Art and Design

Artspoke

A Guide to Modern Ideas, Movements, and Buzzwords, 1848-1944

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This successor to the phenomenally popular Artspeak: A Guide To Contemporary Ideas, Movements, and Buzzwords chronicles international art from realism through surrealism.

An invaluable guide through the intricacies of the first century of modern art, ArtSpoke features the same lucid prose, thought-provoking ideas, user-friendly organization, and striking design as its predecessor, ArtSpeak: A Guide to Contemporary Ideas, Movements, and Buzzwords.

Chronicling international art from Realism through Surrealism, ArtSpoke explains such popular but often misunderstood movements and organizations as Impressionism, Post-Impressionism, the Salon, the Fauves, the Harlem Renaissance, and so on—as well as events ranging from the 1913 Armory Show to Brazil's little-known Semana de Arte Moderna. Concise explanations of potentially perplexing techniques, media, and philosophies of art making-including automatism, calotype, found object, Pictorialism, and Readymade-provide information essential to understanding how artists of this era worked and why the results look the way they do. Entries on concepts that were crucial to the development of modern art—such as androgyny, dandyism, femme fatale, spiritualism, and many others—distinguish this lively guide from any other art dictionary on the market.

Also unique to this volume is the ArtChart, a handy one-page chronological diagram of the groups discussed in the book. In addition, there is a scene-setting timeline of world history and art history from 1848 to 1944, overflowing with invaluable information and illustrated with twenty-four color reproductions.

Students, specialists, and casual art lovers will all find ArtSpoke an essential addition to their reference shelves and a welcome companion on visits to museums and galleries.

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Bernard Maybeck

Visionary Architect

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This bestselling volume chronicles one of the most innovative, influential, and beloved architects of the early 20th century.

Gracefully written and brilliantly illustrated, this handsome new volume captures the vision, the wit, and the down-to-earth inventiveness of one of the most influential and beloved architects of the early twentieth century.

Raised in Greenwich Village and trained in Paris, Maybeck spent most of his long career in northern California. An irrepressible bohemian with no desire to run a large office, he spent much of his time designing houses for friends and family, as well as for other patrons so loyal that they often hired him to design more than one house. Maybeck also created two of the most beautiful buildings in all of California: the exhilarating Church of Christ, Scientist, in Berkeley, and the gloriously romantic Palace of Fine Arts, in San Francisco.

This incisive overview—the first to feature color reproductions of Maybeck's exquisite interiors and exteriors—analyzes every aspect of his life and work. Not only his architecture but also his furniture, his lighting designs, and his innovations in fire-resistant construction are thoroughly discussed and illustrated. The book is also enlivened by documentary photographs, by clearly drawn plans, and by several of Maybeck's dazzling, previously unpublished visionary drawings.

Bernard Maybeck is a major study of an internationally significant architect whose environmentally responsive work has much to offer today's designers and whose houses have given enormous pleasure to those fortunate enough to visit or dwell in them.

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Joseph Urban

Architecture, Theatre, Opera, Film

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The long-awaited major biography of an important architect who was equally famous in his day for opera, stage, and film designs.

Joseph Urban already enjoyed an enviable reputation in Vienna for architecture, stage design, and book illustration before coming to America in 1911 to design productions for the Boston Opera. Soon his sets and innovative lighting caught the eye of both Florenz Ziegfeld, who lured him away to design the Follies in the 1920s, and William Randolph Hearst, who hired him as artistic director of his movie studio.Urban's lush stagecraft revolutionized American theatre design. In 1917 he was named artistic director of the Metropolitan Opera, and many of his original settings were used into the 1950s.

As an architect, Urban made memorable additions to New York's cityscape. Many have vanished, including the original Ziegfeld Theatre, but the Hearst Building and the New School for Social Research, the city's first International Style building, remain. Several of his works in Palm Beach still stand, including his most extravagant, Mar-a-Lago, the former Post estate now owned by Donald Trump. A study of this scope has long been overdue.

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Georges Braque

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The renowned partner of Picasso during the Cubist years and later the grand old man of French painting, Braque is one of the best-known and least-understood artists of our century.

From his friends' affectionate recollections, the artist emerges as a cheerful and energetic dandy, renowned for his sturdy good looks. His art suggests a different persona, however, for he was devoted to making thoughtful, deeply felt images — whether as a Fauve, a Cubist, or a mature painter working in his own distinctive style. Both the quiet intelligence of the man and the originality of his passionate yet elegant paintings emerge from the pages of this invaluable study.

About the Modern Masters series

With informative, enjoyable texts and over 100 illustrations — approximately 48 in full color — this innovative series offers a fresh look at the most creative and influential artists of the postwar era. The authors are highly respected art historians and critics chosen for their ability to think clearly and write well. Each handsomely designed volume presents a thorough survey of the artist's life and work, as well as statements by the artist, an illustrated chapter on technique, a chronology, lists of exhibitions and public collections, an annotated bibliography, and an index. Every art lover, from the casual museumgoer to the serious student, teacher, critic, or curator, will be eager to collect these Modern Masters. And with such a low price, they can afford to collect them all.

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Francis Bacon

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With their searing colors and dramatically contorted figures, the paintings of Francis Bacon compel attention. Unlike most painters of his generation, who preferred to investigate the rigors of abstraction, the 75-year-old Bacon has devoted his skills to portraying the human body.

The power and magnitude of his life's work are vividly conveyed by this thorough evaluation written by Hugh Davies, director of the La Jolla Museum of Contemporary Art, and art historian Sally Yard. Born in Dublin, as a teenager Bacon moved to London, where he worked as an interior designer and taught himself to paint. Responding to influences as diverse as Michelangelo and the photographer Muybridge, he has created a motion-filled style uniquely his own. Fascinated by the challenge of capturing what he calls "the mysteries of appearance," Bacon confronts us with emotional images that demand an emotional response.

About the Modern Masters series

With informative, enjoyable texts and over 100 illustrations--approximately 48 in full color--this innovative series offers a fresh look at the most creative and influential artists of the postwar era. The authors are highly respected art historians and critics chosen for their ability to think clearly and write well. Each handsomely designed volume presents a thorough survey of the artist's life and work, as well as statements by the artist, an illustrated chapter on technique, a chronology, lists of exhibitions and public collections, an annotated bibliography, and an index. Every art lover, from the casual museumgoer to the serious student, teacher, critic, or curator, will be eager to collect these Modern Masters. And with such a low price, they can afford to collect them all.

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The Great Book of Currier and Ives' America

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In the 1800's, long before the days of photojournalism and television, colorful up-to-date pictures of news events, portraits of important political and social figures, and scenic views of American natural wonders were circulating widely all through the country. From early in the exciting century that saw a small nation expand into a mighty world power, the famous lithographic firm of Nathaniel Currier and James Merritt Ives produced over 7,000 lithographs picturing scenes of American life, portraits of American leaders, and dramatic re-creations of the events that make the news of the day.

Each Currier & Ives prints was individually colored by hand, and the skilled craftsmanship as well as keenness of observation make Currier & Ives prints among the most collectible of Americana. This book features the largest number of Currier & Ives prints ever reproduced in a single volume, as well as many that have never been published. It contains more than three hundred illustrations in full color.

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Versailles

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Exhaustively researched and opulently illustrated, this lavish volume is certain to become the standard work on the fabulous chateau of the French monarchy.

In this opulently illustrated volume, the eminent French architectural historian Jean-Marie Pérouse de Montclos traces the transformation of Louis XIII's modest hunting lodge into the fabulous château we know today as the extravagant height of the French monarchy. Robert Polidori's sublime photographs show Versailles' architecture, interiors, and gardens, from sweeping aerial views, to grandiose views of the elaborately decorated palace ceilings, to intimate photographs of the paintings and sculptures that grace the walls and gardens. The exquisite artistry of each carefully considered decorative detail reveals Versailles in all its magnificence.

The photographs show all the beauty and ornate decoration of Versailles, in every season and from every possible perspective. Polidori presents quiet, warmly-lit landscapes of the gardens and pools, dramatic visions of the colonnades, and expansive views of the vast, airy, luxurious salons. The text is a scholarly study of the history of the evolving aesthetic of this remarkable palace, attesting not only to its importance as the ultimate expression of European absolutism but also to its significance as an experimental design workshop that was to become widely influential.

 

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Andy Warhol

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With his tomato soup cans, silk-screened disasters, and matter-of-fact commercialism, Andy Warhol helped create the Pop art ethos. Warhol's life-long infatuation with glamour and the media provided the touchstone for all his work, from his earliest shoe advertisements to the most recent celebrity portraits, all of which can be seen here.

About the Modern Masters series

With informative, enjoyable texts and over 100 illustrations—approximately 48 in full color—this innovative series offers a fresh look at the most creative and influential artists of the postwar era. The authors are highly respected art historians and critics chosen for their ability to think clearly and write well. Each handsomely designed volume presents a thorough survey of the artist's life and work, as well as statements by the artist, an illustrated chapter on technique, a chronology, lists of exhibitions and public collections, an annotated bibliography, and an index. Every art lover, from the casual museum-goer to the serious student, teacher, critic, or curator, will be eager to collect these Modern Masters. And with such a low price, they can afford to collect them all.

Praise for the Modern Masters series

"Each author has thoroughly done his or her homework, knows the historical, critical and personal contexts intimately, and writes extraordinarily well." -- Artnews

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Arshile Gorky

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With informative, enjoyable texts and over 100 illustrations—approximately 48 in full color—the Modern Masters series offers a fresh look at the most creative and influential artists of the postwar era.

About the Modern Masters series

With informative, enjoyable texts and over 100 illustrations—approximately 48 in full color—this innovative series offers a fresh look at the most creative and influential artists of the postwar era. The authors are highly respected art historians and critics chosen for their ability to think clearly and write well. Each handsomely designed volume presents a thorough survey of the artist's life and work, as well as statements by the artist, an illustrated chapter on technique, a chronology, lists of exhibitions and public collections, an annotated bibliography, and an index. Every art lover, from the casual museumgoer to the serious student, teacher, critic, or curator, will be eager to collect these Modern Masters. And with such a low price, they can afford to collect them all.

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David Smith

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Though David Smith died nearly twenty years ago, his art looms larger every year. His inexhaustible creativity, forthright ambition, and fearless exploration of new styles and media all contribute to the image of Smith as a larger-than-life American artist-hero. In this insightful new study, Karen Wilkin strips away the myths that have obscured an accurate view of Smith's life and art. Clearly, perceptively, she recounts the history of Smith's creative evolution, from his earliest paintings to the great monumental sculptures of his final years.

Having realized quite early that he had to be an artist, Smith made his way to New York and the Art Students League. There he experimented with variations on the revealing styles of Cubism and Surrealism, and slowly discovered his own technique, particularly the use of industrial methods such as welding to construct his sculptures. The results — though responsive to such varied influences as Picasso and pin-up girls — were imaginative, and often strikingly beautiful. Smith's art has inspired generations of followers, but his position as one of the masters of 20th-century sculpture remains unchallenged.

About the Modern Masters series

With informative, enjoyable texts and over 100 illustrations — approximately 48 in full color — this innovative series offers a fresh look at the most creative and influential artists of the postwar era. The authors are highly respected art historians and critics chosen for their ability to think clearly and write well.

Each handsomely designed volume presents a thorough survey of the artist's life and work, as well as statements by the artist, an illustrated chapter on technique, a chronology, lists of exhibitions and public collections, an annotated bibliography, and an index. Every art lover, from the casual museumgoer to the serious student, teacher, critic, or curator, will be eager to collect these Modern Masters. And with such a low price, they can afford to collect them all.

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George Segal

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George Segal (born 1924) has brought realistic sculpture back to life with his evocative plaster figures, cast directly from the model and often left a ghostly white. They are frequently arranged in familiar urban environments such as diners, movie theaters, and butcher shops. More recent and more colorful work — including the bronze monuments, fragments, and pastels — is also thoroughly represented in the book.

About the Modern Masters series

With informative, enjoyable texts and over 100 illustrations--approximately 48 in full color--this innovative series offers a fresh look at the most creative and influential artists of the postwar era. The authors are highly respected art historians and critics chosen for their ability to think clearly and write well.

Each handsomely designed volume presents a thorough survey of the artist's life and work, as well as statements by the artist, an illustrated chapter on technique, a chronology, lists of exhibitions and public collections, an annotated bibliography, and an index. Every art lover, from the casual museumgoer to the serious student, teacher, critic, or curator, will be eager to collect these Modern Masters. And with such a low price, they can afford to collect them all.

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Hans Hofmann

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Hans Hofmann's brilliance as a teacher to generations of American artists has tended to overshadow his equally brilliant accomplishments as a painter. Cynthia Goodman provides an insightful evaluation of Hofmann's two careers and makes strikingly clear the beauty and originality of his work.

As a young man in Paris, Hofmann participated in the artistic revolutions before World War I, than ran an influential art school in Germany between the wars. He came to America in 1930 and established schools in New York and Provincetown that has had a profound impact on the development of American art. By presenting his life's work, from the rare landscapes and portraits of his early years to the majestic late abstractions, this vibrantly colorful book establishes Hofmann's major contribution to the art of this century.

About the Modern Masters series

With informative, enjoyable texts and over 100 illustrations — approximately 48 in full color — this innovative series offers a fresh look at the most creative and influential artists of the postwar era. The authors are highly respected art historians and critics chosen for their ability to think clearly and write well. Each handsomely designed volume presents a thorough survey of the artist's life and work, as well as statements by the artist, an illustrated chapter on technique, a chronology, lists of exhibitions and public collections, an annotated bibliography, and an index. Every art lover, from the casual museumgoer to the serious student, teacher, critic, or curator, will be eager to collect these Modern Masters. And with such a low price, they can afford to collect them all.

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Jackson Pollock

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An important look at an influential — and controversial — artist.

Jackson Pollock (1912–1956) revolutionized the art of this century with his famous "pouring paintings" of the late 1940s and early '50s. No artist of our time has been more controversial, and Pollock's reputation as the archetypal Abstract Expressionist has assumed mythic overtones. The balanced evaluation presented in this well-reasoned overview is long overdue.

About the Modern Masters series

With informative, enjoyable texts and over 100 illustrations — approximately 48 in full color — this innovative series offers a fresh look at the most creative and influential artists of the postwar era. The authors are highly respected art historians and critics chosen for their ability to think clearly and write well.

Each handsomely designed volume presents a thorough survey of the artist's life and work, as well as statements by the artist, an illustrated chapter on technique, a chronology, lists of exhibitions and public collections, an annotated bibliography, and an index. Every art lover, from the casual museumgoer to the serious student, teacher, critic, or curator, will be eager to collect these Modern Masters. And with such a low price, they can afford to collect them all.

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Jasper Johns

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A thoroughly readable text that achieves the rare feat of making Johns's complex ideas comprehensible to the nonspecialist. The result is an enlightening new interpretation of one of today's most influential artists.

For more than thirty years Jasper Johns has been making art that teases viewers with the willful obscurity of its content, while offering rich visual pleasures with the beauty of its form, color, and surface. In 1955 he painted his first Flags, which, with the Target and Numbers that soon followed, were to become his most famous work. His transformation of such common place images into art helped to shatter the dominance of Abstract Expressionism and to make possible the later innovations of Pop art and Minimalism. Johns's acclaimed recent work, which is well represented in this book, combines his continuing fascination with ready-made images with an exciting new use of illusionistic painting.

About the Modern Masters series

With informative, enjoyable texts and over 100 illustrations — approximately 48 in full color — this innovative series offers a fresh look at the most creative and influential artists of the postwar era. The authors are highly respected art historians and critics chosen for their ability to think clearly and write well. Each handsomely designed volume presents a thorough survey of the artist's life and work, as well as statements by the artist, an illustrated chapter on technique, a chronology, lists of exhibitions and public collections, an annotated bibliography, and an index. Every art lover, from the casual museumgoer to the serious student, teacher, critic, or curator, will be eager to collect these Modern Masters. And with such a low price, they can afford to collect them all.

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Philip Guston

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That Guston was not only a brilliant painter and a fearless innovator, but also a humanist who rejected easy answers about both painting and life, is made admirably clear by Robert Storr's perceptive text.

The story of Philip Guston's life is, in many ways, a chronicle of the ideas and events that transformed American painting in this century. Having been a muralist in the 1930s, by the 1940s Guston had turned away from public art to explore a more private vision. These haunting tableaux gave way in the 1950s to shimmering abstractions that represent one of the most poetic contributions to Abstract Expressionism.

In the last and most important decade of his life, Guston's work changed yet again, as he invented bizarre, cartoonlike characters to enact monstrously comic fantasies. This abrupt shift from abstraction to figuration enraged the art establishment, but it also helped embolden a younger generation of artists to risk a new style of painting that became known as Neo-Expressionism.

About the Modern Masters series

With informative, enjoyable texts and over 100 illustrations--approximately 48 in full color--this innovative series offers a fresh look at the most creative and influential artists of the postwar era. The authors are highly respected art historians and critics chosen for their ability to think clearly and write well. Each handsomely designed volume presents a thorough survey of the artist's life and work, as well as statements by the artist, an illustrated chapter on technique, a chronology, lists of exhibitions and public collections, an annotated bibliography, and an index. Every art lover, from the casual museumgoer to the serious student, teacher, critic, or curator, will be eager to collect these Modern Masters. And with such a low price, they can afford to collect them all.

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Willem De Kooning

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Willem de Kooning is the old master of Abstract Expressionism, whose ferocious women and seemingly spontaneous brushwork have been primary influences on American and European artists of the postwar era. Still fervently painting at age 79, he continues to produce canvases of piercing beauty, which serve as a brilliant finale to this book on one of the great masters of contemporary art.

About the Modern Masters series

With informative, enjoyable texts and over 100 illustrations — approximately 48 in full color &mdash this innovative series offers a fresh look at the most creative and influential artists of the postwar era. The authors are highly respected art historians and critics chosen for their ability to think clearly and write well. Each handsomely designed volume presents a thorough survey of the artist's life and work, as well as statements by the artist, an illustrated chapter on technique, a chronology, lists of exhibitions and public collections, an annotated bibliography, and an index. Every art lover, from the casual museumgoer to the serious student, teacher, critic, or curator, will be eager to collect these Modern Masters. And with such a low price, they can afford to collect them all.

 

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