Best Sellers

Ancient Trees

Portraits of Time

By

Mesmerizing black-and-white photographs of the world’s most majestic ancient trees.

Holiday Gift Guide Selection -- San Francisco Chronicle

Beth Moon’s fourteen-year quest to photograph ancient trees has taken her across the United States, Europe, Asia, the Middle East, and Africa. Some of her subjects grow in isolation, on remote mountainsides, private estates, or nature preserves; others maintain a proud, though often precarious, existence in the midst of civilization. All, however, share a mysterious beauty perfected by age and the power to connect us to a sense of time and nature much greater than ourselves. It is this beauty, and this power, that Moon captures in her remarkable photographs.

This handsome volume presents sixty of Moon’s finest tree portraits as full-page duotone plates. The pictured trees include the tangled, hollow-trunked yews—some more than a thousand years old—that grow in English churchyards; the baobabs of Madagascar, called “upside-down trees” because of the curious disproportion of their giant trunks and modest branches; and the fantastical dragon’s-blood trees, red-sapped and umbrella-shaped, that grow only on the island of Socotra, off the Horn of Africa.

Moon’s narrative captions describe the natural and cultural history of each individual tree, while Todd Forrest, vice president for horticulture and living collections at the New York Botanical Garden, provides a concise introduction to the biology and preservation of ancient trees. An essay by the critic Steven Brown defines Moon’s unique place in a tradition of tree photography extending from William Henry Fox Talbot to Sally Mann, and explores the challenges and potential of the tree as a subject for art. 

Read more

Wristwatch Annual 2017

The Catalog of Producers, Prices, Models, and Specifications

By

The must-have guide for the collector of fine wristwatches with complete information—including prices—on over 1,400 models made by more than 130 international brands

The Wristwatch Annual has become a classic for aficionados of fine watchmaking. It’s a one-stop shop for watch buying, offering complete specs and prices on over 1,400 models by more than 130 international brands, while also tracking the latest developments in the watch industry. In addition to the extensive A–Z section, which includes many new entries, senior editor Marton Radkai presents editorial features that take a closer look at a number of exciting American brands on the market today.

Presenting a wide range of wristwatches, with exquisite color photographs and complete specifications for each watch, Wristwatch Annual provides collectors with a wealth of information close at hand. The book is arranged alphabetically by producer—within each producer’s section is a brief history of the brand (with contact information)—and specifications and materials for each watch, including price, movement, special features, complications, case, dial, band, and variations. Also included are a glossary and a guide to watch maintenance.

The clear photography, structured layout, and lively writing also makes this book a pleasure to read or just browse. This year’s edition features updated and expanded content, focusing on new American brands.

Read more

Ancient Skies, Ancient Trees

By

Photographer Beth Moon revisits the world’s oldest trees in the darkest places on earth, using color photography to capture vibrant nighttime skies

Throughout much of the world, night skies are growing increasingly brighter, but the force that protects the remaining naturally dark sky, unpolluted by artificial light, is the same that saves its ancient trees—isolation. Staking out some of the world’s last dark places, photographer Beth Moon uses a digital camera to reveal constellations, nebulae, and the Milky Way, in rich hues that are often too faint to be seen by the naked eye. As in her acclaimed first volume, Ancient Trees: Portraits of Time, these magnificent images encounter great arboreal specimens, including baobabs, olive trees, and redwoods, in such places as South Africa, England, and California.

In her artist’s statement, Beth Moon describes the experience of shooting at night in these remote places. An essay by Jana Grcevich, postdoctoral fellow of astrophysics at the American Museum of Natural History, provides the perspective of a scientist racing to study the stars in a world growing increasingly brighter. Clark Strand, the author of Waking Up to the Dark: Ancient Wisdom for a Sleepless Age, takes a different tack, illuminating the inherent spirituality of trees.

Read more

Karen Gunderson

The Dark World of Light

By

The first comprehensive monograph on contemporary artist Karen Gunderson written by Pulitzer Prize winner Elizabeth Frank.

Widely collected in Hollywood and New York, artist Karen Gunderson is perhaps best known for her work since the 1980s, when she transitioned from painting in color to working only in black. Over her forty-plus-year career, Gunderson has tackled subjects from clouds to royalty to the cosmos. Her long-developed, labor intensive technique, including rigorous brushwork and paint layering, employs a range of black shades that create a unique three-dimensional effect: The multiple textures from the paint catch light and make the paintings shimmer and appear to move, alternating with shadows and highlights that illuminate her subjects—historic royal figures, bodies of water, mountains, and constellations—depending on how the viewer moves in front of each artwork.

Tracing the life and career of the artist, Karen Gunderson is written by author and critic Elizabeth Frank, who won the Pulitzer Prize for her biography of poet Louise Bogan and is the author of a number of books on art, including Jackson Pollock, published by Abbeville.

Art lovers and artists interested in Gunderson’s painting technique will discover captivating works in this book—in more than 100 illustrations—that shows how the artist pushes the limits to what one can do with black paint. While abstract artists of the past, including Ad Reinhardt and Pierre Soulages, have employed black paint, Gunderson has set herself apart from this lineage. She has distinguished herself not only with her use of figurative subjects, but also the way her works radiate a quiet optimism—a sharp contrast with this dark medium.

Read more