Art and Design

American Art of the Twentieth Century

Treasures of the Whitney Museum of American Art

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The Whitney Museum in New York is one of the country's premier showcases for 20th-century American art.

This survey of the Whitney's Permanent Collection presents a selection of remarkable works, in a variety of media, by the most notable American artists. Among the more than two hundred images are paintings by Edward Hopper, Georgia O'Keeffe, Frank Stella, Franz Kline, Andy Warhol, and Jasper Johns; sculpture by Alexander Calder, Claes Oldenburg, and David Smith; photographs by Robert Frank, Man Ray, Robert Mapplethorpe, and Diane Arbus; and drawings by Hopper, Philip Guston, and Jackson Pollock.

A handy companion to the Whitney's Permanent Collection, this Tiny Folio offers a century of masterpieces from a superlative institution.

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Frank Lloyd Wright

America's Master Architect

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A comprehensive and affordable view of the master architect's entire oeuvre, including private residences, public buildings, furnishings, and decorative pieces.

Frank Lloyd Wright (1867-1959) is unquestionably America's most celebrated architect. Even today, almost forty years after his death, he continues to tower over the architectural landscape. In fact, his career was so long and his accomplishments so varied it can be difficult still to grasp the full range of Wright's achievement.

In this refreshing new study, Wright scholar Kathryn Smith does just that, exploring the grace and beauty found in all facets of Wright's work: from office desks and chairs to his first residential commissions, from magazine cover designs to major public buildings. The concise text and brilliant color photographs chart Wright's entire career, beginning with his apprenticeship to Adler and Sullivan before the turn of the century. Readers witness the Prairie period, Wright's years in Japan and California, his major designs of the late 1920s and 1930s, his Usonian houses, and the monumental late works of his last decades. Smith shows examples of Wright's drawings, furniture, and decorative arts, too, supplementing our understanding of Wright's aesthetic. The book concludes with a glimpse at the architect's seldom-seen collection of Asian art, which once comprised tens of thousands of pieces — a source of much inspiration and edification for the architect and his students, and a key to understanding Wright's views on art and nature.

Here is a broad portrait of the master builder who sought the title "greatest architect of all time." Although it may never be possible to fully assess Wright's legacy, Kathryn Smith's authoritative book is a fitting testament to his lasting genius.

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Italian Frescoes: The Flowering of the Renaissance

1470-1510

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The second volume in the only comprehensive modern survey of the surviving frescoes created during the middle years of the great Italian Renaissance.

Praised by historians and art lovers alike, Steffe Roettgen's first volume on the frescoes of the early Italian Renaissance is the most comprehensive survey of the surviving fresco cycles painted from 1400 to 1470. In this second volume, featuring paintings from 1470 to 1510, scores of new photographs document the brilliance of works by Botticelli, Ghirlandaio, Filippino Lippi, Mantegna, Perugino, and Signorelli in palaces and chapels stretching from the Alps to Rome.Professor Roettgen's concise and authoritative text illuminates such celebrated sites as the Tornabuoni Chapel in Florence, the Sistine Chapel in the Vatican, and the Camera degli Sposi in Mantua. She also reveals the charm of lesser-known works, such as those in the tiny northern town of Issogne, which capture fifteenth-century men and women bargaining and flirting at an outdoor market.

Descriptive and interpretive essays on each of the seventeen cycles touch on all aspects of fresco painting: the artists and their patrons, cultural and historical conditions, local traditions, and technique. Each essay concludes with a diagram of the site, followed by a stunning series of full-page and double-page color plates of the wall paintings, many of them newly restored. This second volume of Professor Roettgen's survey builds on the strengths of Italian Frescoes: The Early Renaissance, and easily stands alone as a record of the spectacular art of a flourishing culture.

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Shingu

Message From Nature

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Susumu Shingu's graceful wind and water-powered kinetic sculptures represent the perfect harmony between high technology and nature.

Although originally trained as a painter, Shingu became interested in sculpture when he saw one of his shaped canvases turning softly in the wind. The work that followed relied on natural forces to make it move or make sound, and he began using more sophisticated materials for outdoor works. By the time of Expo '70 in Osaka, Shingu had been commissioned to create a piece for the plaza. It contained many of the elements he would use later: parts of it were moved by both wind and water, in some ways harnessing their power but also buffeted by it. His work walks the fine line between complementing nature and being an integral part of it. The pieces, though large, colorful, and usually made of modern materials, adopt nature's rhythms in their movement.

Shingu's sculpture is found around the world, from Japan to France, Italy, and the United States. In addition to creating sculptures, he has written and illustrated several children's books and designed several theater pieces that integrate his sculptures and installations with dramatic stories. All of these endeavors are collected here — along with the artist's comments on many of the sculptures, essays by Pierre Restany and Renzo Piano, and an interview with Joseph Giovannini — in a monograph that provides a complete portrait of Shingu's diverse career.

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Antiquespeak

A Guide to the Styles, Techniques, and Materials of the Decorative Arts, from the Renaissance to Art Deco

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Continuing the popular and illuminating "Speak" series, this handsomely designed volume offers a user-friendly lexicon of the decorative arts.

Understanding antiques requires knowledge of a specialized vocabulary that tells initiates what something is, where it came from, and when it was made. AntiqueSpeak provides this essential information in concise but illuminating essays that cover almost a millennium of styles (such as Baroque and Art Deco), materials (glass, ivory), types of objects (furniture, toys and games), specialized areas of collecting (folk art, Judaica), and concerns involved with acquiring and caring for antiques (auctions, condition, marks and signatures).

In addition, the book includes a handy one-page StyleChart; a section of color plates (one for each major style); an album of ornaments and classical orders, represented by line drawings; labeled drawings of selected furniture types; an introduction that explains how to use the book; and an invaluable index that provides dates and nationalities for all the designers, craftsmen, artists, and others discussed in the entries.

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Sargent Abroad

Figures and Landscapes

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With impressive new scholarship and many previously unpublished, color-drenched images, this gloriously beautiful book reveals a new aspect of the artist's remarkable career.

Although most renowned for his dazzling society portraits, Sargent took greatest pleasure in escaping his studio to paint out of doors. In the past, his far-flung expeditions have been dismissed as little more than tourist jaunts. But with this book-the first significant study of the figures and landscapes that Sargent painted from 1900 (after he had established himself as one of the foremost portraitists of the age) through 1914 (when World War I changed his world)-it becomes clear that his travel paintings constitute a far larger and more important aspect of his work than previously realized. Many of these oils and watercolors come from private collections and have rarely, if ever, been seen in the years since the artist's death in 1925.

Three of the book's five chapters approach Sargent's paintings thematically, investigating the work he produced in the Alps, around the Mediterranean, and in Venice; as these enlightening essays make clear, each locale inspired a distinctive response from the artist. In the mountains he painted bubbling streams, distant views, and languorous girls in alpine meadows. In the south, he painted fruits and flowers, fragments of architecture, and villas and gardens that are dreamlike in their evocation of the past. The first essay provides a useful background to Sargent's preoccupation with landscape subjects after 1900 and traces the broad development of his style and the major influences on his work. The final essay recounts the diverse critical responses to Sargent's plein-air painting during his lifetime.

For the first time, Sargent's extensive travels are thoroughly documented here, using letters and diaries written by his companions. Charming vintage photographs, including some that Sargent is believed to have taken himself, chronicle his adventures and cast new light on this intensely private artist. The book also includes an invaluable chronology of the artist's travels as well as brief biographies of his traveling companions-mostly beloved family and dear friends-who accompanied Sargent on his creative journeys.

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Angels

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A myriad of angels in a multitude of guises, as portrayed by artists ranging from Giotto, Fra Angelico, and Botticelli to Bernini, Rembrandt, Rossetti, and Keith Haring.

With nearly 300 radiant images, Angels surveys every aspect of artists' long-held fascination with this irresistible subject. Included are angels from the first millennium to contemporary times, represented in frescoes, oil paintings, mosaics, prints, stained glass, tapestries, manuscript illuminations, and sculpture.

Divided into seven chapters—Angel Portraits, Heavenly Messengers, Hosts of Angels, Cherubs, Patterns of Flight, Battles of Good and Evil (which includes the fallen angels), and Guardian Angels and Companions—this captivating little book offers a fresh look at an ancient and eternally popular subject.

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Goddesses

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Female deities of all types and temperaments, from around the world and throughout history.

Since time immemorial, artists have created impassioned images of the goddess as the ultimate generator and destroyer of life, as fertility figure, and as ruler of love and war. Encompassing a variety of media — sculpture, painting, photography, performance art, and film — Goddesses also provides an enlightening text exploring all her many guises.

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Treasures of 19th and 20th Century Painting

The Art Institute of Chicago

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The Art Institute of Chicago houses some of the most celebrated European and American paintings from the nineteenth and twentieth centuries.

Included in this collection are numerous masterpieces of realism, Impressionism, Post-Impressionism, Surrealism, Cubism, Abstract Expressionism, and other aspects of modernism. Today a number of these paintings are revered as icons of modern Western culture, emblems of the inspired experimentation that has taken place on both sides of the Atlantic.

For the last century, the Art Institute has supported the achievements of the most distinguished artists from Europe and America, acquiring and exhibiting now-beloved works of Edgar Degas, Henri Matisse, Georgia O'Keeffe, Jackson Pollock, and others. This folio is presented as both an introduction to this collection and as a survey of the styles, subjects, and themes of Western art of the last two centuries, from the linear classicism of Jean-Auguste-Dominique Ingres through the optical studies of Claude Monet and the Impressionists; from the lyrical, colorful abstractions of Vasily Kandinsky to the fractured picture planes of Pablo Picasso and the Cubists; from the enigmatic compositions of Salvador Dali and the Surrealists to the media-appropriated Pop-art portraits of Andy Warhol. These magnificent paintings eloquently narrate the discussions of the nature of art, quality, innovation, style, and form that have defined the modern era in art history.

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Fra Angelico

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Breathtaking details and a thought-provoking text make this volume a beautiful and important reassessment of this Florentine Renaissance painter.

Called "Angelico" for his inimitable depictions of paradise, this artist (1400? -1455) and Dominican friar succeeded Masaccio as the foremost painter of the early Renaissance in Italy. Fra Angelico's painting has been beloved for centuries since as an emblem of the flowering genius of quattrocento Florence.In his engaging new appraisal, John Spike reveals the unexpectedly innovative qualities of Angelico's art, including his use of linear and geometric perspective (even before the publication of Leon Battista Alberti's famous treatise). Another of Angelico's inventions was the Renaissance altarpiece known as the sacra conversazione (sacred conversation), in which the Virgin and Child and saints, formerly each rigidly enclosed in separate panels, now gesture and relate to each other within a clearly unified space.

Fra Angelico had a lifelong fascination with the written word, and as Spike persuasively demonstrates, the accuracy of his Greek, Latin, and Hebrew inscriptions reveal his participation in the linguistic studies that flourished in Florence and Rome in the first half of the fifteenth century. He created some of the most visionary and learned compositions of his century, from his Deposition for the private chapel of the humanist Palla Strozzi to the extensive commissions in Rome for the erudite Pope Nicholas v.

In this volume Spike presents a major discovery: the secret program of the forty frescoes in the cells of the Dominican monastery of San Marco in Florence. All previous studies of this artist had concluded that the subjects and arrangement of these frescoes, the artist's masterworks, were chosen at random, or by the friars themselves. Instead, as the author now shows, Fra Angelico drew upon the mystical writings of the early church fathers to construct a spiritual exercise organized into three ascending levels of enlightenment. The San Marco frescoes can finally be seen as not only the most extensive cycle of works by any single painter of this century, but indeed the most complete pictorial expression of Renaissance theology.

With fresh insights that will influence studies of quattrocento art for years to come, Spike uses his perceptive eye and judicious readings of documents to reassess the works of Angelico, his masters, and his assistants. This essential volume contains an extensive essay on the artist's life and work, followed by large color plates with detailed discussions of individual works. Finally, a catalog presents the artist's oeuvre, as revised by the author's new attributions. With lavish details of Angelico's works and an up-to-date bibliography, this volume is not only a feast for the eyes but an indispensable resource for anyone interested in this critical period of the Renaissance.

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Goddesses in Art

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An extraordinary range of images, from prehistory to the 1990's, representing female deities of all types and temperaments from a world wide array of cultures.

Fascination with the goddess as a powerful figure throughout humanity's history has been growing since the contemporary women's movement evolved in the 1960s. An elemental part of religious pantheons before the Iron Age, goddesses have resurfaced in the modern era as embodiments of female strength and wisdom. Encompassing a variety of media — sculpture, painting, photography, performance art, and film — Goddesses in Art offers an abundance of images of the goddess as the ultimate creator and destroyer of life; as fertility figure; and as a ruler of love and war.

The artists who have portrayed her in all her guises range from prehistoric and tribal shamans to European painters and sculptors such as Bernini, Rubens, and Titian to modern artists including Louise Bourgeois, Audrey Flack, Frida Kahlo, Henry Moore, and Andy Warhol.

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Michelangelo

The Vatican Frescoes

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For the first time ever, Michelangelo's complete Vatican masterpiece is shown in the vivid colors of its recent restoration. This comprehensive history of the painting of the Sistine Chapel catalogs each fresco image in detail.

The restoration of Michelangelo's magnificent frescoes in the Vatican's Sistine Chapel is perhaps the most controversial event in the art world in the past three decades. Now, after nearly fifteen years of effort, the restoration is finally complete. This unique volume-the first to document the project-is the result of an unparalleled international photographic campaign. For the first time, the restored Chapel is shown in its entirety, from the Creation to the Last Judgment. Glorious, full-color photographs-250 in all-portray the frescoes both before and after their restoration, providing an unforgettable view of the meticulous work that many believe restored the frescoes to their original High Renaissance splendor.

Originally created in the late 1400s, the frescoes of the Sistine Chapel are the best-known of all the Vatican masterpieces. As early as 1502, however, tourists began noting the damage wrought by smoke and crumbling walls. By 1980 the need for conservation appeared to be dire. The restoration team had to contend with centuries of decay-structural fractures in the walls and ceilings, soot and dust accumulation, and rainwater seepage that left white patches on every surface. Artisans in previous centuries had made attempts at conservation, but often did more harm than good; the frescoes were found to be coated with many layers of "protective" glue that had yellowed and darkened with age. Though many art historians opposed the restoration, believing that Michelangelo was a somber artist who worked in dark and muted colors, the endeavor presents frescoes that are gloriously vivid, setting the chapel aglow with their brilliance. In addition, they provide new insights about Michelangelo's brushstroke techniques, and add more information to a centuries-old debate over how he worked with the wet plaster surface of the frescoes.

Written with Gianluigi Colalucci, the technical overseer of the restoration, the text provides an intimate understanding of this masterpiece of Renaissance art. It explains the various forensic studies carried out in the course of the project, the pragmatic concerns of the restoration, and the many problems of historical approach that were confronted. This volume, including remarkable new pictures of the Chapel frescoes, belongs in the libraries of every art historian and student of the Italian Renaissance.

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Edgar Degas

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A compact survey of Degas's art from early portraits to late nudes and bathers.

Edgar Degas (1834-1917), a founding member of the Impressionist movement, was one of the group's most original and independent artists. This Tiny FolioTM offers insight into the themes and preoccupations that make his paintings, sculptures, and brilliant pastels so well-loved today.

As sublime as it is thorough, this survey of Degas's life and art illustrates his famous and perceptive portraits, his enchanting pictures of Parisian life, his beloved and popular racehorse scenes, his late nudes and bathers, and his celebrated depictions of the opera and ballet.

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St. Petersburg

Architecture of the Tsars

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Lavishly illustrated and elegantly written, this volume takes us on an architectural tour of one of the world's most beautiful and enchanting cities.

Before becoming a city, St. Petersburg was a utopian vision in the mind of its founder, Peter the Great. Conceived by him as Russia's "window to the West," it evolved into a remarkably harmonious assemblage of baroque, rococo, neoclassical, and art nouveau buildings that reflect his taste and that of his successors, including Anna I, Elizabeth I, Catherine the Great, and Paul I.

Crisscrossed by rivers and canals, this "Venice of the North," as Goethe dubbed it, is of unique beauty. Never before has that beauty been captured as eloquently as on the pages of this sumptuous volume. From the stately mansions lining the fabled Nevsky Prospekt to the magnificent palaces of the tsars on the outskirts of the city, including Peterhof, Tsarskoe Selo, Oranienbaum, Gatchina, and Pavlovsk, photographer Alexander Orloff's portrait of St. Petersburg does full justice to the vision of its founder and namesake. The text, by art historian Dmitri Shvidkovsky, chronicles the history of the city's planning and construction from Peter the Great's time to the reign of the last tsar, Nicholas II.

Anyone who has ever visited--or dreamed of visiting--the city of "white nights" will find St. Petersburg irresistible.

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Italian Frescoes: The Early Renaissance

1400-1470

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The first comprehensive survey in modern times of the surviving fresco cycles of the early Renaissance, this path-blazing work is an extraordinary achievement in scholarship and publishing.

Certain Italian fresco cycles, notably the Brancacci Chapel in Florence by Masaccio, Masolino, and Filippino Lippi, are well known. Others, such as Piero della Francesca's work in Arezzo and Benozzo Gozzoli's Chapel of the Magi in Florence, have been reproduced countless times. Yet no publisher — until now — has attempted to gather together and document in extensive photographs the essential fresco cycles of the early Italian Renaissance. The list of works covers the regions of Italy, from the Alpine mountain areas to Puglia, with an emphasis on Tuscany and Florence, the artistic center that gave life to the Renaissance.

Italian Frescoes: The Early Renaissance opens with a concise introductory text discussing various aspects of fifteenth-century fresco painting: artists, patronage, cultural and historical conditions, technical methods, and questions of local tradition. The central section of the book examines twenty-one fresco cycles, each representing a crowning achievement in this field. A descriptive and interpretive essay introduces each cycle and is followed by a series of full-page and double-page color plates-many of them new photography of recently restored frescoes-covering the entire work.This parade of colorful masterpieces, paired with Steffi Roettgen's authoritative text, makes a brilliant volume that will be treasured by scholars and art lovers alike.

A second volume, Professor Roettgen's Italian Frescoes: The Flowering of the Renaissance, continues the story with works by Botticelli, Ghirlandaio, and many others.

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Norman Rockwell's Faith of America

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This classic volume celebrates Norman Rockwell’s unique understanding of the American spirit.

This tribute to America’s best-known, best-loved illustrator takes the reader on an inspiring journey through Norman Rockwell’s vision of America, one that is still relevant today.

The author Fred Bauer visited Stockbridge, Massachusetts, and Arlington, Vermont, talking to the people who lived with Rockwell and posed for his pictures, about whom the artist said, “If you are interested in the characters you draw and understand them and love them, why, the people who see your pictures are bound to feel the same.”

Represented here are more than one hundred Rockwell works, including iconic Saturday Evening Post covers, such as Saying Grace, Breaking Home Ties, and The Golden Rule; World War II images, such as the Willie Gillis series; portraits of Eisenhower, Kennedy, and the Statue of Liberty; and depictions of American holidays, family traditions, and worship.

With Bauer’s sympathetic text and Rockwell’s unforgettable images, the book o ers a picture of American hope and humanity, and of Rockwell’s optimistic faith in the nation and its people.

Fred Bauer wrote more than a dozen books and worked widely in communications.

 

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The Art of Light and Space

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A fascinating investigation of Light and Space art by Robert Irwin, Maria Nordman, James Turrell, Doug Wheeler, and others.

Ethereal and evocative, the art of Light and Space pushes the viewer beyond the everyday limits of perception. It takes many different forms and uses many different materials, ranging from natural daylight and scrim to glass, plywood, neon, and fire. It taps into far-ranging ideas and systems of knowledge, including alchemy, Buddhism, aerospace technology, witchcraft, astronomy, physiology, and phenomenology.

Written by the foremost authority on the subject and based on more than two decades of research, The Art of Light and Space is the first book to provide an overview of this powerful and increasingly public art form. With rare photographs, extensive artist interviews, and her own insightful observations, Jan Butterfield vividly documents the history of this diverse and sometimes elusive work.

Following a useful introduction that succinctly places the art of Light and Space in the larger context of modern art, the book is divided into ten chapters, each focused on one artist: Robert Irwin, James Turrell, Maria Nordman, Douglas Wheeler, Bruce Nauman, Eric Orr, Larry Bell, DeWain Valentine, Susan Kaiser Vogel, and Hap Tivey. Insightful portrait photographs by Jim McHugh open each chapter and capture the quirky individuality of these inexhaustibly creative men and women. The innovative graphic design emphasizes the artists' own words, both in sidebars and in the text, making their voices unusually accessible.

No two artists have followed the same path, but in many cases the work has become increasingly approachable in recent years. Architects and urban planners have begun to incorporate Light and Space installations into public spaces ranging from the Old Post Office Building in Washington, D.C., to the new building in Pasadena, California. Corporate, nonprofit, and private collectors have commissioned numerous major works, including a solar fountain in Denver, a tea house in Paris, and a fire-and-steam sculpture on a busy Los Angeles street corner.

The processes of creating the works seen here are as intriguing as the final results, and all are illuminated by the text, the illustrations, and the design of this provocative, invaluable volume.

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William Glackens

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The life and work of one of the most admired American Impressionists are fully detailed in the first major monograph on the artist.

William Glackens was one of the most influential American painters in the first decades of the twentieth century. From his beginnings as a witty magazine artist-illustrator in Philadelphia and New York to his participation in the forward-thinking group of artists dubbed The Eight, Glackens was a perceptive interpreter of his surroundings.

Glackens, one of the most versatile and popular artists of his time, assimilated the lighthearted modern French themes of spirited cafés and bustling parks and resorts in such canvases as Chez Mouquin (1905) and Sledding, Central Park (1912). An admirer of the more traditional figure painting of the Impressionist Renoir, his name also became closely linked to the modern artists who exhibited their works at the famous Armory Show of 1913, which Glackens helped organize.

This important study, the first major monograph on Glackens, includes an insightful essay by Dr. William Gerdts and a complete catalog, introduced by curator Jorge Santis, describing the incomparable holdings of the Glackens Collection of the Museum of Art, Fort Lauderdale, Florida. With a chronology, bibliography, and index, this profusely illustrated volume is sure to become the standard reference on Glackens for historians and collectors of twentieth-century art.

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