Best Sellers

Ancient Trees

Portraits of Time

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Mesmerizing black-and-white photographs of the world’s most majestic ancient trees.

Holiday Gift Guide Selection -- San Francisco Chronicle

Beth Moon’s fourteen-year quest to photograph ancient trees has taken her across the United States, Europe, Asia, the Middle East, and Africa. Some of her subjects grow in isolation, on remote mountainsides, private estates, or nature preserves; others maintain a proud, though often precarious, existence in the midst of civilization. All, however, share a mysterious beauty perfected by age and the power to connect us to a sense of time and nature much greater than ourselves. It is this beauty, and this power, that Moon captures in her remarkable photographs.

This handsome volume presents sixty of Moon’s finest tree portraits as full-page duotone plates. The pictured trees include the tangled, hollow-trunked yews—some more than a thousand years old—that grow in English churchyards; the baobabs of Madagascar, called “upside-down trees” because of the curious disproportion of their giant trunks and modest branches; and the fantastical dragon’s-blood trees, red-sapped and umbrella-shaped, that grow only on the island of Socotra, off the Horn of Africa.

Moon’s narrative captions describe the natural and cultural history of each individual tree, while Todd Forrest, vice president for horticulture and living collections at the New York Botanical Garden, provides a concise introduction to the biology and preservation of ancient trees. An essay by the critic Steven Brown defines Moon’s unique place in a tradition of tree photography extending from William Henry Fox Talbot to Sally Mann, and explores the challenges and potential of the tree as a subject for art. 

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Ancient Skies, Ancient Trees

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Photographer Beth Moon revisits the world’s oldest trees in the darkest places on earth, using color photography to capture vibrant nighttime skies

Throughout much of the world, night skies are growing increasingly brighter, but the force that protects the remaining naturally dark sky, unpolluted by artificial light, is the same that saves its ancient trees—isolation. Staking out some of the world’s last dark places, photographer Beth Moon uses a digital camera to reveal constellations, nebulae, and the Milky Way, in rich hues that are often too faint to be seen by the naked eye. As in her acclaimed first volume, Ancient Trees: Portraits of Time, these magnificent images encounter great arboreal specimens, including baobabs, olive trees, and redwoods, in such places as South Africa, England, and California.

In her artist’s statement, Beth Moon describes the experience of shooting at night in these remote places. An essay by Jana Grcevich, postdoctoral fellow of astrophysics at the American Museum of Natural History, provides the perspective of a scientist racing to study the stars in a world growing increasingly brighter. Clark Strand, the author of Waking Up to the Dark: Ancient Wisdom for a Sleepless Age, takes a different tack, illuminating the inherent spirituality of trees.

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Wristwatch Annual 2018

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The must-have guide for the collector of fine wristwatches with complete information—including prices—on over 1,400 models made by more than 130 international brands.

The Wristwatch Annual is the classic annual for aficionados of fine watchmaking. It’s a one-stop shop for watch buying, offering complete specs and prices on over 1,400 models by more than 130 international brands, while also tracking the latest developments in the watch industry. In addition to the extensive A–Z section, which includes many new entries, senior editor Marton Radkai presents editorial features that take a closer look at a number of exciting brands on the market today.

Wristwatch Annual is one of the world’s leading wristwatch publications and includes more than 100 of the most important mechanical watch manufacturers, describing their current collections in detail.

Presenting a wide range of wristwatches, with exquisite close-up color photographs and complete specifications for each watch, Wristwatch Annual provides collectors with a wealth of information close at hand. The book is arranged alphabetically by producer—within each producer’s section is a brief history of the brand (with contact information)—and specifications and materials for each watch, including price, movement, special features, complications, case, dial, band, and variations. Also included are a glossary and a guide to watch maintenance.

The clear photography, structured layout, and lively writing also makes this book a pleasure to read or just browse.

Peter Braun is editor-in-chief of Germany’s renowned wristwatch magazine Armbanduhren.

 

PRAISE FOR PREVIOUS EDITIONS OF WRISTWATCH ANNUAL

“An absolute staple in any serious collector’s regular reading material.”— TheWatchLounge.com

Wristwatch Annual. . . covers models and specs of fine watches . . . but it is the unusual makers, all with text describing company characteristics, that make the large softcover especially interesting.”— Arizona Daily Star

“An invaluable source of information for anyone who wants a thorough survey of the new additions to the market.” — Plaza Watch

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Audubon's Birds of America

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Abbeville's magnificent volume on John James Audubon's world famous ornithological engravings.

This marvelous edition of Audubon's Birds of America displays all 435 of Audubon's brilliant handcolored engravings in exquisite reproductions taken from the original plates of the Audubon Society's archival copy of the rare Double Elephant Folio. Although many attempts have been made to re-create the magnificent illustrations in Audubon's masterpiece, nothing equals the level of fidelity or scale achieved in this high-quality edition.

Organized and annotated by Roger Tory Peterson, America’s best-known ornithologist, and issued with the full endorsement and cooperation of the Audubon Society, this magnificent volume is as thorough in scientific classification as it is beautiful. Peterson's fascinating introduction places Audubon in the context of the history of American ornithological art and also reproduces a wide sampling of the work of Audubon's notable predecessors and disciples, including Peterson's own justly famous paintings.

This new systematic arrangement of the prints, complete with informative commentaries about each bird, made it possible to correct many of the problems or errors in Audubon's original edition revealed by later scholarship. The colorful captions in the back provide fascinating commentaries on each featured bird.

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The History of Paris in Painting

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A sumptuous artistic tribute to the city of lights, this volume brings Paris to life in paintings that range from the medieval to the modern.

“Paris is a moveable feast,” Ernest Hemingway once proclaimed. The city of lights, or the city of love, Paris is indeed a feast for the senses. Paris’s rich history has been justly captured by the many artists sheltered by its garrets and supported by its patrons for centuries.

Finally the story and grandeur of this beautiful city are revealed in this luxurious slipcased volume. The 350 full-color illustrations, including four breathtaking gatefolds, present Paris from its days as a medieval city on the Ile de la Cité, in the middle of the Seine River, through the tumultuous days of the French Revolution, to the “Haussmannization” of Paris, when much of the city was razed to make way for broad boulevards emanating from the Arc de Triomphe.

The rich heritage of painting in Paris is broadly represented in this collection. Home of the Académie des Beaux-Arts, Paris nurtured generations of French artists and displayed their work in the Salon. As the Impressionists broke with the authoritarian standards of the Academy, Parisian art became even more diverse and increasingly abstract—a trend that continued through the twentieth century.

The History of Paris in Painting honors this celebrated city and its famous monuments by presenting readers with an artistic feast that will make anyone fall in love with Paris again and again.

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Pieter Bruegel

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This fascinating full-length study examines all works by the great Flemish painter Pieter Bruegel within the wider setting of art during his lifetime.

The recent rediscovery in Spain of Pieter Bruegel the Elder’s lost painting, The Wine of Saint Martin’s Day, has created even more interest in this much-loved artist, who was one of the Netherlands’ two great masters of satire and fantasy, along with Hieronymus Bosch. Although these two artists never met each other—Bruegel was born around 1525, a decade after Bosch’s death—numerous features link them; indeed, Bruegel painted several demon-infested hellscapes directly inspired by the older master, and he was known in Antwerp as a “second Bosch.” But Bruegel is most famous for his peasant scenes, often humorous and packed with anecdote, and for his landscapes, which poignantly evoke Nature’s changing seasons. His legacy to Netherlandish art was the enduring popularity of both these genres, as well as the artistic dynasty he founded, beginning with his painter sons Pieter the Younger and Jan Brueghel.

Critics have often remarked how Bruegel’s art, so keenly observed and richly detailed, seems to preserve a world in miniature. In this new monograph, Larry Silver, an eminent historian of Northern Renaissance art, serves as our guide to that world. He leads us expertly through Bruegel’s complex and fascinating iconography, allowing us to see his paintings and drawings from the same perspective as his sixteenth-century countrymen. Silver situates Bruegel within the visual culture of his time—exploring, for example, his relationship with the print publisher Hieronymus Cock—and within the broader context of Netherlandish history. All of Bruegel’s surviving paintings are reproduced here, with many full-page details, as well as all of his prints and representative works by his contemporaries and followers.

This volume on Bruegel complements Silver’s widely praised monograph on Hieronymus Bosch, which was published by Abbeville Press in 2006. These two books are the most authoritative and best-illustrated studies of their respective subjects, and together they present us with a panorama of Netherlandish art’s emergence into the distinctive form of the Northern Renaissance.

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Audubon's Birds of America

2nd Revised Edition

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Abbeville's magnificent volume on John James Audubon's world famous ornithological engravings.

 

This marvelous edition of Audubon's Birds of America displays all 435 of Audubon's brilliant handcolored engravings in exquisite reproductions taken from the original plates of the Audubon Society's archival copy of the rare Double Elephant Folio. Although many attempts have been made to re-create the magnificent illustrations in Audubon's masterpiece, nothing equals the level of fidelity or scale achieved in this high-quality edition. Organized and annotated by Roger Tory Peterson, America’s best-known ornithologist, and issued with the full endorsement and cooperation of the Audubon Society, this magnificent volume is as thorough in scientific classification as it is beautiful. Peterson's fascinating introduction places Audubon in the context of the history of American ornithological art and also reproduces a wide sampling of the work of Audubon's notable predecessors and disciples, including Peterson's own justly famous paintings. This new systematic arrangement of the prints, complete with informative commentaries about each bird, made it possible to correct many of the problems or errors in Audubon's original edition revealed by later scholarship. The colorful captions in the back provide fascinating commentaries on each featured bird.

 

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Landscape Painting

A History

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A comprehensive, captivating history of landscape painting lavishly illustrated with 280 full-color works of art.

Since Antiquity, painters have sought to portray the glories of nature, and many of their pictures have become the best-known masterpieces in the history of art. In this sweeping treasury of Western art, distinguished art historian Nils Büttner has chosen paintings that not only portray natural vistas but also dramatic scenes with people and architecture. His broad selection of paintings in this genre consists mainly of well-known works, but some seldom-reproduced pictures are also included.

The paintings are presented chronologically, beginning with the heritage from the ancient world and the precursors of landscape artists in the Middle Ages and Renaissance, such as Leonardo da Vinci, Giovanni Bellini, and Raphael. The sixteenth century heralded a new perception of the world, reflected in the works of such masters as Albrecht Dürer and Bruegel, as shown. Next, artists of the flowering age of landscapes in the seventeenth and eighteenth centuries are featured, including Claude Lorrain, Nicolas Poussin, Rubens, Rembrandt, Fragaonard, David, and Gainsborough. In the early nineteenth century, which was dominated by the spirit of Romanticism, artists began to display a new manner of treating nature. These revolutionary conceptions of nature are vividly presented with examples from Constable, Turner, Whistler, Frederic Church, Bierstadt, Thomas Eakins, and Winslow Homer. These artists are followed by plein-air painters, Impressionists, and Post-Impressionists, among them Manet, Monet, Sisley, Renoir, Cézanne, Seurat, van Gogh, and Rousseau. Artists represented from the twentieth century include Matisse, Picasso, Klee, Magritte, Georgia O’Keeffe, Andrew Wyeth, and David Hockney.

Many of the extraordinary works are reproduced in full along with a detail and an informative caption. In the authoritative text, the author traces the history of landscape painting up to the present day but also focuses on individual paintings and the circumstances under which they were created. Along with a description of a painting, the lucid text examines the work’s cultural, historical, and aesthetic context.

The art of landscape artists, which has long been an under-published area of art history, is finally and stunningly revealed in this richly illustrated tribute to their work. This fresh vision of landscape artists is certain to be welcomed by art historians and museum-goers, as well anyone else interested in Western art.

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Distilled Knowledge

The Science Behind Drinking’s Greatest Myths, Legends, and Unanswered Questions

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A charming, uproarious exploration of the scientific answers to our most timeless questions about drinks and drinking

The world is full of questions, myths, and half-truths about drinking. Beer before liquor, never sicker? Should you drink the hair of the dog that bit you?

These questions usually have hilarious answers, but more often than not, the old wives’ tales and wild guesses of bartenders (and –goers alike) drown them out. For the first time in one volume, Distilled Knowledge compiles all the major points of discussion and disputation—with the science to either back them up or knock them down.

Cocktail historian and instructor Brian D. Hoefling’s pithy, conversational text is divided into two parts. The first, “What Hits the Glass,” discusses the ins and outs of fermentation, distillation, aging, and mixing—even solving the age-old conundrum between “shaken” and “stirred.” The second section, “What Hits the Body,” deals with the after-effects of alcohol on the human body, answering a wide range of questions on intoxication, social lubrication, and hangovers.

Readers will receive a complete and comical education through this attractive volume, which features clear, cheeky illustrations throughout. Complete with cross-references, scientific appendices, and a full index, the easily digestible entries are robust enough to put an end to any barroom dispute. A compulsively readable book, Distilled Knowledge is as funny as it is factual and will delight cocktail enthusiasts, beer aficionados, and those who love a good bit of trivia.

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Women Who Read Are Dangerous

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An elegant survey of over 70 works of art featuring women reading throughout history.

What is it about a woman reading that has captivated hundreds of artists over the centuries? Stefan Bollmann’s Women Who Read Are Dangerous explores this popular subject in more than 70 artworks—drawings, paintings, photographs, and prints—by iconic artists such as Henri Matisse, Edward Hopper, Suzanne Valadon, August Sander, Rembrandt, and many more.

As the book’s provocative title indicates, a woman reading was once viewed as radical. In chapters such as “Intimate Moments” and “The Search for Oneself,” Bollmann profiles how a woman with a book was once seen as idle or suspect, and how women have gained autonomy through reading over the years. Bollmann offers intelligent and engaging commentary on each work of art in Women Who Read Are Dangerous, telling us who the subject is, her relationship to the artist, and even what she is reading. With works ranging from a 1333 Annunciation painting of the angel Gabriel speaking to the virgin Mary, book in hand, to twentieth-century works, such as a stunning photograph of Marilyn Monroe reading Ulysses, this appealing survey provides a veritable slideshow of the many iterations of a woman and her book—a compelling subject to this day.

An excellent gift for graduates, teachers, or Mother’s Day, this elegant book is a must anyone interested in art, literature, or women’s history.

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The Trees of North America

Michaux and Redouté's American Masterpiece

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A remarkable selection of American forest trees surveyed by François-André Michaux and Thomas Nuttall from The North American Sylva, held in the LuEsther T. Mertz Library of The New York Botanical Garden, featuring illustrations by celebrated botanical artists such as Pierre-Joseph Redouté and Pancrace Bessa, with an afterword by natural history artist David Allen Sibley

François-André Michaux (1770–1855) was a French botanist whose work on the trees of North America gave the world’s first illustrated account of American trees east of the Mississippi. From 1841 to 1849 Thomas Nuttall (1786–1859), an English botanist and one of the greatest plant explorers of North America, prepared supplementary volumes to Michaux’s landmark work, The North American Sylva.

Full-color reproductions of all of the more than 270 plates are now included in a single volume for the first time. Mirroring Abbeville’s best-selling National Audubon Society Birds of America, the book includes capsule summaries of every tree species featured, written by New York Botanical Garden staff, along with reference illustrations by David Allen Sibley.

Garden President Gregory Long looks at the book in the context of the New York Botanical Garden; NYBG Library Director Susan M. Fraser examines this landmark of American botanical history; award-winning garden writer Marta McDowell recounts the two botanist-explorers uncovering the continent’s arboreal riches; and best-selling ornithologist and natural history artist David Allen Sibley offers an aesthetic appreciation.

Beautifully illustrated and extensively researched, The Trees of North America will entice gardeners, art connoisseurs, and nature lovers alike.

 

The New York Botanical Garden hosts more than one million annual visitors to its 250-acre National Historic Landmark site, which features over one million living specimens, as well as one of the world’s preeminent plant research and conservation programs. Founded in 1899, the Garden’s Mertz Library is one of the largest, most comprehensive botanical libraries in the world.

David Allen Sibley is one of the world’s best-known natural history illustrators and the author of acclaimed field guides, including The Sibley Guide to Trees, which have sold more than one million copies.

Gregory Long is Chief Executive Officer and The William C. Steere Sr. President of The New York Botanical Garden.

Susan M. Fraser is Vice President and Director of the LuEsther T. Mertz Library at The New York Botanical Garden.

Marta McDowell is a gardener, lecturer, and horticultural writer. Her books include All the Presidents’ Gardens (2016) and Beatrix Potter’s Gardening Life (2013), winner of the Gold Award from the Garden Writers Association.

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