Art and Design

Design for Shopping

New Retail Interiors

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A strikingly illustrated exploration of today's most innovative and original retail interiors from around the world.

Retail design is quickly learning new ways to entice the customer. To create a unique and captivating shopping experience, shops use interactive technology and commission stunning works of art; fashion brands team up with celebrity architects to create brand strategies and generate publicity; and irony, humor, and playful elements of surprise turn into mainstays of retail interiors.

From the giant, breathing mannequins of Mandarina Duck in London to the high-tech dressing rooms of Prada in Los Angeles, Design for Shopping provides a detailed, behind-the-scenes examination of the sometimes jaw-dropping, sometimes whimsical, and always breathtakingly creative ways that today’s most exceptional shops appeal to the customer’s imagination.

Accompanied by architects’ floor plans and vivid color photographs, Design for Shopping showcases a comprehensive selection of recent retail interiors from around the world. Following an insightful introduction which examines the historical and sociological variables in current shopping culture, the book is divided into seven chapters which discuss themes such as the reinvention of old brands; technology and shopping; the emerging intersections between architecture, art, and fashion; play and shopping; new ways and places to shop; and how store design and branding have become intimately related to selling a lifestyle.

Fascinating case studies illustrate each of these themes, with thirty-five stores discussed in total. As a special feature, each chapter begins with an interview with a prominent figure in the world of retail design. Designers, architects, and retailers interviewed include Marcel Wanders, Hani Rashid, Amanda Levete, and Terence Conran.

The perceptive text, coupled with the gorgeous illustrations of the stores (shops presented include Gucci, New York; Helmut Lang, New York; Prada, Los Angeles; Armani, Hong Kong; Dior, Tokyo; Mandarina Duck, London; Fendi, Paris; Miss Sixty, Barcelona; Villa Moda, Kuwait City) makes this book a must-have for anyone interested in design, architecture, shopping, or culture.

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Radical Office Design

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A gorgeously illustrated worldwide survey of innovative workplace architecture that enhances the performance and well-being of today's professionals.

Traditional office work, characterized by repetitive clerical tasks, is rapidly giving way to “knowledge work,” characterized by the creative application and exchange of information. In response, architects around the world are leaving aside the old cubicle grid to design imaginative, high-tech offices that foster knowledge work and, at the same time, help workers balance the competing demands of colleagues, customers, and family. The forty-three exceptional workplaces profiled in this timely volume have all been completed within the last six years and serve a wide variety of organizations, both private and public, small and large. Examples range from the headquarters of an advertising firm where one enormous table seats all two hundred employees, facilitating communication, to a BMW plant where the factory production line runs through and above the administrative offices, unifying the corporate community.

The authors skillfully distinguish the primary trends in contemporary office design by dividing their engagingly written case studies among four chapters, each dedicated to a particular type of workplace. “Academies” encourage the sharing of knowledge within a corporate structure; “Guilds” allow the members of a profession to interact as peers; “Agoras” bring the workplace closer to the marketplace and to civic life; and “Lodges” combine the home and the office. Two hundred extraordinary color photographs and fifty architectural drawings show how the featured architects have configured public areas, meeting rooms, and private work spaces to meet the needs of today’s increasingly versatile and mobile workers.

The inclusion of an informative introduction, which outlines the economic and technological factors driving the rapid evolution of contemporary workplace architecture, further ensures that this attractive book will be an essential reference for everybody who has a hand in designing offices, and a thought-provoking read for everybody who works in one.

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Earthworks and Beyond

Contemporary Art in the Landscape

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4th Edition

Updated and expanded to incorporate the most recent land art projects, Earthworks and Beyond (first published in 1984; 2nd edition, 1989; 3rd edition, 1998) is a perceptive and accessible survey of an influential art movement that developed during the 1960s and is still reshaping both remote and urban landscapes.

This invaluable volume now includes the most recent efforts by artists—often in collaboration with architects and city planners—to transform ravaged landscapes and desolate cityscapes into pleasure-giving parks and artworks. The book begins with an enlightening introduction tracing the historical roots of art in the landscape: Stonehenge, Indian mounds, cliff dwellings, park design from 18th-century England to modern-day golf courses. The opening chapter deals with such innovative artists as Robert Smithson, Nancy Holt, Walter De Maria, and Christo, who in the 1960s began to free their art from the confines of tradition by constructing monumental sculptures in the environment. The following chapters discuss their predecessors, peers, and successors, including Constantin Brancusi, Herbert Bayer, Richard Long, James Turrell, and many others.

The final four chapters (chapter 7 is entirely new) explore at length the increasing involvement of artists in land reclamation and urban design, featuring projects by Michael Heizer, Nancy Holt, Mel Chin, Maya Lin, and many others.

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Artists' Self-Portraits

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An insightful, lavishly illustrated history of self-portraits by well-known artists from early examples in classical times through its flowering in the Renaissance to modern interpretations.

In his fascinating survey, art historian Omar Calabrese reveals that self-portraits through the ages are both a reflection of the artist and of the period in which the artist lived. Organized thematically, the author first presents a basic definition of the genre of the self-portrait, interpreting the picture to be a manifestation of self identity, and including examples from an Egyptian tomb painting and pictures on stained glass during the Middle Ages and continuing to modern times.

The next chapter focuses on the turning point for the establishment of the genre during the Renaissance when the status of the painter or sculptor was raised from artisan to artist and, as a result, portraits of the artist were considered worthwhile pictures. At first a self-portrait was hidden in a narrative painting: an artist would paint his image as part of a crowd scene, for example, or as a mythological figure. On the other extreme, once the genre was accepted, it was practiced by some artists— Rembrandt, van Gogh, Munch, and Dali, for instance—as almost an obsession. In contemporary art the self-portrait can become a deconstructed genre with the artist hiding or satirizing himself until he nearly disappears on the canvas.

Among the 300 pictures featured here are examples by such artists as Albrecht Dürer, Velàzquez, Elisabeth Vigée-Lebrun, Ingres, Degas, Toulouse-Lautrec, Gainsborough, Matisse, James Ensor, Egon Schiele, Frida Kahlo, Man Ray, Henry Moore, Robert Rauschenberg, Norman Rockwell, and Roy Lichtenstein.

This intriguing book is a fresh way to appreciate the history of art and to understand that a self-portrait is far more complex and meaningful than merely a portrait of the artist.

 

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Joel Perlman: A Sculptor's Journey

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An elegantly produced volume which illustrates celebrated American metal sculptor Joel Perlman’s finest works and relates them to his fascinating life story.

-- WINNER of the New York Book Show Award

This handsomely illustrated book is the first monograph devoted to the work of Joel Perlman (b. 1943), an acclaimed sculptor in steel and bronze, whose works are represented in the permanent collections of America’s top museums, including the Metropolitan Museum of Art, the Whitney Museum of American Art, and the Hirshhorn Museum and Sculpture Garden. Perlman’s best works from the 1970s to the present day — from the austerely abstract Chevy Short (For Jeannie Day), shown at the 1973 Whitney Biennial, to the lyrical Sky Spirit, a monumental commission completed in 2004 — are depicted in here in stunning full-page photographs, most in full color.

All readers with an interest in contemporary sculpture will appreciate not only the book’s striking illustrations but also its thoughtfully written text, which relates Perlman’s art to his life. Author Philip F. Palmedo, drawing on extensive interviews with his subject and his subject’s colleagues, engagingly describes how each chapter of Perlman’s life — from his early days of teaching alongside Kenneth Noland and Jules Olitski in the Bennington College art department to his struggle, ultimately very successful, to establish himself in SoHo’s vibrant 1970s art scene — served to strengthen his commitment to his own abstract, Modernist aesthetic.

This thoughtful narrative, which seamlessly synthesizes Perlman’s intimate art-world anecdotes and Palmedo’s own keen critical observations, is beautifully complemented by an insightful foreword by renowned art dealer André Emmerich, whose gallery represented Perlman for twenty years.

 

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21st Century House

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This richly illustrated survey, bound in an elegant portable format, profiles the most architecturally distinguished new houses from around the globe. 

The diversity of the fifty-five houses featured in this photo-packed volume, by architects like Alvaro Siza, Tony Fretton, Hild und K, Jim Jennings Architecture, and Souto Moura Architects, demonstrates that the single-family home continues to play a pivotal role as a means of architectural expression and experimentation in the new millennium. These structures, all designed, commenced, or completed in the past four years, range from Tucson’s Campbell Cliffs, a 25,000-square-foot mansion that reimagines Frank Lloyd Wright’s classic prairie style on a massive scale, to the Living Room in Gelnhausen, Germany, a house-cum-artwork whose living room can slide from the facade like a drawer to become a balcony!

Author Jonathan Bell, an experienced architecture journalist, divides the book into four chapters that correspond to the main trends he discerns in the featured buildings: “The House in the Landscape” presents houses that stand alone in the landscape as architectural statements in the grand Modernist tradition; “New Urban Sites” highlights homes that fit into a larger architectural fabric; “Pragmatic Solutions” focuses on designs for livable, affordable, and environmentally sustainable housing; and “The Future” surveys architects’ varying visions of tomorrow’s house. The case studies of individual houses within these chapters include not only the architects’ own plans and elevations but also a generous number of full-color interior and exterior photographs—some 300 in all.

Useful supplementary features, including an introduction that illuminates the present state of residential architecture and project credits that include contact information for the featured architects, ensure that this handily-sized volume will be welcomed by all practitioners, students, and enthusiasts of architecture.

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Designing with Light

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An in-depth look at how light is used in contemporary architecture to delineate form, color, and space, with particular attention to major projects by international architects including Stephen Holl, Zaha Hadid and Rem Koolhaas.

The history of great architecture is the history of buildings that adapt creatively to light. Light possesses the power to transform an ordinary building into a majestic edifice that inspires awe. Architects rely heavily on light, looking to it as a tool that reveals form and forges the important connection between vision and construction.

Designing With Light, by award-winning architect Victoria Meyers, explores the myriad ways in which light is used in contemporary architecture, both internally and externally, to enhance the design and sense of space in a building. Vivid color photographs depict how architects employ light in buildings such as the Guggenheim Las Vegas and the National Gallery of Canada. Meyer looks at recent developments in the science of light, giving an overview of the history of light in architecture and demonstrating how the use of light in film, theater, and art has influenced light’s use in architecture. Meyers goes on to discuss how light creates architectural features such as color, line, and form, and how architects strive to control light through glass, windows, skylights, and the manipulation of shadow and reflection. She clearly illustrates these cases with intriguing examples from recent buildings designed by internationally renowned architects including Zaha Hadid, Steven Holl, Herzog & de Meuron, Rem Koolhaas, John Pawson and many others.

Meyers’ lively, informative text and hundreds of rich color photographs are sure to fascinate those interested in architecture and design. 

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Italian Frescoes: The Age of Giotto

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The fourth volume (though earliest chronologially) of the only comprehensive survey in modern times of the surviving Italian frescoes from the end of the Middle Ages to the Renaissance and Mannerism, this groundbreaking oeuvre is an achievement in scholarship and publishing of the same magnitude as Abbeville’s Art of Florence and The Art and Spirit of Paris.

Following the success of the previous volumes in this extraordinary series — Italian Frescoes: The Early Renaissance; Italian Frescoes: The Flowering of the Renaissance; and Italian Frescoes: The High Renaissance and MannerismItalian Frescoes: The Age of Giotto presents twenty-two outstanding fresco cycles. Created during the late thirteenth and early fourteenth centuries, these cycles set new standards for painting and an innovative vision of man, paving the way for the monumental achievements of the Renaissance. It was at this time that fresco painting was not only commissioned for churches and chapels, but also for such secular places as town halls and royal residences with humanist in addition to religious themes. The fresco cycles featured here include brilliant works by Giotto in Assisi, Padua, and Florence; dramatic paintings by Cimabue, thought to be Giotto’s teacher; Pietro Cavillini in Rome; and the Sienese artists Simone Martini and Pietro and Ambrogio Lorenzetti — all of these works still visible on walls and ceilings of palaces and churches spanning Italy from the Veneto to Rome.

The authors describe and illustrate such celebrated sites as the Church of Saint Francis in Assisi, the Chapel of the Scrovegni in Padua, the Public Palace in Siena, and the papal chapel, the Sancta Sanctorum, in Rome. Each of the twenty-two chapters is concise and authoritative, offering a descriptive and interpretive essay on all aspects of fresco painting, covering the artists and their patrons in the context of their cultural and political history. Each essay concludes with a diagram of the site, followed by a series of full- and double-page color plates showing the entire cycle, many reproduced from new photographs of recently restored frescoes.

No publisher until now has attempted to gather together and document all the important fresco cycles of Italian art from the late thirteenth to the seventeenth centuries. While this volume is the predecessor to the previous books, Italian Frescoes: The Age of Giotto easily stands alone as a masterpiece of art and scholarship which will be welcomed by art historians and art lovers alike. 

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Great Country Houses of Central Europe

The Czech Republic, Slovakia, Hungary, Poland

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Largely neglected and unknown, the palaces, villas, and castles of Central Europe are revealed in the revised edition of this dazzling history.

In the heart of Central Europe stand some of the most elegant and grandly conceived country houses ever constructed, from medieval fortresses and Renaissance- era estates to baroque villas and neoclassical palaces. Until the last decade these illustrious residences were inaccessible to the West. This landmark volume presents these rarely seen treasures of the Czech Republic, Slovakia, Hungary, and Poland, nations that shelter a superb selection of Europe’s finest country houses, built over the centuries by some of the continent’s most distinguished families. Richly illustrated with specially commissioned photography, The Great Country Houses of Central Europe tells the stories of these magnificent buildings and the families that constructed them, immersing us in the vanished world of the region’s aristocracy.

Lord Michael Pratt sets his discussion of the houses and their patrons against the backdrop of Central European history. Beginning in the Middle Ages and continuing to the present day, this monumental study analyzes thirty of the region’s most important estates and introduces dozens of others. Although the primary focus is on the houses and the families that built them, gardens, grounds, and interiors are also illustrated in detail, including examples of furniture, decorative arts, and paintings. Splendid and surprising, these remarkable structures and the magisterial book that celebrates them display Central Europe in its full glory. 

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A Key to the Louvre

Memoirs of a Curator

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An art world insider provides a witty and penetrating account of fifty years at the center of international culture.

Art historian, curator, and museum director Michel Laclotte has been at the forefront of French cultural life over the past half century. This informal autobiography sheds light on his brilliant career with warmth and directness. Highlights include twenty years as chief curator of painting and sculpture at the Musée du Louvre, heading the team that created the Musée d'Orsay, and taking the reins of the Louvre to lead the effort that culminated in the museum's transformation into the “Grand Louvre,” one of the world's preeminent cultural attractions.

Raising the curtain on fifty years of Western art scholarship, intrigue, and achievement, Laclotte introduces an extraordinary cast of characters who set France's cultural direction in the postwar period from Charles de Gaulle and André Malraux in the 1950s to François Mitterand in the 1980s and 1990s. His story overlaps with virtually every major scholarly figure in French art history of the last half-century, as well as Laclotte's mentors and colleagues throughout and beyond Europe, from Roberto Longhi and Anthony Blunt to Sir John Pope-Hennessy and Millard Meiss.

An incomparable testament to a period of seismic change in the museum world, this volume will be essential reading for art world afficianados and all students of art and modern culture.

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21st Century Hotel

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Newly built hotels are being admired throughout the world by travelers and architects, and this strikingly illustrated survey features the best new designs.

In the past several years, hoteliers have responded ever more boldly to their guests’ demands for both luxury and aesthetic sophistication. The result has been the emergence of new trends in hotel design, which at one extreme increasingly blur the border between lodging, lifestyle, and living theatre, and at the other seek to reinvent the more discreet manners and style of the grand hotels of the late nineteenth century. This visually exciting volume by noted design writer Graham Vickers provides a timely overview of these trends, profiling no fewer than thirty-seven of the world’s most noteworthy new hotels, from the lavishly appointed Ritz-Carlton Miami to a Quebec hotel constructed entirely of snow and ice.

Vickers skillfully clarifies the distinctions between the various strands of contemporary hotel design by dividing the book into categorical chapters: “Traditional Interpretations” surveys luxury hotels a la the Four Seasons; “Mainstream Experiments” highlights fresh takes on the conventional business or tourist hotel concept; “Original Ideas” presents hotels with a special theme or purpose; “Designer Hotels” focuses on the unique creations of celebrated interior designers; and “Architectural Significance” covers hotels based in exceptional buildings.

The commentaries on individual hotels within these chapters are illustrated by a total of 210 color photographs, as well as the designers’ own plans and elevations. Additional features—a concise introduction to the cultural context of hotel design, a complete list of featured architects and designers, and a full index—make this book an appealing and useful guide for both the hospitality professionals who operate hotels and the travelers who stay in them.

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In Search of Natural Architecture

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A remarkable illustrated study by eco-architect David Pearson illuminating the rediscovery of ancient wisdom that, in turn, has inspired a spiritual reawakening in architecture.

In the past, building in harmony with nature was essential for survival. Today, our sense of ecological responsibility combines with a renewed understanding of the built environment’s influence on personal health and spiritual warmth to create a new type of architecture which reclaims that ancient harmony with nature. David Pearson, the renowned author of The New Natural House Book, has traveled the world in his quest to discover buildings that exemplify the three themes of this “natural architecture”: ecology, health, and spiritual awareness.

Drawing on his background as an architect specializing in housing, environmental issues, and holistic design, Pearson compiles a collection of “environmentally clean” and “spiritually healthy” buildings from around the world and across the centuries. Some are environmentally sound, some congenial to human well-being, and others spiritually powerful. He divides his discussion of these buildings, which are illustrated with 146 stunning full-color photographs and eighteen drawings, into six thematic chapters. The first chapter explains how ancient architectural forms like yurts and teepees reflect archetypes of human spirituality, while the second explores the rejuvenating qualities of today’s healing architecture. The third chapter focuses on ecologically aware building principles, the fourth on the lessons of traditional folk architecture, and the fifth on the culturally vibrant architecture of developing countries. The final chapter describes how all these architectural influences have led to a new awakening, which is embodied in architects’ organic designs for contemporary structures ranging from farmhouses to department stores.

Together the six chapters, which are augmented by a bibliography, a glossary, and a resource list giving contact information for the featured designers, comprise a provocative architectural journey, a must-read for anyone interested in designing or living in environmentally sound buildings that are in harmony with the landscape and the human spirit.

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New Country Houses

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A richly illustrated overview of fresh contemporary trends in the residential architecture of the countryside.

The thirty houses featured in this beautifully illustrated volume range from a Portuguese vacation home whose granite facade blends seamlessly into an ancient system of agricultural terraces to a Japanese family residence whose translucent walls glow like a paper lantern in the nighttime, but they all embody the same contemporary architectural trend: a radical shift in thinking about the residential architecture of the countryside. An increasing exodus from the stresses of urban living has brought a positive and powerful design consciousness out of the cities into new and challenging environments. New Country Houses explores how architects today seek to reinvent the country house and develop a new rural architecture for the twenty-first century, rather than simply remodeling or recreating the methods and manners of the past.

Exercising his keen eye for architectural style, the author divides the book thematically into four chapters which correspond to contemporary architects’ primary approaches to the challenge of designing for the countryside: organic, vernacular, contemporary, and experimental. The individual case studies within these chapters include insights from the architects themselves and are augmented by both detailed plans and elevations and no fewer than 175 full-color interior and exterior photographs. A full complement of supplementary features—an introduction tracing the history of the country house, a bibliography, and an index—ensures that this book will serve as a guide and inspiration to architects, their clients, and all readers who are interested in the aesthetically groundbreaking, flexible, and ecologically conscious way of living represented by today’s new country houses.

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Orientalism In Art

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The romance and exoticism of the Orient, as captured by 19th-century European and American painters, are brought to life in this important volume.

Nineteenth-century Europe was fascinated by the Orient. Napoleon's Egyptian campaign of 1798 initiated this phenomenon, and its history-the most notable episodes of which include the Greek uprising against the Turks in 1821 and the French taking of Algiers in 1830-was closely linked to changing attitudes toward the "Eastern question." Artists of the period, too, were captivated by these events, and the rich body of imagery they produced is the subject of this volume.

Incorporating much recent research, author Christine Peltre's elegant text retraces Orientalism's artistic history, in which the French and British schools predominated. The "high poetry" of the Romantics' Orient, often inspired by Byron or Hugo, strove for dramatic effect, as the works of David Roberts, Alexandre-Gabriel Decamps, and Eugène Delacroix attest. A different brand of imagery was produced by the "ethnographic gaze" of the century's middle years, practiced by artists who visited the sites they represented, such as John Frederick Lewis, Eugène Fromentin, and Jean-Léon Gérôme, as well as by others who remained studio-bound, including J.-A.-D. Ingres and Adolphe Monticelli. Work of this kind was eventually superseded by a "third style,"a fusion of European and Eastern elements, as seen in the work of August Macke, Wassily Kandinsky, Paul Klee, and Henri Matisse.

Witnesses to a history that they influenced in subtle ways through their imagery, the Orientalist painters also produced a history of their own, that of a spiritual and formal quest to find in the "East" the ideal of "primitive" purity.Illustrated with more than two hundred expertly selected Orientalist paintings and drawings, Orientalism in Art is an indispensable volume for art historians and anyone lured by the romance and exoticism of Orientalist art.

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New Spiritual Architecture

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This timely book reflects are awakening of interest in religious faiths and the emergence of a global exchange of architecture and culture.

While Spain’s Rafael Monco has just completed a cathedral in Los Angeles, Britain’s Thomas Heatherwick is designing a Buddhist temple in Japan, John Pawson is working on a Cistercian monastery in the Czech Republic, and Richard Meier has completed his Millennium Cathedral in Rome. As one Wallpaper* pundit commented, “religion is getting a redesign,” and the architect’s faith is as unimportant as his nationality. These buildings represent not only new ways of looking at religious architecture, but a vibrant cultural exchange that brings together the highest aesthetic and spiritual ideals, transcending religious and national boundaries.

New Spiritual Architecture looks at the approaches contemporary architects have taken to religious or meditative space, focusing on churches, chapels, temples, synagogues, and mosques that have been built in the last few years and represent a late-twentieth/early-twenty-first century aesthetic. These buildings demonstrate how new ideas and developments in urban, domestic, and public architecture inform designs for spaces intended for inspiration, worship, or meditation. The book is organized into five categories. “New Traditions” features buildings with radical formal idiosyncrasies. “Interventions” looks at urban sites designed to fit into the built landscape. “Retreats” are isolated sanctuaries that incorporate their natural settings as vital elements. “Grand Icons” examines the recent revival of large-scale religious architecture. Finally, the buildings in “Modest Magnificence” mold humble materials to generate a contemplative simplicity.

Each of the dozens of sites explored is graced with thorough documentation, including interior and exterior photography, both close-up and birds-eye views, alongside detailed floor plans accompanied by detailed captions. A sophisticated text by renowned architecture critic Phyllis Richardson weaves together the various themes and provides a crucial framework for considering what architecture has to say about the changing conditions of contemporary society, its beliefs, relationships, and material production.

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Italian Frescoes: High Renaissance and Mannerism

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The third volume in the only comprehensive modern survey of the surviving frescoes created during the later years of the great Italian Renaissance to the age of Mannerism.

Following the success of the previous volumes in this extraordinary series — Italian Frescoes: The Early Renaissance and Italian Frescoes: The Flowering of the Renaissance — this volume presents twenty-two fresco cycles, each representing a notable achievement in the history of art. The fresco cycles featured include brilliant works by Michelangelo, Raphael, Titian, Andrea del Sarto, Parmigianino, Bronzino, Veronese, and Carracci — all of them still visible on walls and ceilings of palaces and churches spanning Italy from the Veneto to Rome. Here are such celebrated sites as the Sistine Chapel in Rome and Palladio's Villa Barbaro in Maser, as well as lesser known gems.

Each of the twenty-two chapters is concise and authoritative, offering a descriptive and interpretive essay on all aspects of fresco painting, covering the artists and their patrons in the context of their cultural and political history. Each essay concludes with a diagram of the site, followed by a series of full- and double-page color plates showing the entire cycle, many reproduced from new photographs of recently restored frescoes.

No publisher until now has attempted to gather together and document all the important fresco cycles of the Italian Renaissance. While this volume is a continuation of the previous books, Italian Frescoes: High Renaissance and Mannerism easily stands alone as an incredible treasury of art and scholarship, which will be eagerly collected by art historians and art lovers alike.

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Fine Art of the West

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This landmark study delves into the traditional arts and crafts of the wild American West and their lasting effects on contemporary design.

Visually breathtaking, Fine Art of the West brings together the most artistically significant objects created by master craftsmen from the mid-nineteenth century to today. B. Byron Price, a leading expert of Western American art, explores the fascinating origins of these objects in the Old West, as the legacy of Spanish-American craftsmen and the workaday equipment of cowboys. The story continues as he traces their influence upon innovative designers employing them as a basis for a new, vigorous tradition in decorative art.

Working saddles and their offspring, the trophy, parade, and presentation saddles, are discussed in depth and appear in stunning full-page reproductions, complemented by a definitive selection of chaps, cuffs, gauntlets, and gun leather. Price also focuses on quirts and other objects that illustrate artistry with hide and hair, as well as fine metalwork, including buckles, bits, spurs, and jewelry. Hats and boots, both workaday and fancy, conclude the survey. Contemporary craftsmen who carry on these traditions today are represented alongside illustrations of their work. A glossary and bibliography complete this first comprehensive look at one of America's most fascinating forms of artistic expression.

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American Impressionism

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An expanded and revised edition of this elegant and definitive volume, which helped establish the ever-growing passion for American Impressionism.

With brilliant scholarship and a wealth of stunning illustrations, American Impressionism provides a vivid summary of the entire art movement, starting with its roots in earlier American art and its relationship to French Impressionsim. The first edition was quickly recognized as the most authoritative and penetrating account of the movement, which has continued to grow in poularity since the book's debut. For this new edition, which features 25 additional illustrations, Professor Gerdts has added a fascinating new chapter on Impressionist themes. The volume also includes a thoroughly updated bibliography.

American Impressionism tells how the movement progressed rom an avant-garde aesthetic assaulted by critics up to its years of triumph and how the movement developed in diverse ways throughou the country including regional Impressionism in the South, Midwest, and West. All of the master works are here, from Childe Hassam's sun-drenched gardens to John Twachtman's snow-silenced landscapes, from Edmund Tarbell's coolly elegant ladies in dim, luxurious interiors to Frederick Frieseke's sun-dappled nudes.

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