Art and Design

The History of Paris in Painting

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A sumptuous artistic tribute to the city of lights, this volume brings Paris to life in paintings that range from the medieval to the modern.

“Paris is a moveable feast,” Ernest Hemingway once proclaimed. The city of lights, or the city of love, Paris is indeed a feast for the senses. Paris’s rich history has been justly captured by the many artists sheltered by its garrets and supported by its patrons for centuries.

Finally the story and grandeur of this beautiful city are revealed in this luxurious slipcased volume. The 350 full-color illustrations, including four breathtaking gatefolds, present Paris from its days as a medieval city on the Ile de la Cité, in the middle of the Seine River, through the tumultuous days of the French Revolution, to the “Haussmannization” of Paris, when much of the city was razed to make way for broad boulevards emanating from the Arc de Triomphe.

The rich heritage of painting in Paris is broadly represented in this collection. Home of the Académie des Beaux-Arts, Paris nurtured generations of French artists and displayed their work in the Salon. As the Impressionists broke with the authoritarian standards of the Academy, Parisian art became even more diverse and increasingly abstract—a trend that continued through the twentieth century.

The History of Paris in Painting honors this celebrated city and its famous monuments by presenting readers with an artistic feast that will make anyone fall in love with Paris again and again.

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Egyptian Wall Painting

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A fascinating study of ancient Egyptian wall art, featuring full-page illustrations on matte paper specially designed to re-create the texture of the paintings themselves.

Ancient Egyptian civilization developed its own highly individual manner of expressing visible and invisible worlds—earth and the domain of the gods—through distinctive “languages.” These languages included both two-dimensional portrayals (paintings and painted reliefs) and three-dimensional figures—forms that each must be skillfully deciphered in order to grasp its overt and covert meanings.

Egyptian Wall Painting focuses on two-dimensional depictions in ancient Egypt, examining them as part of an elaborate code that was designed to maintain the Maat—or Cosmic Order, Truth-Justice, and Universal Harmony—and that figured intimately in Egyptian lives and beliefs. The text conducts this examination through two different lenses: that of Western rational analysis, with its emphasis on methods and techniques, and that of ancient Egyptian spirituality, which these complex works have handed down to our own time.

Accordingly, the first section of the book analyzes the technology, techniques, history, and cultural context of Egyptian art, while the second compares selected monumental works across different periods and places, detailing their artistic and spiritual significance. Handsomely illustrated with 350 color plates, including numerous full-page details printed on a special matte paper designed to simulate the feel of the stuccoed limestone on which the original images were painted, Egyptian Wall Painting illuminates an art, language, and culture of extraordinary richness.

The volume is also available in a slipcased version for those seeking an especially luxurious presentation for home or library. As the definitive treatment of its subject, Egyptian Wall Painting is sure to appeal to art historians, Egyptologists, linguists, and connoisseurs interested in one of history’s most complex and influential civilizations.

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The History of Gardens in Painting

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An original, splendidly illustrated history of gardens as seen through the eyes of painters by the highly acclaimed author of Landscape Painting: A History.

-- A Booklist Top 10 Arts Book of 2009

The creation of gardens was among the first achievements of early civilizations, and garden design was already highly developed in antiquity. Pictures of gardens are a reflection of the social, historical, and aesthetic context in which gardens were conceived. The focus of this captivating book is not the gardens themselves or the different concepts of the garden, but rather the representation of gardens in paintings. The author examines why artists paint gardens by covering the varied and lively 2,000-year history of the garden picture using 180 garden masterpieces as examples.

The text begins with a look at ancient Rome, when paintings of gardens, as found in villas in Pompeii, were already valued as works of art. The wide-ranging coverage also includes pictures of charming medieval gardens in books of hours; Botticelli’s masterwork La Primavera, set in a grove of orange trees; views of well-known historic gardens, such as those at Versailles; painter’s gardens, as for example, Monet’s Giverny; and modern gardens depicted by Frida Kahlo, Andy Warhol, and David Hockney, among others. For collectors of art history books and garden books, this lovely volume should appeal to a broad audience.

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Giuseppe Panza

Memories of a Collector

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One of the world’s foremost collectors of modern art shares the story of his remarkable life, times, and culture.

A dedicated collector and advocate of contemporary art since the late 1940s, Giuseppe Panza has played a fundamental role in the artistic culture of his time, introducing American phenomena such as Abstract Expressionism, Minimalism, Pop Art, Environmental Art, and Conceptualism to the museums of Europe. Now, in a brilliant response to everyone’s primary question about Modern Art—“What does it mean?”—Panza shares philosophical insights and personal reflections that bridge a half-century of discovering new artists and movements.

Panza was among the first to buy the works of Rothko, Kline, Lichtenstein, and many of the other major figures of post-WWII art, watching as their works skyrocketed in monetary value as well as historic importance. He pursued collecting with undiminished enthusiasm through the 1980s and 1990s, all the while searching for the best venues in which to display his latest acquisitions. Sections of his private collection were exhibited by and acquired into major collections, particularly the Museum of Contemporary Art in Los Angeles and the Guggenheim in New York. Among his signature innovations was the juxtaposition of contemporary art with historic settings—Baroque palaces, ancient European public buildings, his own eighteenth-century villa—in order to create unexpected and stimulating dialogs between the architectural context and the work of art.

Complete with 110 full-color illustrations, spanning decades of transformation in art and world culture, Giuseppe Panza: Memories of a Collector provides a unique glimpse into the movements and trends that have defined modern art. It is also the fascinating life story of a man who helped define the trends themselves, through passion, insight, and prophetic taste.

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Homes of the Park Cities, Dallas

Great American Suburbs

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A beautiful and comprehensive chronicle of two of America’s earliest and most luxurious suburbs: Highland Park and University Park, Texas.

Dallas local Virginia McAlester, author of Random House’s A Field Guide to American Houses, the classic book on the subject, and Abbeville’s celebrated Great American Houses and Their Architectural Styles, teamed up with Prudence Mackintosh and Willis Cecil Winters to write Homes of the Park Cities, Dallas. This impressive and informative case study immerses readers into the architecture and culture, both past and present, of these classy neighborhoods.

Illustrated with over 280 specially commissioned photographs, in addition to over 75 maps, graphs, and archival images, this insightful work covers the history and development of Dallas’s suburbs, as well as the architects who designed them. Homes also features several appendices, providing notes on how to preserve early-twentieth century homes and a catalogue listing over 1,600 homes by address and architect. McAlester authored an additional appendix that illustrates the architectural styles found in The Park Cities, which run the gamut from Tudor and Colonial Revival to Minimal Traditional and Mid-Century Modern.

As grand as the houses it chronicles, Homes of the Park Cities, Dallas will fascinate architects, historians, suburbanites, and would-be suburbanites alike.

 

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The Art Atlas

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An invaluable guide to world art from prehistory to the present, complete with over 600 maps and illustrations and a searchable CD.

The Art Atlas is the first work to present the art of the entire world from ancient to modern times through extensive use of specially commissioned maps. Covering painting, sculpture, and architecture as well as other arts and artifacts, the volume provides an entirely new vision of the history of the world’s art by showing how physical and political geography has shaped its developments.

Over 350 pages in scope, Atlas compares countries separated by thousands of miles and many centuries, demonstrating how the art of each is affected by opportunities and constraints dictated by location or culture. Here, for the first time, readers can appreciate the art of prehistoric Oceania and the Nile Valley of the Pharaohs alongside that of nineteenth-century Russia and the twentieth-century United States. In addition to showing where and when great artists lived and worked, Atlas explains how major styles developed and the ways in which art has been influenced by religion, trade, travel, war, and other historical factors. The volume also provides the first comprehensive picture of the impact of the natural world on the development of art, charting the sources of fibers for weaving, pigments for coloring, wood for carving, paper for printing, and stone for use in sculpture and architecture.

With its combination of enormous breadth and constant clarity of focus, abdundant illustrations and a user-friendly, searchable CD, Atlas provides exceptional insight into what unites art and what makes it so varied. Organized into seven chronological periods and including contributions from 68 internationally renowned art historians, The Art Atlas is an original, comprehensive and up-todate reference work that will be a benchmark for many years to come.

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The Great Country Houses of Hungary

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Hungary houses a superb selection of Europe's finest country homes that were built over the centuries by some of the nation's most distinguished families.

Baroque castles and rococo villas dot Hungary’s countryside and stand as testaments to the wealth and power of this region’s aristocracy. Lord Pratt reveals the histories and treasures of these structures, many of which were inaccessible to the West until this past decade. Setting his discussion of the houses and their patrons against the backdrop of Hungary’s history, Pratt illuminates the manner in which diverse political and cultural influences have molded the architecture of this country’s most illustrious homes. For instance, he recounts how the castle Sárvár evolved from a wooden, fourteenth-century fortress to a splendid piece of Renaissance architecture under the noble Nádasdy’s family guidance. In a new, final chapter, Pratt laments the demise of the great home Fót while praising the skillful restoration of Seregélyes.

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The Great Country Houses of The Czech Republic and Slovakia

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Lord Pratt tells the story of the country houses that crown the rolling hills of the Czech Republic and Slovakia, immersing us in the vanished world of these countries' aristocracies.

A comprehensive analysis of where politics, culture, and art merge, The Great Country Houses of the Czech Republic and Slovakia is a captivating read for anyone curious about the history and architecture of these two countries. Gerhard Trumler’s striking photographs allow readers entrance, for example, to the Liechtensteins’ twin chateaux of Valtice and Lednice in the Czech Republic. The lords of these castles established one of the greatest art collections in the world and played a major role in the diplomatic and military lives of the nation; they still remain as the ruling house of the Principality of Liechtenstein.

Pratt’s new chapter speaks of the difficulties of restoration and problems concerning modern-day ownership. Though many estates were lost or damaged during the World Wars, the houses as they stand today—some restored, some languishing in disrepair—present a rich cultural heritage of two fascinating countries.

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Italian Frescoes: The Baroque Era

1600-1800

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The fifth and final volume of the only comprehensive survey in modern times of the surviving Italian frescoes from the Baroque era, 1600 to 1800, this groundbreaking work is an achievement in scholarship and publishing of the same magnitude as Abbeville's Art of Florence and Art and Spirit of Paris. 

Following the success of the previous volumes in this extraordinary Italian Frescoes series — The Age of Giotto; The Early Renaissance; The Flowering of the Renaissance; and The High Renaissance and Mannerism — this new publication features twenty-five fresco cycles, each representing a notable achievement in the history of art. The fresco cycles presented include brilliant works by Domenichino, Sebastiano Ricci, Guercino, and Tiepolo — all of them still visible on walls and ceilings of palaces and churches spanning Italy from Venice to Naples.

The authors present such celebrated sites as the Barberini Palace in Rome and the Pitti Palace in Florence, as well as lesser-known gems. Each of the chapters is concise and authoritative, offering a descriptive and interpretive essay on all aspects of the fresco cycle, covering the artists and their patrons in the context of their cultural and political history. Each essay concludes with a diagram of the site, followed by a series of full- and double-page color plates showing the entire cycle, many reproduced from new photographs of recently restored frescoes.

No publisher until now has attempted to gather together and document all the important fresco cycles of Italian art from the late thirteenth to the eighteenth century. While this volume is a continuation of the previous books, Italian Frescoes: The Baroque Era certainly stands alone as an incredible treasury of art and scholarship that will be eagerly collected by art historians and art lovers alike.

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Travels with Van Gogh and the Impressionists

Discovering the Connections

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A captivating memoir of the author’s journey through France in search of the Impressionists and their art, interwoven with personal histories of the artists and illuminated with contemporary photographs that re-create and reimagine their work.

In 2000, deeply shaken by her husband’s recent death, author and world traveler Lin Arison took a trip through France with her granddaughter Sarah. Though Arison was in mourning, and Sarah was initially skeptical about art, the two surprised themselves by discovering renewed joy in the work of the Impressionists and the settings that inspired them.

In the years that followed, Arison’s personal odyssey became an extraordinary collaboration with photographer Neil Folberg, a collaboration culminating in Travels with Van Gogh and the Impressionists: Discovering the Connections. In one unique volume, Arison ushers readers from Auvers to Arles, Giverny to Mont Sainte- Victoire, in her quest to rediscover the lives, dwellings, and paintings of the Impressionists. En route, she debunks long-held myths about Van Gogh and Berthe Morisot, befriends twenty-first-century descendants of some of the masters, and finds inspiration in the Impressionists’ mutually supportive relationships. Gracefully blending memoir, travelogue, art history, and biography, Arison’s intimate narrative brings new insight to our understanding of these artists and their legacy.

Interspersed with Arison’s text, and with handsome reproductions of the original masterpieces, Neil Folberg’s photographs capture the central spirit of the Impressionists’ work and reapply that spirit to contemporary subjects and settings. Following an intuitive sensibility that never misses its mark, Folberg deploys each artist’s individual vision to new and striking ends, undergoing an artistic transformation of his own in the process.

Together, Arison’s words and Folberg’s images explore the enduring impact of France’s great late nineteenth-century painters, and the ways in which their revolutionary visions of their own world still impart great meaning and beauty to ours.

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Andrea Palladio

The Architect in His Time (2nd Edition)

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A comprehensive handbook exploring the career of the architect who transformed the building design and construction of the Western world.

Andrea Palladio (1508–1580) is known as the architect who has guided Western design philosophy for half a millennium, creating forms that have been studied and reproduced from age to age and around the world. For architects and the public alike, his buildings have become enduring testaments to his architectural genius as creator of a timeless classicism. When Abbeville Press first published Andrea Palladio: The Architect in His Time in 1994, it was selected by Choice magazine as “Outstanding Academic Book 1994,” while The World of Interiors called it “undoubtedly one of the most important architectural books to be published for some time.” Now Abbeville is pleased to release the revised concise edition of this essential resource.

Featuring a newly updated bibliography, this handsome volume spans the entire career of Palladio, illuminating his work in the context of his historical era and his own extraordinary life. It invites us to view Palladio’s masterpieces through the lens of Paolo Marton, moving across the thresholds of myriad villas, churches, and public edifices to illustrate the elegant proportions, crisp lines, and integrated geometries that are the hallmarks of Palladio’s vision. From the immortal Villa Rotonda to the Venetian churches of the Redentore and San Giorgio Maggiore, from the city halls to the bridges, each masterpiece is described using plans, maps, and contemporary drawings and etchings along with brilliant photography.

Combining modern scholarship with intriguing narrative, Palladio will educate and enlighten, helping readers understand the passion, joy, and beauty of one of the world’s most fascinating ages of architecture.

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The History of Venice in Painting

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This magnificent, oversized, luxuriously illustrated volume presents the wondrous history of Venice, as revealed by its artistic legacy.

Venice is a magical city. For centuries, Venice has enchanted visitors with its magnificent architecture and romantic canals. As a lone republic amid mostly monarchical Europe, Venice equally amazed philosophers and poets, leading Wordsworth to hail this floating city of more than one hundred islands as “the oldest Child of Liberty.”

Yet it is the imprint Venice left in the realm of painting, not only as a subject that inspired visiting artists from Europe and beyond, but more importantly as the seat of a new school of painting, for which Venice should best be remembered. The Venetian School of painting was developed during the Renaissance, featuring such celebrated painters as Bellini, Mantegna, Giorgione, and Titian. Emphasizing Venice’s pervasive sunlight and glowing color in their works, these painters influenced centuries of painters to come. The authors of The History of Venice in Painting explain how the Venetian School, in addition to other attractions like Carnival, attracted legions of tourists to Venice, making it an obligatory stop on the “Grand Tour” that should complete any eighteenth-century gentleman’s cultural education. Visitors also came to Venice to paint the city’s famous light for themselves, most notably J.M.W. Turner and Claude Monet. Sun-soaked Venice, with light reflecting off the waters of its many canals, was indeed an Impressionist’s dream.

This vibrantly illustrated text traces the history of the Republic of Venice through its artistic heritage, from medieval mosaics to twentieth-century Futurist paintings. Including 350 full-color images, as well as 4 breathtaking gatefolds, The History of Venice in Painting is a treasure-trove of art, history, and culture. Here such panoramas as religious processions and gondolas criss-crossing the Grand Canal are displayed in a size befitting the subject’s grandeur. Protected in a silkbound slipcase, this gorgeous tribute captures the history and indelible legacy of Venice.

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New Bar and Club Design

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A sophisticated, contemporary survey of fifty of the world’s newest and most stylish bars and clubs.

The sequel to the highly successful and critically praised book, Bar and Club Design, New Bar and Club Design is an elegant photographic journey through the latest international design trends in the bar and club industries, highlighting bars and clubs completed since 2001.

There has been a resurgence of cocktail culture and an explosion of the “style bar,” places that are professionally designed and serve high quality spirits, wine, and cocktails. Such bars have continued to open in cities such as New York, London, and Tokyo, but also in Beirut and Bangkok. Another strong trend in bar and club design, documented here, is a interest in creating lower budget designer bars that are as visually interesting and unusually designed as the big budget productions, such as Andy Wahloo in Paris and Loungelover in London. Likewise, club culture continues to thrive, albeit on a far smaller scale than the superclubs of the 1990s. Nightclubs have grown cozier, late night lounge bars have emerged to cater to the “grown-up clubber,” offering comfort and luxury rather than an empty shell in which to dance. The futuristic “superclubs” still being built now offer the very latest in technology and audiovisual entertainment.

This book explores the design zeitgeist of drinking and dancing culture worldwide. Divided by category into bars, restaurant bars, hotel bars, and clubs, each profile includes imaginative photographs, thoughtful descriptions, and architectural plans of the design. The innovative, sleek photographs allow the reader to enter into the ambience of each bar and experience its atmosphere. Sure to be an excellent guide for bar and club owners, architects and designers, as well as a sourcebook for new design inspirations, New Bar and Club Design will be appealing to travelers, night-lifers and design-lovers of every description.

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Hieronymus Bosch

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A stunningly illustrated, groundbreaking exploration of the work of the Low Countries' great visionary painter.

Four hundred little people frolic au naturel with overgrown songbirds and raspberries; a pudgy blue demon serenades a fashionable young couple with a tune piped through his own elongated nose; a knife-wielding set of disembodied ears stalks the damned through hell. The phantasmagoric imagery of Hieronymus Bosch (d. 1516) has been the source of widespread interest ever since the painter’s lifetime, and is still so enigmatic that scholars have theorized that it contains hidden astrological, alchemical, or even heretical meanings. Yet none of these theories has ever seemed to provide an adequate understanding of Bosch’s work. Moreover, the considerable professional success that the artist enjoyed in his native Hertogenbosch, not to mention his membership in a traditional religious organization, suggests that he pursued not a sinister secret agenda but simply his personal artistic vision.

This intriguing new monograph by noted art historian Larry Silver interprets that artistic vision with admirable lucidity: it explains how Bosch’s understanding of human sin, morality, and punishment, which was conceived in an era of powerful apocalyptic expectation, shaped his dramatic visualizations of hell and of the temptations of even the most steadfast saints. Silver’s account of Bosch’s artistic development is one of the first to benefit from recent technical investigations of the paintings, as well as from the reexamination of the artist’s drawings in relation to his paintings. Hieronymus Bosch is also unique in how securely it places its subject’s work in the broader history of painting in the Low Countries: Silver identifies sources of Bosch’s iconography in a wide range of fifteenth-century panel paintings, manuscript illuminations, and prints, and describes how, despite their own religiousness, Bosch’s pictures helped inspire the secular landscape and genre scenes of later Netherlandish painters. Augmented by 310 illustrations, most in color, including many dramatic close-ups of Bosch’s intricately imagined nightmare scenes, this is the definitive book on a perennially fascinating artist.

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The North American Indian Portfolios

From the Library of Congress

This miniature folio is based on the well-known frontier artwork by Bodmer, Catlin, and McKenney & Hall.

Based on the renowned frontier artwork of George Catlin’s North American Indian Portfolio, McKenney and Hall’s History of the Indian Tribes of North America, and Prince Maximilian’s Travels in the Interior of North America between 1832 and 1834, these historic collections of prints and paintings were the first to preserve images of Native Americans before their culture was affected by the white man. Fulfilling one of the Library of Congress’ central missions—to document the printed, visual, and written history of this country—the images in this volume constitute part of the archive of the American memory.

Native Americans found the world’s eyes upon them in the nineteenth century. Artists like George Catlin, Charles Bird King, and Karl Bodmer trekked to the West to paint images for those unable to make the journey and created some of the most important sociological, historical, and ethnological studies of American Indians. George Catlin, for example, was allowed to observe many of the ceremonies and games in the Indian villages which enabled him to provide a remarkably detailed picture of the tribe’s religious and social life. He wrote, “The history and customs of such a people, preserved by pictorial illustration, are themes worthy of the lifetime of one man.” This extraordinary miniature folio will appeal to anyone with an interest in American art, art history, or Native American history.

The miniature folio, published in associateion with The Library of Congress, features an introduction written by James Gilreath, the former American History Specialist for the Librarys Rare Book and Special Collections.

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Wood Houses

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A superbly illustrated survey profiling noteworthy new homes from around the world, all constructed from the architect's latest cutting-edge material — wood.

A superbly illustrated survey profiling noteworthy new homes from around the world, all constructed from the architect’s latest cutting-edge material—wood.

Contemporary architects have long overlooked the great versatility of wood as a building material. Now, however, they have begun to adopt wood as the natural solution to a variety of design problems, and as a result, this environmentally sustainable material is becoming increasingly significant in today’s domestic architecture.

Wood Houses, by noted architecture journalist Ruth Slavid, displays the entire breadth of this important architectural movement by covering forty-six recently built homes. The featured houses range from Fernau and Hartman Architects’ Mann Residence in Sonoma County, a timber-frame house with a strikingly decentralized plan, to 24H Architecture’s Arjang House in Värmland, Sweden, a reindeer fur-lined, cedar-shingled lakeside retreat. Each house’s profile is illustrated with not only the architect’s own plans and elevations but also numerous full-color interior and exterior photographs that highlight the intrinsic beauty of wood.

Slavid explores the background of the present wood-house renaissance in an introduction that covers topics as wide-ranging as timber-frame construction, the use of wood in an urban setting, and fire prevention. She goes on to illuminate significant trends in the field of wooden home design, such as timber’s popularity as a construction material for vacation homes and the evolution of deliberately austere aesthetics from wood’s innate qualities. Other topics include the liberation of wood from its familiar associations to serve as the basis of modern design and the current status of wood houses as part of a larger urban or suburban development. A helpful appendix features project credits and a glossary. This beautiful volume will serve as both a reference and an inspiration for anyone who designs, builds, or simply lives in wood houses.

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Earthworks and Beyond

Contemporary Art in the Landscape

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4th Edition

Updated and expanded to incorporate the most recent land art projects, Earthworks and Beyond (first published in 1984; 2nd edition, 1989; 3rd edition, 1998) is a perceptive and accessible survey of an influential art movement that developed during the 1960s and is still reshaping both remote and urban landscapes.

This invaluable volume now includes the most recent efforts by artists—often in collaboration with architects and city planners—to transform ravaged landscapes and desolate cityscapes into pleasure-giving parks and artworks. The book begins with an enlightening introduction tracing the historical roots of art in the landscape: Stonehenge, Indian mounds, cliff dwellings, park design from 18th-century England to modern-day golf courses. The opening chapter deals with such innovative artists as Robert Smithson, Nancy Holt, Walter De Maria, and Christo, who in the 1960s began to free their art from the confines of tradition by constructing monumental sculptures in the environment. The following chapters discuss their predecessors, peers, and successors, including Constantin Brancusi, Herbert Bayer, Richard Long, James Turrell, and many others.

The final four chapters (chapter 7 is entirely new) explore at length the increasing involvement of artists in land reclamation and urban design, featuring projects by Michael Heizer, Nancy Holt, Mel Chin, Maya Lin, and many others.

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Artists' Self-Portraits

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An insightful, lavishly illustrated history of self-portraits by well-known artists from early examples in classical times through its flowering in the Renaissance to modern interpretations.

In his fascinating survey, art historian Omar Calabrese reveals that self-portraits through the ages are both a reflection of the artist and of the period in which the artist lived. Organized thematically, the author first presents a basic definition of the genre of the self-portrait, interpreting the picture to be a manifestation of self identity, and including examples from an Egyptian tomb painting and pictures on stained glass during the Middle Ages and continuing to modern times.

The next chapter focuses on the turning point for the establishment of the genre during the Renaissance when the status of the painter or sculptor was raised from artisan to artist and, as a result, portraits of the artist were considered worthwhile pictures. At first a self-portrait was hidden in a narrative painting: an artist would paint his image as part of a crowd scene, for example, or as a mythological figure. On the other extreme, once the genre was accepted, it was practiced by some artists— Rembrandt, van Gogh, Munch, and Dali, for instance—as almost an obsession. In contemporary art the self-portrait can become a deconstructed genre with the artist hiding or satirizing himself until he nearly disappears on the canvas.

Among the 300 pictures featured here are examples by such artists as Albrecht Dürer, Velàzquez, Elisabeth Vigée-Lebrun, Ingres, Degas, Toulouse-Lautrec, Gainsborough, Matisse, James Ensor, Egon Schiele, Frida Kahlo, Man Ray, Henry Moore, Robert Rauschenberg, Norman Rockwell, and Roy Lichtenstein.

This intriguing book is a fresh way to appreciate the history of art and to understand that a self-portrait is far more complex and meaningful than merely a portrait of the artist.

 

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