Naomi Rosenblum, an independent curator and scholar who has written many articles and lectured extensively on a wide range of subjects in photography, first published A World History of Photography in 1984 (it is now in its fourth edition and is a popular course textbook). This is the second revision of her 1994 book, A History of Women Photographers. She lives in Long Island City, New York.
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An up-to-date edition of the authoritative history of photography—widely embraced by both students and general readers
Naomi Rosenblum's classic history of photography traces the evolution of this young art form chronologically and thematically. Exploring the diverse roles that photography has played in the communication of ideas, Rosenblum devotes special attention to topics such as portraiture, documentation, advertising, and photojournalism, and to the camera as a means of personal artistic expression. Her text is illustrated with nearly nine hundred images by photographers both celebrated and little known, arranged in stimulating juxtapositions that illuminate their visual power.
This fifth edition of A World History of Photography is substantively revised and updated. The photography of the past several decades is reevaluated from a contemporary perspective, and international developments are covered in greater detail. The main strands of today's complex universe of digital image-making are masterfully summarized and placed in their historical context, and the careers of representative contemporary photographers are studied in depth.
Thoughtfully written, carefully and abundantly illustrated, and provided with a full apparatus—including a chronology, glossary, and annotated bibliography—Rosenblum's volume remains the indispensable work on its subject.
The essential illustrated history of women photographers, now updated and expanded to include women working in the twenty-first century.
Women have had a special relationship with the camera since the advent of photographic technology in the mid-nineteenth century. Photographers celebrated women as their subjects, from intimate family portraits and fashion spreads to artistic photography and nude studies, including Man Ray’s Violon d’Ingres. Lesser known—and lesser studied—is the history of women photographers, who continue to make invaluable contributions to this flourishing art form.
A lengthy study with 416 pages and more than 300 illustrations, A History of Women Photographers is the only survey of women photographers working in the past three centuries, and it is impressively comprehensive. In this edition author Naomi Rosenblum expands the book’s coverage, including new photographers and fifteen new images. There are several important revisions throughout the text and to the appendix of photographer biographies. Rosenblum also provides a new Afterword, in which she evaluates the influence of rapidly changing digital technology on the field of photography and how women photographers stand in the twenty-first century.
A History of Women Photographers is a momentous contribution to the study of photography—and an important addition to any shutterbug’s library.
This sumptuously illustrated volume, hailed as an indispensable work on the fascinatingly expressive photographic medium, has been revised and expanded to cover images by contemporary photographers working in the twenty-first century.
From the camera lucida to the latest in digital image making and computer manipulation, photographic technology has dramatically changed throughout its nearly 200-year history, as succinctly explained and powerfully illustrated in A World History of Photography. Thanks to the unique immediacy with which photography captures perspective and history, the popularity and use of the camera spread rapidly around the globe. Today, photography is ubiquitous: from newspapers and fashion magazines to billboards and the film industry, cultures worldwide have embraced this malleable artistic medium for a limitless variety of purposes.
Naomi Rosenblum’s classic text investigates all aspects of photography — aesthetic, documentary, commercial, and technical — while placing photos in their historical context. Included among the more than 800 photographs by men and women are both little-known and celebrated masterpieces, arranged in stimulating juxtapositions that illuminate their visual power. Authoritative and unbiased, Rosenblum’s chronicle of photography both chronologically and thematically traces the evolution of this still-young art form. Exploring the diverse roles that photography has played in the communication of ideas, Rosenblum devotes special attention to topics such as portraiture, documentation, advertising, and photojournalism, and to the camera as a means of personal artistic expression.
The revised fourth edition includes updates on technical advances as well as a new chapter on contemporary photographers. Armed with the expressive vigor of its images, this thorough and accessible volume will appeal to all.