Art and Design

Orientalism In Art

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The romance and exoticism of the Orient, as captured by 19th-century European and American painters, are brought to life in this important volume.

Nineteenth-century Europe was fascinated by the Orient. Napoleon's Egyptian campaign of 1798 initiated this phenomenon, and its history-the most notable episodes of which include the Greek uprising against the Turks in 1821 and the French taking of Algiers in 1830-was closely linked to changing attitudes toward the "Eastern question." Artists of the period, too, were captivated by these events, and the rich body of imagery they produced is the subject of this volume.

Incorporating much recent research, author Christine Peltre's elegant text retraces Orientalism's artistic history, in which the French and British schools predominated. The "high poetry" of the Romantics' Orient, often inspired by Byron or Hugo, strove for dramatic effect, as the works of David Roberts, Alexandre-Gabriel Decamps, and Eugène Delacroix attest. A different brand of imagery was produced by the "ethnographic gaze" of the century's middle years, practiced by artists who visited the sites they represented, such as John Frederick Lewis, Eugène Fromentin, and Jean-Léon Gérôme, as well as by others who remained studio-bound, including J.-A.-D. Ingres and Adolphe Monticelli. Work of this kind was eventually superseded by a "third style,"a fusion of European and Eastern elements, as seen in the work of August Macke, Wassily Kandinsky, Paul Klee, and Henri Matisse.

Witnesses to a history that they influenced in subtle ways through their imagery, the Orientalist painters also produced a history of their own, that of a spiritual and formal quest to find in the "East" the ideal of "primitive" purity.Illustrated with more than two hundred expertly selected Orientalist paintings and drawings, Orientalism in Art is an indispensable volume for art historians and anyone lured by the romance and exoticism of Orientalist art.

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New Spiritual Architecture

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This timely book reflects are awakening of interest in religious faiths and the emergence of a global exchange of architecture and culture.

While Spain’s Rafael Monco has just completed a cathedral in Los Angeles, Britain’s Thomas Heatherwick is designing a Buddhist temple in Japan, John Pawson is working on a Cistercian monastery in the Czech Republic, and Richard Meier has completed his Millennium Cathedral in Rome. As one Wallpaper* pundit commented, “religion is getting a redesign,” and the architect’s faith is as unimportant as his nationality. These buildings represent not only new ways of looking at religious architecture, but a vibrant cultural exchange that brings together the highest aesthetic and spiritual ideals, transcending religious and national boundaries.

New Spiritual Architecture looks at the approaches contemporary architects have taken to religious or meditative space, focusing on churches, chapels, temples, synagogues, and mosques that have been built in the last few years and represent a late-twentieth/early-twenty-first century aesthetic. These buildings demonstrate how new ideas and developments in urban, domestic, and public architecture inform designs for spaces intended for inspiration, worship, or meditation. The book is organized into five categories. “New Traditions” features buildings with radical formal idiosyncrasies. “Interventions” looks at urban sites designed to fit into the built landscape. “Retreats” are isolated sanctuaries that incorporate their natural settings as vital elements. “Grand Icons” examines the recent revival of large-scale religious architecture. Finally, the buildings in “Modest Magnificence” mold humble materials to generate a contemplative simplicity.

Each of the dozens of sites explored is graced with thorough documentation, including interior and exterior photography, both close-up and birds-eye views, alongside detailed floor plans accompanied by detailed captions. A sophisticated text by renowned architecture critic Phyllis Richardson weaves together the various themes and provides a crucial framework for considering what architecture has to say about the changing conditions of contemporary society, its beliefs, relationships, and material production.

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Italian Frescoes: High Renaissance and Mannerism

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The third volume in the only comprehensive modern survey of the surviving frescoes created during the later years of the great Italian Renaissance to the age of Mannerism.

Following the success of the previous volumes in this extraordinary series — Italian Frescoes: The Early Renaissance and Italian Frescoes: The Flowering of the Renaissance — this volume presents twenty-two fresco cycles, each representing a notable achievement in the history of art. The fresco cycles featured include brilliant works by Michelangelo, Raphael, Titian, Andrea del Sarto, Parmigianino, Bronzino, Veronese, and Carracci — all of them still visible on walls and ceilings of palaces and churches spanning Italy from the Veneto to Rome. Here are such celebrated sites as the Sistine Chapel in Rome and Palladio's Villa Barbaro in Maser, as well as lesser known gems.

Each of the twenty-two chapters is concise and authoritative, offering a descriptive and interpretive essay on all aspects of fresco painting, covering the artists and their patrons in the context of their cultural and political history. Each essay concludes with a diagram of the site, followed by a series of full- and double-page color plates showing the entire cycle, many reproduced from new photographs of recently restored frescoes.

No publisher until now has attempted to gather together and document all the important fresco cycles of the Italian Renaissance. While this volume is a continuation of the previous books, Italian Frescoes: High Renaissance and Mannerism easily stands alone as an incredible treasury of art and scholarship, which will be eagerly collected by art historians and art lovers alike.

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Fine Art of the West

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This landmark study delves into the traditional arts and crafts of the wild American West and their lasting effects on contemporary design.

Visually breathtaking, Fine Art of the West brings together the most artistically significant objects created by master craftsmen from the mid-nineteenth century to today. B. Byron Price, a leading expert of Western American art, explores the fascinating origins of these objects in the Old West, as the legacy of Spanish-American craftsmen and the workaday equipment of cowboys. The story continues as he traces their influence upon innovative designers employing them as a basis for a new, vigorous tradition in decorative art.

Working saddles and their offspring, the trophy, parade, and presentation saddles, are discussed in depth and appear in stunning full-page reproductions, complemented by a definitive selection of chaps, cuffs, gauntlets, and gun leather. Price also focuses on quirts and other objects that illustrate artistry with hide and hair, as well as fine metalwork, including buckles, bits, spurs, and jewelry. Hats and boots, both workaday and fancy, conclude the survey. Contemporary craftsmen who carry on these traditions today are represented alongside illustrations of their work. A glossary and bibliography complete this first comprehensive look at one of America's most fascinating forms of artistic expression.

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American Impressionism

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An expanded and revised edition of this elegant and definitive volume, which helped establish the ever-growing passion for American Impressionism.

With brilliant scholarship and a wealth of stunning illustrations, American Impressionism provides a vivid summary of the entire art movement, starting with its roots in earlier American art and its relationship to French Impressionsim. The first edition was quickly recognized as the most authoritative and penetrating account of the movement, which has continued to grow in poularity since the book's debut. For this new edition, which features 25 additional illustrations, Professor Gerdts has added a fascinating new chapter on Impressionist themes. The volume also includes a thoroughly updated bibliography.

American Impressionism tells how the movement progressed rom an avant-garde aesthetic assaulted by critics up to its years of triumph and how the movement developed in diverse ways throughou the country including regional Impressionism in the South, Midwest, and West. All of the master works are here, from Childe Hassam's sun-drenched gardens to John Twachtman's snow-silenced landscapes, from Edmund Tarbell's coolly elegant ladies in dim, luxurious interiors to Frederick Frieseke's sun-dappled nudes.

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Treasures of the Louvre

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This large-format edition of Abbeville's popular Tiny FolioTM highlights masterpieces as chosen by the director of the world's most famous museum.

Two hundred years ago, the doors of the Louvre opened to the public for the very first time. The palace of the French kings had been transformed into a museum that today stretches over an enormous architectural ensemble right in the heart of Paris.

The royal collections first assembled by Francis I in the sixteenth century were later transferred to the Louvre palace, and this prestigious core was further enriched with artistic treasures during the Revolutionary period. The collections have been growing ever since, and are today divided into seven departments. Oriental Antiquities, Egyptian Antiquities, and Greek, Etruscan, and Roman Antiquities illustrate the art and culture of the ancient Near and Middle East and the Mediterranean countries. The other four so-called "modern" departments--painting, sculpture, decorative arts, and drawing-span Western art from the height of the Middle Ages to the mid-nineteenth century.

With superb reproductions of nearly 400 of the museum's most renowned masterpieces, this glorious volume provides a grand tour of the Louvre's unparalleled collection, and highlights the extraordinary range of artistic traditions that have gradually found their place in this museum.

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Great Monasteries of Europe

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This remarkable volume is the most comprehensive examination to date of the art and architecture of European monasteries, featuring an authoritative text and more than five hundred stunning, full-color photographs.

European cultural history is inextricably linked to the presence of monasteries, especially during the Middle Ages. In addition to serving as religious refuges, monasteries provided sanctuary for the pursuits of art, education, science, and book production. This lavishly illustrated book traces the development of the art and architecture of these important buildings, from early Carolingian examples in the eighth century to a modern structure by Le Corbusier in 1960.

This unsurpassed survey offers a fresh chronicle of a largely overlooked subject and hundreds of marvelous images, many of them newly photographed, of more than 150 of the most interesting and best preserved monasteries in Spain, Portugal, France, Great Britain, Germany, Switzerland, Austria, Poland, the Czech Republic, and Italy — all of which are accessible to visitors. Here are unique views of the art and architecture of such treasured places as Mont St. Michel, a wondrous Benedictine sanctuary off the coast of Brittany, and the fabled pilgrimage site in Assisi founded by St. Francis.

In an insightful text the author describes the cultural heritage of each of the monasteries portrayed and provides an introduction to monasticism and to the various orders dating from the early Christian era to the present. In addition, the volume offers plans of the sites, a glossary, and a bibliography. Historians and collectors of great books of art history will be intrigued by this unsurpassed collection of photographs and fascinating account of the artistic glory of European monasteries.

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Ray Ellis in Retrospect

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The first retrospective of the work of Ray Ellis, a celebrated American artist acclaimed for his paintings of Martha's Vineyard and the Lowcountry of Georgia and South Carolina.

With an insightful text by a noted American art specialist and vibrant, color-infused images, this dazzlingly beautiful book reveals the full breadth of Ray Ellis's remarkable career. While Ellis is often described as an Impressionist because of his loose brushwork, bright color, and interest in light and atmosphere, his work is naturalistic and closer to realism.

Equally talented in oils and watercolors, he interprets the many sights and locales he has seen. In addition to marine subjects and coastal landscapes for which he is best known, this volume also presents his finest still lifes and paintings of cityscapes and travels. The works span several decades from the early 1960s through his most recent paintings.

Ray Ellis In Retrospect: A Painter's Journey also includes an illustrated, autobiographical essay by Ray Ellis and a chronology. Now in his eighth decade, Ellis continues to be passionate about painting. Still studying and experimenting, his greatest pleasure is to begin his next work striving to “do the best painting” he has ever done.

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Women Artists

An Illustrated History

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 4th Edition

Firmly established as one of the premier histories of women in the fine arts, Nancy G. Heller's Women Artists returns in an expanded fourth edition.

With coverage of the 1990s and the beginning of the new millennium, nearly half the volume is now devoted to the remarkable period from 1960 to the present, when women artists emerged as the most dynamic force in contemporary art.

New to this edition are innovative contemporary American artists, such as Janine Antoni and Renee Cox, as well as major international figures, including Iran's Shirin Neshat, Shahzia Sikander from Pakistan, and the Icelandic sculptor and performance artist Katrin Sigurdardottir. As in past editions, all the artists' works are represented in large-format color reproductions, and the artists' careers are examined in concise critical biographies.

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Italian Villas

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This lavishly illustrated, authoritative volume presents the most notable Italian villas from the Renaissance to the present.

Roman in origin, the villa evolved from serving as a rural and farming center to a stately country residence. Over time the villa's agricultural function became secondary to a new ideal-a place for intellectual leisure and healthy country living. As a result, the new dwelling had to reflect a cultivated design as did its landscaping. Villas were no longer the work of unskilled laborers but of gifted architects, the best known of which is Andrea Palladio, whose style remains influential today.

In this fascinating volume, the author describes and illustrates 250 of the most remarkable villas from the 600-year-old tradition, some well-known houses, others generally overlooked. Presented here are panoramas and details of grand country villas and magnificent suburban estates, each with its own charm and history, and each of which contributes to a style that is still imitated in our century. The illustrations and text by Ovidio Guaita, representing decades of work, are grouped by region, north to south. Enriching the coverage, each chapter includes a profile of a personality — architect, builder, artist, or patron — whose work had a lasting influence on the culture of the villa.

Supplementing the color photographs of exteriors and interiors are architectural drawings of houses and maps. The appendices offer a glossary, a bibliography, and a listing of villas that may be visited

This splendid book should be of great appeal to those interested in architecture, art history, and travel.

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The Art and Spirit of Paris

(two volumes, slipcased)

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A dazzling successor to Abbeville's The Art of Florence, this two-volume tour de force sweeps through the entire history of the arts in Paris, from the Stone Age to the pyramid at the Louvre.

All the arts—painting, sculpture, architecture, urban design, interior design, graphic design, photography, film, fashion, the theater, and opera—have played a role in creating the enduring spirit of Paris. From a primitive village huddled on an island in the middle of the Seine, Paris rose to glory as a medieval and Renaissance center for art, as the cradle of the Enlightenment, and as the crucible of modern art and architecture. It remains a world center of innovation in art, architecture, and design, and one of the most thoroughly pleasurable of all modern cities.

Assembled under the editorial direction of Michel Laclotte, former director of the Musée du Louvre, and with the participation of outstanding scholars on both sides of the Atlantic, The Art and Spirit of Paris spans more than 6,000 years of cultural history. In two volumes, comprising nine insightful and wide-ranging chapters, and with approximately 1,500 illustrations, the authors chronicle the history of the visual arts in Paris, tracing their evolution and that of the social systems that supported them.

Volume I introduces the Gallo-Roman settlement described by Caesar and unearthed by modern archeologists, literally the foundation of modern Paris. From these beginnings, chapter 2 takes the reader through the dark period of the early Middle Ages, when Paris was ravaged by Norsemen, through the long process of rebuilding that led to the flowering of the Gothic and the remarkable masterworks of architecture and stained glass, Notre-Dame-de-Paris and the Sainte-Chapelle. The Renaissance city and the center of the Enlightenment are the subjects of chapters 3 and 4, illustrated by the masterpieces of painting and the decorative arts that established Paris, by the eighteenth century, as the Western world's center of the arts.

Volume II begins at 1800, as Napoleon consolidates his power and resolves to make Paris the most beautiful city the world has seen. Chapter 5 treats his brief era, which would echo in the French imagination for decades after, and which begins the reign of Paris as "Capital of the Nineteenth Century." The battles of classicism and romanticism and the advent of a modern "engineer's architecture" of glass and iron are followed in chapter 6 by the glorious Ville Lumière of Second Empire Paris, with its remarkable world's fairs. It treats as well the aftermath of the Commune, when a "New Painting" would be invented by the most beloved artists of the French tradition, including Manet, Renoir, Monet, and Cézanne. Chapter 7 brings us to fin de siècle Paris, the Belle Epoque, and the run-up to World War I, when a remarkable coterie of artists, including Picasso, invent an art for the new century. Chapter 8 examines the period between the wars, an era of refinement and consolidation in the arts, and chapter 9 brings the story of Paris up to the present, examining the remarkable ways Paris has yet again remade herself, as a city of spectacle and guardian of her remarkable past, while remaining a vital center of fashion, theater, and the visual arts.

A lavish selection of photographs, most reproduced in color, complements the lively, informative texts with a revealing mixture of much-loved masterpieces and little-known discoveries. Completing these luxurious volumes are nine photographic portfolios, featuring classic black-and-white pictures, reproduced in duotone, by such masters as Brassaï, Henri Cartier-Bresson, Robert Doisneau, and André Kertesz, which capture the spirit of Paris in visual essays on such subjects as the Seine, Paris by night, shops and cafés, and the city's streets and boulevards.

About the authors: Michel Laclotte, former chief curator of paintings and retired president-director, Musée du Louvre, Paris; Venceslas Kruta, professor, Sorbonne; Alain Erlande-Brandenburg, former director, Musée de Cluny and Archives Nationales; Claude Mignot, professor, Université de Tours; John Goodman, independent scholar, New York; Christopher Lyon, executive editor, Abbeville Press; Michael Marrinan, professor, Stanford University; Gary Tinterow, curator, Metropolitan Museum of Art; Andrew Carrington Shelton, assistant professor, Department of History of Art, Ohio State University; Jeffrey Weiss, curator, National Gallery of Art, Washington, D.C.; Malcolm Gee, professor, University of Northumbria, Newcastle, England; Françoise Levaillant, director, Centre National de la Recherche Scientifique, Paris.

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Raphael

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All of Raphael's most important paintings, as well as a significant number of his drawings and engravings, are reproduced in this unmatched, luxurious tribute to one of the most admired artists of the Italian Renaissance.

In his Lives of the Artists, Vasari wrote: "While we may term other works paintings, those of Raphael are living things, the flesh palpitates, the breath comes and goes, every organ lives, life pulsates everywhere."In this lavishly illustrated book featuring some 300 illustrations, the author takes a fresh, critical look at the life and work of Rafaello Sanzio, or as he signed certain paintings, Raphael Urbinas, in homage to his native city of Urbino. Described as "an artist touched by grace," he is considered, along with Michelangelo and Leonardo, to be one of the greatest painters of the Italian Renaissance.

Raphael (14831520), whose birth and death were on a Good Friday, belonged to a family of merchants; aside from his training in the studio of Perugino, little is known about his earliest years. He arrived in Florence in 1504, where he studied the masters and produced magnificent paintings of the Madonna, as well as remarkable portraits. In 1508 he went to Rome, where he died a dozen years later at the height of his powers, after creating monumental works at the Vatican. In a fascinating text De Vecchi reexamines the new scholarship surrounding each of the major periods of Raphael's short career, dispelling the myths about him that have accumulated over the centuries. He reminds us that the most "profound" element of Raphael's art was his striving to express the dialectic between earthly and heavenly love, an important concern of his contemporaries.

The coverage of the text extends beyond the paintings to Raphael's significant work as an architect and designer of interiors. The reference material in the appendix includes a chronology and a bibliography.

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Angkor

Celestial Temples of the Khmer Empire

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An exquisitely illustrated history and exploration of Angkor, the world's most astonishing architectural treasure. This gorgeous volume is handsomely packaged in a slipcase, perfect for presentation.

Built between the ninth and the thirteenth centuries by a succession of twelve Khmer kings, Angkor spreads over 120 square miles in Southeast Asia and includes scores of major architectural sites. In 802, when construction began on Angkor Wat, financed by wealth from rice and trade, Jayavarman II took the throne, initiating an unparalleled period of artistic and architectural achievement, exemplified in the fabled ruins of Angkor, center of the ancient empire. Among the amazing pyramid-and mandala-shaped shrines preserved in the jungles of Cambodia is Angkor Wat, the world's largest temple, an extraordinarily complex structure filled with iconographic detail and religious symbolism.

Perhaps because of the decline of agricultural productivity and the expansion of the Thai Empire, Angkor was abandoned in the fifteenth century and left to the ravages of time. Today many countries are working to conserve and restore the temples, which have been inaccessible until recently. Now that the civil war has ended, Angkor is being reborn and is an increasingly popular tourist destination.

Undaunted by the difficulties of traveling through Cambodia and eastern Thailand, Jon Ortner, accompanied by his wife, Martha, photographed fifty of the most important and unique monuments of the Khmer Empire. His images include spectacular views from the rooftops of its temples, glorious landscapes, and details of inscriptions and art that few have ever seen. Beautifully reproduced in Angkor, the photographs are accompanied by a fascinating text written by a team of experts, providing historical, architectural, and religious analyses of Angkor and the Khmer civilization.

The appendix includes a glossary, a chronology of construction, and a chart of the kings and their accomplishments. Black-and-white floor plans and historic watercolors complete this breathtaking tribute.

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Twentieth-Century Residential Architecture

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A fascinating, detailed history of the international modern house, generously illustrated with 400 photographs and architectural drawings.

As the basic building block of the human environment, the house has served as an inexhaustible playground where architects experiment with theories, styles, forms, and materials. Arguably, the best and most innovative residential architecture has been conceived and realized over the past 100 years — from the cantileveral serenity of Frank Lloyd Wright's Fallingwater to the spectacular Chemosphere, which resembles a UFO that has planted its landing gear in the Hollywood Hills. This book, the first to chronicle the development of the modern house, examines major shifts in international domestic design over the past century as it highlights a superb selection of extraordinary homes.

Author Richard Weston engagingly tells the story of the twentieth-century house through eight semi-chronological design themes. From the Arts and Crafts period to the present, he covers a wide range of homes exemplifying each period and presents more than 100 benchmark dwellings with detailed architectural drawings. Weston also addresses the fascinating ways in which domestic design has both reflected and influenced the changing social climates and lifestyles of the past century, making this a book that will appeal to anthropologists, as well as architects, designers, and homeowners.

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Treasures of The White House

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A miniature handbook of the most important furnishings of the White House.

For nearly two centuries, the White House has served as the residence of our nation's president and his family. John and Abigail Adams were the first residents, and each family ever since has been encouraged, through congressional appropriations and private contributions, to make the White House a comfortable home and to provide the necessities for handsomely carrying out its additional functions as nexus for state ceremony and entertaining. As a result, the decorative objects acquired for the White House cover a wide range of genres, all rich with historic association

This treasury of our nation's valuable heirlooms, selected by the curator of the White House, includes some of the finest examples of American paintings, sculpture, furniture, silver, glass, and porcelain. In addition to excellent pictures of the objects, there are photographs that show them as arranged in state rooms. A concise essay introduces the collection and places it in historic context, and two additional pieces survey both the fine arts and the decorative arts in the president's house.

This pocket-size book is an ideal gift for those interested in beautiful historic objects or those who would like a comprehensive memento of a visit to the nation's capital.

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Goya

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Newly revised and lavishly illustrated, this acclaimed study of Spanish master Francisco Goya reveals the artist as a pioneer of modern art and culture.

Stunning color reproductions comprehensively survey Goya's paintings and prints in this essential study of his art and its impact on the modern world. Fred Licht's masterful text, revised and updated for this edition, has been hailed as "brilliant" and "profound," one of the most original and illuminating studies of a modern European artist.Born in 1746 in a small Aragonese town, Goya rose to prominence in Madrid in the period around 1780, being named court painter in 1786. The atrocities of the Napoleonic period and the repressions of the restored Bourbon regime led Goya to paint his greatest works, now recognized as harbingers of modern art. Goya died in exile in France in 1828.

Organized according to the mediums and genres in which the artist worked, Goya is a series of investigations of those aspects of Goya's art that make it especially relevant today. By focusing closely on the work, Licht also illuminates, as few before him have done, the enigmatic personality of this artist, who, as the author affirms, "first fixed the courage and the despair of our modern age."

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The Houses of Philip Johnson

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The first book devoted to Philip Johnson's Glass House and his other innovative residential architecture.

For almost three-quarters of a century, as a critic and curator beginning in 1930s, and as a practicing architect since the 1940s, Philip Johnson has been at the center of modern architecture's development. His celebrated Glass House, built in 1949 in New Canaan, Connecticut — a crystallization of Johnson's commitment to the high modernism of his mentor Mies van der Rohe — is perhaps the single most famous house of the twentieth century. Until now, however, that house has not been looked at in the context of Johnson's many other house projects. This book, the first to comprehensively survey Johnson's residential work, not only brings to light a largely neglected side of Johnson's achievement, but freshly illuminates his entire career.

By examining all of Johnson's houses, authors Stover Jenkins and David Mohney, both architects, help us understand the Glass House as an expression of Johnson's developing thought. Focusing first on Johnson's student work at Harvard and his early commissions, they show how the Glass House reflects Johnson's concentrated study not only of pioneering modern architects including Frank Lloyd Wright and Le Corbusier, but of masters of previous centuries such as Claude-Nicolas Ledoux and Karl Friedrich Schinkel. They detail the three-year design process of the Glass House, and then show how Johnson moved beyond the influence of Mies to create a remarkably diverse body of work — one that is nevertheless unified by characteristic themes, like Johnson's inventive development of the Miesian court-house scheme, and his articulation of space by the use of connected pavilions.Johnson's clients have always included powerful patrons of art and architecture.

Presented in this book are his jewel-like townhouse for Blanchette Rockefeller and the Houston home of John and Dominique de Menil, with its enclosed court; projects for collector Joseph Hirshhorn; and the spectacular vacation house at Cap Bénat for the Biossonnas family. Recent projects include a sprawling desert compound in Israel and a village-like vacation residence in the Caribbean. But from the beginning, when Johnson submitted a house he built for himself in Cambridge, Massachusetts, as his graduate thesis, he has been his own most effective client.

The book concludes with a look at the ten built and seven unbuilt projects he has designed over the years for the New Canaan estate. As an afterword, the book includes a penetrating essay by architectural historian Neil Levine, who argues that we must now recognize Johnson's publication of the Glass House, in a 1950 article, as a turning point in the recognition of modernism as a historical movement.

Supporting a critical account of approximately thirty built and forty unbuilt projects, the book includes numerous plans and drawings, many never before published, and historical photographs. New color photographs by Steven Brooke capture the ways Johnson has used light, space, and landscape to create some of modernism's most appealing houses. Essential reading for architects and students, this book is also a vital resource for the study of one of modern architecture's most influential figures.

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The World Trade Center Remembered

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A stirring photographic tribute to the World Trade Center towers, which were the icons of the New York City skyline.

Rising dramatically above all other skyscrapers at the tip of Manhattan, the World Trade Center symbolized New York. From any direction the Towers were lodestars, Manhattan's local mountains. Nearly a decade after the dark events of 9/11, New Yorkers continue to come to terms with the tragedy, and to reminisce about the views of the Towers they once had from their homes and offices. Visitors, too, are remembering how the WTC looked as they approached Manhattan by car, plane, or from the water. As we mourn for the terrible loss of life, we also want to remember. The 72 images of the World Trade Center presented in this book depict a New York we once knew, one we are now working to rebuild.

For more than two decades, practically since the Twin Towers were erected, Sonja Bullaty and Angelo Lomeo have been photographing these awesome buildings. The pictures featured here portray the WTC from all directions, starting with views from the east at dawn, and ending with evening views from the west. There are captivating panoramas from Brooklyn, Lower Manhattan, New Jersey, and uptown, taken in all seasons, as well as a section showing the grand Plaza at the center of the buildings. Together, they create an unforgettable portrait of the Twin Towers.

Introducing this extraordinary collection of photographs, Paul Goldberger's text evokes the Towers and the city they came to symbolize. He recalls how they evolved in the public mind, targets of criticism to beloved American icons. He explains their architectural significance and explores their visceral meaning to New Yorkers.

In contrast to books depicting the disaster and the days following it, this photographic memoir will be welcomed by all of us— New Yorkers and visitors alike — who yearn to remember the way the city was.A portion of the book's proceeds are donated to the Twin Towers Scholarship Program care of Scholarship America.

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