorgeous works from the museum’s collection, art by women you may have never heard of, but now have an opportunity to appreciate. -- BookPage

The lavish and plentiful illustrations ... reveal many carefully selected paintings, sculptures, prints, and pottery by women around the globe....The museum and this splendid book will serve as a focal point for rescuing the works and reputations of extraordinary women artists who otherwise might be obscured by time. -- Library Journal

Over the centuries, until quite recently, the work of great women artists had been ignored, forgotten, or denied; they had been largely left out of museums and histories of art. Along came Wilhelmina Cole Holliday, who boldly decided it was time to rectify this oversight by founding a museum in 1987 in a landmark building near the White House. A critic for the Washington Post wrote, “Wilhelmina Cole Holladay, the museum’s founding president, has accomplished something radical. No player in the art scene here has a deeper understanding of power and money and of how our system works. Despite her white-glove graciousness, hard-working Billie Holladay is a warrior and a winner....” This thrilling story of the birth and early years of the NMWA is a lively, anecdotal, behind-the-scenes, eyewitness glimpse of the efforts of dedicated individuals who shared Mrs. Holladay’s vision and, under her leadership, helped her expand the permanent collection, organize outstanding exhibitions, renovate the Museum, and fund a robust endowment. Moreover, NMWA now boasts a growing membership—among the top ten museums in the world—with active, vocal committees all across the nation and in many countries. Illustrating the text are 130 color pictures, which include works from the collection and from exhibitions, as well as 40 archival photographs of landmark events that led to the Museum’s impressive growth.

Wilhelmina Cole Holladay, the founder and Chair of the Board of the National Museum of Women in the Arts, was elected to the National Women’s Hall of Fame and was awarded the National Medal of Arts and the Legion of Honor from the French government. She lives with her husband, Wallace, in Washington, D.C.

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