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70 Years of the Oscar
  • Book Description
  • Excerpt: The Beginning
  • Excerpt: 1931-32
  • Excerpt: 1951
  • Excerpt: Facts & Records
  • Excerpt: 1977
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  • Additional illustrations
  • Table of contents
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Oscar Memories:

Richard Dreyfuss:

The night was a complete fuzz out. At the time, it seemed highly rational that I was being considered for an Academy Award. It was only later I realized that my God, I won the Best Actor Award of 1977.

I wanted to be in control so that when I returned to the audience I could appreciate the experience moment by moment, but my mind turned to Jello and all I could do was guffaw into the microphone.

We've all participated in two rituals: one is the watching of the Academy Awards and the other is the putting down of the Academy Awards. Both are very sacred and traditional American events. I always vowed that I would never go to an Academy Awards presentation that I was involved in. (This was in my days of chutzpah and cockiness.) But as the reality became closer and closer and I saw myself in a vision: driving Pacific Coast Highway alone in my car listening to the Academy Awards presentation on the radio, and hearing my name and saying to myself 'Schmuck...what are you doing here?' So, I decided I would go to the Oscars.

It is extraordinary, but the most relevant part of the experience is not from that night, but from what I have been carrying with me ever since. And that is this: I would have to work very hard to deny my success now. I would have to extend an enormous amount of effort to say that I'm not doing well in this business. The accolade, the acceptance, the acknowledgement that this award has given me, to my surprise, more whiffs of personal happiness in my soul than I ever expected it to. Usually once every two or three days, for periods of two or three minutes at a time, an enormous giggle of happiness comes over me... not only that I won, that I am the winner, but that I'm here and I'm me and I can enjoy it and it's all wonderful.

Best Actor, 1977 (in The Goodbye Girl)

Competing nominees:
- Woody Allen in Annie Hall
- Richard Burton in Equus
- Marcello Mastroianni in A Special Day
- John Travolta in Saturday Night Fever

Oscar Trivia:
29 years old in The Goodbye Girl, Richard Dreyfuss still holds the record for youngest Best Actor winner.

Memories and records collected by Robert Osborne in 70 Years of the Oscar

Book Cover 70 YEARS OF THE OSCAR: The Official History of the Academy Awards; by Robert Osborne
690 illustrations, 60 in full color
384 pages • 9 x 12" • Hardcover
ISBN 0-7892-0484-3 • $65.00



1977
The Fiftieth Year

Here it was at last: fifty years after that initial gathering at the Hollywood Roosevelt Hotel, the Academy celebrated its first half-century birthday, stronger than ever, with Oscar the acknowledged final word on motion picture achievement. The celebration took place April 3, 1978, again at the Dorothy Chandler Pavilion of the Los Angeles Music Center, with a stage full of stars, including the first Oscar winner Janet Gaynor, two-time champions such as Bette Davis and Olivia de Havilland, plus current box office names like John Travolta and Sylvester Stallone taking part. The show was telecast on ABC-TV, produced by Howard W. Koch and directed by Marty Pasetta.

Star Wars won six statuettes for the biggest award total of the night, all of them in the technical division; it also received a seventh award, voted by the Academy Board of Governors, for its special achievement (by Benjanim Burtt, Jr.) in the creation of alien creature and robot voices. Annie Hall received four awards, including best picture, best actress (Diane Keaton), best director (Woody Allen) and best original screenplay (Woody Allen and Marshall Brickman). Richard Dreyfuss was chosen best actor (for The Goodbye Girl, Frace's Madame Rosa was selected best foreign language film, Vanessa Redgrave was named best supporting actress in Julia and Jason Robards was chosen best supporting actor (for Julia). Robards, winner in the same category the previous year, became the fourth performer in Academy history to win in subsequent years (following Luise Rainer in 1936-1937, Spencer Tracy in 1937-1938, and Katherine Hepburn in 1967-1968). Miss Redgrave caused controversy when she used her acceptance speech to criticize "militant Zionist hoodlums" for protesting her political beliefs and actions.


Star Wars (20th Century-Fox; produced by Gary Kurtz) was the blockbuster of the year, a sweeping, energetic, and absolutely splendid space-adventure-fantasy which reawakened the world's interest in sci-fi films and showed what movies could do better than any other entertainment medium. The film won six awards, the most of any film of 1977: for costume design, film editing, art direction, sound, original music score, visual effects plus a special achievement award, voted by the Academy's Board of Governors. It was the first of a series of Star Wars films which included 1980's The Empire Strikes Back and 1983's Return of the Jedi, blockbusters all. The stars of these first three films were Harrison Ford, Carrie Fisher and Mark Hamill.

Overall, it was a friendly, glamorous and star-studded night for Oscar, a fitting finale to the first fifty years of activity. And there was good news the morning after, when the ratings came tumbling in: the telecast had attracted the largest television audience for any Oscar show to date.


Best Picture: Annie Hall (United Artists; produced by Charles H. Joffe), Best Director: Woody Allen and Best Actress: Diane Keaton as Annie (right, with Allen as Alvy Singer) in Annie Hall. Annie's a budding singer, and Alvy is a TV-nightclub comic; they meet in Manhattan, have a brief entanglement, then split. Told with penetrating insights into modern relationships (and generously sprinkled with Woody Allen's unique deadpan humor) Annie Hall won four Oscars, including two for Mr. Allen, as director and as co-author (with Marshall Brickman) of the original screenplay, and one for the infectious title performance by Miss Keaton.


Best Supporting Actress: Vanessa Redgrave as Julia (right, with Jane Fonda) in Julia (20th Century-Fox; directed by Fred Zinnemann). Julia was based on Lillian Hellman's Pentimento, with Jane Fonda playing author Hellman, reminiscing about her early life and especially a childhood friend (played by Redgrave), who grew into an impassioned activist in World War II Europe and was eventually murdered by Nazi factions. Previously, Vanessa Redgrave had been an Academy nominee for Morgan! (1966), Isadora (1968) and Mary, Queen of Scots (1971). She was also the first from her distinguished acting family to win an Oscar; later she was also nominated for The Bostonians (1984) and Howards End (1992). By virtue of her Julia win, she became the only person in Oscar's first 70 years to win a supporting Academy Award for playing the title role in a movie.