Art and Design

The Horse

From Cave Paintings to Modern Art

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A luxuriously slipcased tome that features 30,000 years of horses in art—from cave paintings and illuminated manuscripts to sculptures, paintings, and photographs.

From the caves at Lascaux to the European racetracks of Degas to the American West of Frederic Remington, the horse has never ceased to inspire the human imagination. Once omnipresent—on the battlefield, in agricultural work, and in transport—horses have little by little disappeared from our immediate environment, but they remain fixtures throughout our museums, atop pedestals in our town squares, and in the landscapes of memory.

Transcending genres, places, and eras, specialists on the history of the horse and its representation in art create an ideal panorama on the subject, guiding us through the rich legacy of The Horse: From Cave Paintings to Modern Art. With these scholars we cross the principal continents from east to west and from prehistory to the present day, examining an ever-surprising gallery of images that illustrate how dearly horses have been prized by all human societies fortunate enough to encounter them.

The artistic styles represented in this book offer something for every taste. There are cave paintings and sculptures, medieval illuminated manuscripts and photographs, depictions of battle, and scenes of leisure. Uccello, Rubens, Van Dyck, Velásquez, Géricault, Stubbs, David, and Picasso are among the 137 artists featured in this indepth study. As the more than 300 images in The Horse diversely illustrate, the horse is as beautiful an animal as it has been useful—indeed, central—to the development of human society.

The thirteen authors who contributed to this volume are all experts in their art historical fields: Nicolas Chaudun, Yves Christe, Henri-Paul Francfort, Jean-Louis Gouraud, Emmanuelle Héran, Jean-Louis Libourel, Camille Morineau, Christine Peltre, Daniel Roche, Annie Vernay-Nouri, Denis Vialou, Marc-André Wagner, and Michel Woronoff.

The book was a forward from Joe Fargis. He is one of the most successful riders ever to represent the U.S. Equestrian team in international competition. During the 1984 Summer Olympics in Los Angeles, Fargis won the show jumping individual gold medal and the team gold medal. He is only the second U.S. athlete to win an individual gold medal in show jumping. He was also a member of the silver medal show jumping team during the 1988 Summer Olympics in Seoul and won a team gold medal at the 1975 Pan American Games in Mexico City.

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Seductive Subversion

Women Pop Artists 1958–1968

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Seductive Subversion: Women Pop Artists, 1958-1968 is the catalogue of the exhibition of the same title and the first book to survey the achievements of women Pop artists.

Pop Art was one of the most important artistic movements of the late twentieth century. Its adaptation of mediated, popular-culture imagery continues to influence artists, but until now, little attention has been paid to the important contributions that women made to the movement. Pop Art by women dealt less with direct consumerist critiques, instead subversively combating the stereotypical perceptions of women via advertising and film clichés. Work by women Pop artists ranges from Rosalyn Drexler’s surreal filmnoir riffs, Idelle Weber’s New Realism office workers, and Niki de Saint Phalle’s exuberant Nanas to the more controversial and blatantly political statements of Faith Ringgold and Martha Rosler. Pauline Boty and Axell explored female desire, while the innovative soft structures stitched by Yayoi Kusama, Jann Haworth, Patty Mucha, and others form an important contribution to the history of sculpture.

Seductive Subversion: Women Pop Artists 1958–1968 is the catalogue of the first exhibition to expand Pop Art’s narrow critical definition to reflect the significant role of these women artists. The culmination of six years of research by Sid Sachs, this exhibition, organized by the Rosenwald-Wolf Gallery of the University of the Arts, Philadelphia, is touring nationally. The essays in this catalogue span from London’s Independent Group in the early 1950s to the end of classic Pop in 1968. Written by the art historians Linda Nochlin, Sid Sachs, Kalliopi Minioudaki, Bradford R. Collins, Annika Öhrner, and Sue Tate and the artists Martha Rosler and Patty Mucha, these texts will be revelations and will remain a vital reference for artists, art and cultural historians, and feminists alike. Artworks by more than twenty artists are reproduced, including Pauline Boty, Chryssa, Rosalyn Drexler, Jann Haworth, Yayoi Kusama, and Marisol, as well as now lesser-known figures such as Barbro Östlihn and Dorothy Grebenak. Numerous works are discussed in depth from a number of vantage points.

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Caravaggio

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2nd Edition

Every extant work by Caravaggio is reproduced in color in this lavish newly updated volume, the long-awaited result of more than 20 years of research by a leading authority on the artist.

In an engaging and informed text, John T. Spike explores in detail Caravaggio's scandalous life and provocative work. Placing Caravaggio within the broad panorama of society and ideas at the turn of the 17th century, the author sets a richly detailed stage for an artist who has been called "the first modern painter." Caravaggio (1571-1610) reflected in his canvases his own desires and spiritual crises to an extent no one ever had imagined possible, and he shocked his contemporaries by portraying the saints and virgins of Christianity with the faces and bodies of his companions and lovers in Rome's demimonde.

Accompanying the book is a critical catalog on CD-ROM in which all of Caravaggio's extant paintings, as well as lost and rejected works, are thoroughly described. Each entry specifies the work's medium, dimensions, location, and provenance, and provides an annotated bibliography of sources. Most of the entries conclude with a brief technical analysis. Much of this scientific data, of prime importance for attribution and dating, has not previously been published.

With its fresh insights, as well as judicious readings of the documents and the physical evidence of the paintings themselves, Caravaggio is the most thorough study on the artist to date, and it will no doubt remain a definitive monograph for many years to come.

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Discovering the Arts of Japan

A Historical Overview

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A concise and informative illustrated guide to 12,000 years of Japanese art.

Discovering the Arts of Japan is an illustrated history of Japanese art, from prehistoric times through the modern era. The chapters are arranged chronologically, each highlighting a particular historical period and discussing its artistic trends in context. The authors discuss various forms of representative art objects, highlighting important works of architecture, sculpture, paintings, calligraphy, textiles, ceramics, and more. The book features over 230 captioned photographs from leading museums, temples, and rare private collections. A map of Japan provides readers with a visual reference, and the chronology and timeline, which include other cultures’ milestones as well as those of Japan, enable comparison between Japan’s achievements and developments in other countries.

This concise, handy reference book is perfect for anyone interested in Japanese art, whether they be art history students and enthusiasts or tourists visiting Japan. A comprehensive overview of the major trends in art throughout the history of Japan, Discovering the Arts of Japan includes a select bibliography and list of major museums housing collections of Japanese art. Handsomely presented and easy-to-use, this book offers a valuable introduction to the subject, and encourages further in-depth study of specific periods and art forms.

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The Human Figure and Jewish Culture

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This wide-ranging, intellectually provocative study argues that artists of Jewish descent have been especially devoted to the human figure on account of their cultural heritage. Abundantly illustrated in full color.

In the twentieth century, the avant-garde movements promoted abstraction and formal experimentation in the visual arts, often dispensing with the human form altogether. Yet many artists of Jewish descent resisted this trend and continued to depict the human figure with sympathy and understanding. Few of them portrayed overtly Jewish themes, but—as Eliane Strosberg argues in this thought-provoking volume—their persistent devotion to the human figure was itself a reflection of their Jewishness. Though their individual styles were diverse, they all used the human figure as a means of communicating, in secular terms, aspects of their Jewish intellectual heritage, such as their humanistic values, passion for social justice, and opposition to the nihilism that underlay so much of modern culture. For this reason, their work may be said to constitute an ethical, if not an aesthetic, art movement, which Strosberg aptly dubs “Human Expressionism.”

Strosberg begins her highly readable text with an overview of Jewish tradition that illuminates the mindset of many Jewish artists. She also provides a concise history of Jewish art from Genesis to the Enlightenment, in which she demonstrates that figurative art has actually had a place in Judaism for thousands of years, despite the Second Commandment’s prohibition of graven images. However, Strosberg devotes the greater part of her study to a comparative analysis of those artists who fall under the rubric of Human Expressionism. Though her scope is impressively broad, ranging from Camille Pissarro to George Segal, she pays particular attention to the immigrant painters of the École de Paris, like Soutine and Modigliani; the American social realists, like Ben Shahn and Raphael Soyer; and the masters of the postwar School of London, like Lucian Freud and R. B. Kitaj.

Illustrated with more than one hundred full-color reproductions of works by the artists under discussion, The Human Figure and Jewish Culture is an essential addition to any library of art history or Judaica.

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Renoir

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The definitive monograph on one of the world's best-loved artists, sumptuously illustrated in full color.

Pierre-Auguste Renoir (1841–1919) stands out among the great artists for his willingness to paint pictures that are straightforwardly pretty and charming: he chooses familiar and sympathetic human types as his subjects, and depicts them with an appealing immediacy, using an attractively bright and rosy palette. Not all of his four thousand or so paintings are equally good; some fall short on formal grounds, and others, not surprisingly, sink into sentimentality. But Renoir's best works are masterpieces, perhaps the most joyous and effervescent ones in the history of art—his great monuments to leisure, Dancing at the Moulin de la Galette and Luncheon of the Boating Party; his delicate portraits of women and children, like the winsome Girl with a Watering Can; and his many frankly sensual nudes.

In this highly readable monograph, noted art historian Anne Distel offers an illuminating new account of the life of the man who created such singularly sparkling works. The author deftly narrates Renoir’s rise from apprentice porcelain painter to celebrated artist, quoting judiciously from the painter’s own vivid letters and offering keen analyses of his style at each stage of his sixty-year career. And Distel does not consider that career in isolation, but uses the latest discoveries in the documentary evidence—some of them her own—to re-create the artistic and social milieus in which Renoir worked. She traces his relationships with other artists, both his fellow Impressionists and older contemporaries like Corot and Daubigny as well as the younger Bonnard, Matisse, and Picasso; with writers like Zola, Mallarmé, and Mirbeau; and, in particular, with the dealers and patrons who were so important to his career, like Paul Durand-Ruel, Ambroise Vollard, the Bernheim brothers, the Charpentiers, the Berards, Charles Ephrussi, and Dr. Barnes.

Distel's authoritative text is illustrated throughout with some three hundred beautiful color reproductions of the artist’s finest and most representative works, ensuring that this will be the Renoir monograph of reference for years to come.

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The History of Paris in Painting

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A sumptuous artistic tribute to the city of lights, this volume brings Paris to life in paintings that range from the medieval to the modern.

“Paris is a moveable feast,” Ernest Hemingway once proclaimed. The city of lights, or the city of love, Paris is indeed a feast for the senses. Paris’s rich history has been justly captured by the many artists sheltered by its garrets and supported by its patrons for centuries.

Finally the story and grandeur of this beautiful city are revealed in this luxurious slipcased volume. The 350 full-color illustrations, including four breathtaking gatefolds, present Paris from its days as a medieval city on the Ile de la Cité, in the middle of the Seine River, through the tumultuous days of the French Revolution, to the “Haussmannization” of Paris, when much of the city was razed to make way for broad boulevards emanating from the Arc de Triomphe.

The rich heritage of painting in Paris is broadly represented in this collection. Home of the Académie des Beaux-Arts, Paris nurtured generations of French artists and displayed their work in the Salon. As the Impressionists broke with the authoritarian standards of the Academy, Parisian art became even more diverse and increasingly abstract—a trend that continued through the twentieth century.

The History of Paris in Painting honors this celebrated city and its famous monuments by presenting readers with an artistic feast that will make anyone fall in love with Paris again and again.

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Egyptian Wall Painting

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A fascinating study of ancient Egyptian wall art, featuring full-page illustrations on matte paper specially designed to re-create the texture of the paintings themselves.

Ancient Egyptian civilization developed its own highly individual manner of expressing visible and invisible worlds—earth and the domain of the gods—through distinctive “languages.” These languages included both two-dimensional portrayals (paintings and painted reliefs) and three-dimensional figures—forms that each must be skillfully deciphered in order to grasp its overt and covert meanings.

Egyptian Wall Painting focuses on two-dimensional depictions in ancient Egypt, examining them as part of an elaborate code that was designed to maintain the Maat—or Cosmic Order, Truth-Justice, and Universal Harmony—and that figured intimately in Egyptian lives and beliefs. The text conducts this examination through two different lenses: that of Western rational analysis, with its emphasis on methods and techniques, and that of ancient Egyptian spirituality, which these complex works have handed down to our own time.

Accordingly, the first section of the book analyzes the technology, techniques, history, and cultural context of Egyptian art, while the second compares selected monumental works across different periods and places, detailing their artistic and spiritual significance. Handsomely illustrated with 350 color plates, including numerous full-page details printed on a special matte paper designed to simulate the feel of the stuccoed limestone on which the original images were painted, Egyptian Wall Painting illuminates an art, language, and culture of extraordinary richness.

The volume is also available in a slipcased version for those seeking an especially luxurious presentation for home or library. As the definitive treatment of its subject, Egyptian Wall Painting is sure to appeal to art historians, Egyptologists, linguists, and connoisseurs interested in one of history’s most complex and influential civilizations.

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The Loggia of Raphael

A Vatican Art Treasure

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The first book about one of the last—and greatest—achievements of the legendary painter and his atelier.

The loggia, or colonnaded porch, on the second story of the Apostolic Palace is one of the Vatican’s most remarkable art treasures; its decoration, designed by Raphael (1483–1520) and executed by his workshop in 1517–19, epitomizes the spirit of the Italian Renaissance in its synthesis of Christian and classical themes. The thirteen square vaults of Raphael’s loggia each contain four frescoes of scenes from the Bible, from the Creation to the Last Supper. Meanwhile, the plasterwork of the other architectural elements is decorated with “grotesques”—fanciful arabesques enlivened with a wide variety of human and animal figures—modeled after ancient Roman wall paintings.

This groundbreaking study of Raphael’s loggia, the first to be published in English, has four parts. The first and second concern the grotesques and the scenes from the Bible, respectively, while the third examines the lives and artistic styles of the members of Raphael’s workshop who worked with him on the loggia. The fourth part traces the loggia’s enduring influence: the grotesque ornamental style elaborated by Raphael has been imitated as far afield as the corridors of the United States Capitol, and the Bible scenes served as influential models for popular prints. Illustrated throughout with newly commissioned color photographs, this book reaffirms the central importance of Raphael’s loggia to the history of art.

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The History of Gardens in Painting

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An original, splendidly illustrated history of gardens as seen through the eyes of painters by the highly acclaimed author of Landscape Painting: A History.

-- A Booklist Top 10 Arts Book of 2009

The creation of gardens was among the first achievements of early civilizations, and garden design was already highly developed in antiquity. Pictures of gardens are a reflection of the social, historical, and aesthetic context in which gardens were conceived. The focus of this captivating book is not the gardens themselves or the different concepts of the garden, but rather the representation of gardens in paintings. The author examines why artists paint gardens by covering the varied and lively 2,000-year history of the garden picture using 180 garden masterpieces as examples.

The text begins with a look at ancient Rome, when paintings of gardens, as found in villas in Pompeii, were already valued as works of art. The wide-ranging coverage also includes pictures of charming medieval gardens in books of hours; Botticelli’s masterwork La Primavera, set in a grove of orange trees; views of well-known historic gardens, such as those at Versailles; painter’s gardens, as for example, Monet’s Giverny; and modern gardens depicted by Frida Kahlo, Andy Warhol, and David Hockney, among others. For collectors of art history books and garden books, this lovely volume should appeal to a broad audience.

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Giuseppe Panza

Memories of a Collector

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One of the world’s foremost collectors of modern art shares the story of his remarkable life, times, and culture.

A dedicated collector and advocate of contemporary art since the late 1940s, Giuseppe Panza has played a fundamental role in the artistic culture of his time, introducing American phenomena such as Abstract Expressionism, Minimalism, Pop Art, Environmental Art, and Conceptualism to the museums of Europe. Now, in a brilliant response to everyone’s primary question about Modern Art—“What does it mean?”—Panza shares philosophical insights and personal reflections that bridge a half-century of discovering new artists and movements.

Panza was among the first to buy the works of Rothko, Kline, Lichtenstein, and many of the other major figures of post-WWII art, watching as their works skyrocketed in monetary value as well as historic importance. He pursued collecting with undiminished enthusiasm through the 1980s and 1990s, all the while searching for the best venues in which to display his latest acquisitions. Sections of his private collection were exhibited by and acquired into major collections, particularly the Museum of Contemporary Art in Los Angeles and the Guggenheim in New York. Among his signature innovations was the juxtaposition of contemporary art with historic settings—Baroque palaces, ancient European public buildings, his own eighteenth-century villa—in order to create unexpected and stimulating dialogs between the architectural context and the work of art.

Complete with 110 full-color illustrations, spanning decades of transformation in art and world culture, Giuseppe Panza: Memories of a Collector provides a unique glimpse into the movements and trends that have defined modern art. It is also the fascinating life story of a man who helped define the trends themselves, through passion, insight, and prophetic taste.

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Homes of the Park Cities, Dallas

Great American Suburbs

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A beautiful and comprehensive chronicle of two of America’s earliest and most luxurious suburbs: Highland Park and University Park, Texas.

Dallas local Virginia McAlester, author of Random House’s A Field Guide to American Houses, the classic book on the subject, and Abbeville’s celebrated Great American Houses and Their Architectural Styles, teamed up with Prudence Mackintosh and Willis Cecil Winters to write Homes of the Park Cities, Dallas. This impressive and informative case study immerses readers into the architecture and culture, both past and present, of these classy neighborhoods.

Illustrated with over 280 specially commissioned photographs, in addition to over 75 maps, graphs, and archival images, this insightful work covers the history and development of Dallas’s suburbs, as well as the architects who designed them. Homes also features several appendices, providing notes on how to preserve early-twentieth century homes and a catalogue listing over 1,600 homes by address and architect. McAlester authored an additional appendix that illustrates the architectural styles found in The Park Cities, which run the gamut from Tudor and Colonial Revival to Minimal Traditional and Mid-Century Modern.

As grand as the houses it chronicles, Homes of the Park Cities, Dallas will fascinate architects, historians, suburbanites, and would-be suburbanites alike.

 

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The Art Atlas

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An invaluable guide to world art from prehistory to the present, complete with over 600 maps and illustrations and a searchable CD.

The Art Atlas is the first work to present the art of the entire world from ancient to modern times through extensive use of specially commissioned maps. Covering painting, sculpture, and architecture as well as other arts and artifacts, the volume provides an entirely new vision of the history of the world’s art by showing how physical and political geography has shaped its developments.

Over 350 pages in scope, Atlas compares countries separated by thousands of miles and many centuries, demonstrating how the art of each is affected by opportunities and constraints dictated by location or culture. Here, for the first time, readers can appreciate the art of prehistoric Oceania and the Nile Valley of the Pharaohs alongside that of nineteenth-century Russia and the twentieth-century United States. In addition to showing where and when great artists lived and worked, Atlas explains how major styles developed and the ways in which art has been influenced by religion, trade, travel, war, and other historical factors. The volume also provides the first comprehensive picture of the impact of the natural world on the development of art, charting the sources of fibers for weaving, pigments for coloring, wood for carving, paper for printing, and stone for use in sculpture and architecture.

With its combination of enormous breadth and constant clarity of focus, abdundant illustrations and a user-friendly, searchable CD, Atlas provides exceptional insight into what unites art and what makes it so varied. Organized into seven chronological periods and including contributions from 68 internationally renowned art historians, The Art Atlas is an original, comprehensive and up-todate reference work that will be a benchmark for many years to come.

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Courbet

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An insightful new survey of the wide-ranging body of work of the most important French realist painter.

When Gustave Courbet (1819–1877) began his career in the late 1840s, French painting was dominated by two competing styles: neoclassicism, exemplified by Ingres, and romanticism, exemplified by Delacroix. Courbet, a dynamic and boundlessly selfconfident man, proud of his rural origins and guided by his strong Republican beliefs, quickly established a third way.

Rejecting the historical and literary subjects of the prevailing styles as too remote from actual experience, Courbet instead depicted scenes of everyday life, particularly among the peasants and the working class, with a naturalism then considered shocking. His paint handling was correspondingly direct: disdaining equally the idealized contours and cool tones of the neoclassicists and the expressive line of the romantics, he laid on his colors almost roughly, often with a palette knife instead of a brush. While Courbet’s brand of realism bears a family resemblance to those of his contemporaries Daumier and Millet, its scope is much broader: his masterworks range from the Burial at Ornans (1850), a heroically scaled depiction of a villager’s funeral, to the very different Origin of the World (1866), a detailed close-up of the female anatomy, and he also painted many straight landscapes, portraits, and still lifes.

This lucidly written monograph from noted art historian Ségolène Le Men provides a new understanding of how Courbet’s life and milieu shaped his vast oeuvre. Le Men organizes her text both chronologically and thematically: while the five chapters correspond to the successive phases of Courbet’s career, each comprises several subsections that discuss individual aspects of his work. This hybrid approach allows Le Men to present an expansive and multifaceted view of Courbet’s realism, emphasizing its evolving relations with the various ideas and artistic currents of its time. With some three hundred stunning color illustrations, including all of Courbet’s most important paintings and many fine examples of his draftsmanship, this is the definitive study of a painter whose spirited pursuit of an independent aesthetic path has led many critics to call him “the first modern artist.”

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The Great Country Houses of Hungary

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Hungary houses a superb selection of Europe's finest country homes that were built over the centuries by some of the nation's most distinguished families.

Baroque castles and rococo villas dot Hungary’s countryside and stand as testaments to the wealth and power of this region’s aristocracy. Lord Pratt reveals the histories and treasures of these structures, many of which were inaccessible to the West until this past decade. Setting his discussion of the houses and their patrons against the backdrop of Hungary’s history, Pratt illuminates the manner in which diverse political and cultural influences have molded the architecture of this country’s most illustrious homes. For instance, he recounts how the castle Sárvár evolved from a wooden, fourteenth-century fortress to a splendid piece of Renaissance architecture under the noble Nádasdy’s family guidance. In a new, final chapter, Pratt laments the demise of the great home Fót while praising the skillful restoration of Seregélyes.

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The Great Country Houses of Poland

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In this volume, Lord Pratt provides one of the first illustrated, in-depth looks at Poland's magnificent homes.

The Polish countryside holds many enchanting surprises, as estates and medieval castles are nestled in picturesque valleys and alongside lengthy rivers. Pratt tells the fascinating histories of these houses and the nobles who built and continually remodeled them. For example, the Radziwill family created a rustic paradise in the château Nieborów. Arkadia, the garden of this house, serves as a tribute to ancient Greece and testifies to the taste and genius of one of Poland’s most culturally and politically influential dynasties.

Insightful and comprehensive, this book is a must-have for anyone interested in Poland’s tangled history and beautiful architecture. Lord Michael Pratt is a scholar based in London who specializes in modern European history. His works include Britain’s Greek Empire, a study of Corfu and the Ionian Islands under Venetian and British rule. Gerhard Trumler is a professor of photography in Vienna and a professional photographer whose work has appeared in more than fifty books.

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The Great Country Houses of The Czech Republic and Slovakia

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Lord Pratt tells the story of the country houses that crown the rolling hills of the Czech Republic and Slovakia, immersing us in the vanished world of these countries' aristocracies.

A comprehensive analysis of where politics, culture, and art merge, The Great Country Houses of the Czech Republic and Slovakia is a captivating read for anyone curious about the history and architecture of these two countries. Gerhard Trumler’s striking photographs allow readers entrance, for example, to the Liechtensteins’ twin chateaux of Valtice and Lednice in the Czech Republic. The lords of these castles established one of the greatest art collections in the world and played a major role in the diplomatic and military lives of the nation; they still remain as the ruling house of the Principality of Liechtenstein.

Pratt’s new chapter speaks of the difficulties of restoration and problems concerning modern-day ownership. Though many estates were lost or damaged during the World Wars, the houses as they stand today—some restored, some languishing in disrepair—present a rich cultural heritage of two fascinating countries.

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Italian Frescoes: The Baroque Era

1600-1800

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The fifth and final volume of the only comprehensive survey in modern times of the surviving Italian frescoes from the Baroque era, 1600 to 1800, this groundbreaking work is an achievement in scholarship and publishing of the same magnitude as Abbeville's Art of Florence and Art and Spirit of Paris. 

Following the success of the previous volumes in this extraordinary Italian Frescoes series — The Age of Giotto; The Early Renaissance; The Flowering of the Renaissance; and The High Renaissance and Mannerism — this new publication features twenty-five fresco cycles, each representing a notable achievement in the history of art. The fresco cycles presented include brilliant works by Domenichino, Sebastiano Ricci, Guercino, and Tiepolo — all of them still visible on walls and ceilings of palaces and churches spanning Italy from Venice to Naples.

The authors present such celebrated sites as the Barberini Palace in Rome and the Pitti Palace in Florence, as well as lesser-known gems. Each of the chapters is concise and authoritative, offering a descriptive and interpretive essay on all aspects of the fresco cycle, covering the artists and their patrons in the context of their cultural and political history. Each essay concludes with a diagram of the site, followed by a series of full- and double-page color plates showing the entire cycle, many reproduced from new photographs of recently restored frescoes.

No publisher until now has attempted to gather together and document all the important fresco cycles of Italian art from the late thirteenth to the eighteenth century. While this volume is a continuation of the previous books, Italian Frescoes: The Baroque Era certainly stands alone as an incredible treasury of art and scholarship that will be eagerly collected by art historians and art lovers alike.

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