Art and Design

Illuminated Manuscripts

Treasures of the Pierpont Morgan Library

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Spectacular examples of early book illustration from one of the greatest libraries of illuminated manuscripts in the world.

Glorious works of art as well as documents of bygone eras, painted an illuminated manuscripts supply perhaps the greatest and by far the best-preserved evidence of daily life during the Middle Ages and Renaissance. This Tiny Folio draws on one of the greatest collections in the world to illustrate the angels, demons, and everyday denizens of the medieval world.

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Passion by Design

The Art and Times of Tamara De Lempicka

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A daughter's intriguing look at the life and times of Tamara de Lempicka, a remarkable artist, personality, and icon of the Jazz Age and Art Deco style.

Tamara de Lempicka captured the whirlwind decade of the 1920s on canvas, painting (and charming) the rich and famous of Europe in Art Deco portraits. The threat of a second world war sent Tamara packing to America, where she reveled among the famous in Hollywood and the wealthy of New York, In the 1970s she was rediscovered when a gallery owner in Paris mounted a retrospective of her work, and today paintings that were unsellable for three decades fetch many hundreds of thousands of dollars.

Much of the story of de Lempicka's amazing life is told in moving detail by her daughter, whose recollections are amplified by anecdotes from others who knew the artist. The is illustrated by dozens of photographs from Tamara's personal album and by 50 full-color reproductions of her evocative paintings.

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Coastal Images of America

Paintings by Ray Ellis

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With masterly paintings by Ray Ellis, representing more than two decades of work, and an authoritative text by Robert Ballard, an intrepid undersea explorer and scientist, this captivating book portrays the beauty, majesty, and diversity of America's Atlantic and Pacific coastlines.

Ray Ellis depicts the full sweep of the coasts in his highly praised, impressionistic style, from the Maine shoreline to the Florida Keys and from the Northwest's inland waters to Baja, California. This unsurpassed collection of oils and watercolors includes views of New England's rocky shores and sandy beaches, Chesapeake Bay oystermen caught in a squall, South Carolina's haunting Low Country, the rugged Oregon coast where Lewis and Clark first sighted the Pacific Ocean, the spirit of sailing across San Francisco Bay, and the expanse and loveliness of Big Sur. His paintings are as varied as the water's edge itself, encompassing landscapes and seascapes, as well as lighthouses, marine creatures, sailors, and beachcombers. In Walter Cronkite's words, Ellis "has the ability to see beauty in almost anything."

Robert Ballard's knowledgeable text, complementing Ray Ellis's paintings and captions, is a fascinating kaleidoscope of coastal history and natural history and provides an account of how the shoreline was formed and its condition today as well as stories of early settlers and present-day residents. The author is a foremost authority on the sea, having organized and conducted more than one hundred deep-sea expeditions, including those that located the Titanic and the Bismarck and more recently Roman ships in the Mediterranean. This is an ideal gift book for anyone who enjoys living, boating, or vacationing along the seacoasts.

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Reflections of Nature

Paintings by Joseph Raffael

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Sun-dappled carp, radiant blossoms, and tumultuous waters are among the wonders and mysteries of nature captured in Joseph Raffael's brilliant close-up paintings.

At a time when beauty is much out of favor in the art world, Joseph Raffael has taken what some would consider the highly radical step of daring to paint beautiful pictures. Long one of contemporary art's most highly regarded painters, Raffael transforms intense observations of nature into color-drenched, deeply felt works of art. He often works on a very large scale, using either watercolor, oil, or acrylic to achieve the painstaking detail of his dazzling images.

Amei Wallach's warmly perceptive introduction, inspired by a visit to the artist's home and studio in the south of France, explores Raffael's life history, his sources, and his ideas about art. Her individual chapter openers address the predominant subjects within the artist's work, including water and shore scenes, flowers, animals, fish and lilies, sacred symbols, and Raffael's wife, Lannis. A thought-provoking essay by Donald Kuspit places Raffael's painting within the larger context of twentieth-century art, psychology, and philosophy. Complementing these texts are the paintings themselves-sun-dappled carp, luminous iris, tumultuous rivers, and other wonders of nature captured in radiant visual meditations.

The artist has also contributed two engaging written pieces, both of which illuminate the pleasures and occasional terrors of the creative process. His "Diary of a Painting" traces the evolution of one major work over several months, from the original slide to the finished wall-size watercolor, providing insight into the emotional and technical demands of creating a work of art. His informative and revealing "Autobiographical Chronology" provides a personal look back, from his Brooklyn childhood to his art-making career in New York, California, and the south of France, where Joseph Raffael lives and works today.

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The Rockefeller Family Home: Kykuit

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A warm, intimate portrait of the grand family estate of six generations of Rockefellers.

Kykuit-the country home of John D. Rockefeller Sr., John D. Rockefeller Jr., Nelson A. Rockefeller, and their families-stands majestically atop a hill overlooking the Hudson River. Built between 1906 and 1913 by architects Delano and Aldrich, it has just recently been opened to the public. But visitors will never see the estate in as intimate a way as it is presented in this volume.

To preserve the memory of what Kykuit was like when it was a private home, photographer Mary Louise Pierson, granddaughter of Nelson Rockefeller, spent years photographing the estate: the Big House-as family members call the main residence-and its interiors, designed by the renowned Ogden Codman; the outbuildings, including the Coach Barn, which now houses an impressive collection of horse-drawn carriages and an equally noteworthy collection of vintage cars, the orangerie, and the Playhouse, a Tudor-style mansion containing an indoor swimming pool, tennis court, fully equipped gym, and bowling alley; and the magnificent gardens, from the formal gardens designed by William Welles Bosworth to the golf course to the Japanese garden, and all the sculptures that three generations of Rockefellers installed on the grounds.

The text, by Ann Rockefeller Roberts, Governor Rockefeller's daughter, recounts the history of the magnificent estate, from its founding early in the century through its recent transfer to the National Trust, focusing on how each successive generation left its stamp on the decor, the gardens, and the painting and sculpture collections. Illustrated with dozens of historical photos, ranging from the construction of the house to snapshots of family members, the text includes never before published reminiscences of five generations of Rockefellers.

Complete with a family tree, a map of the gardens, and visitor information, The Rockefeller Family Home: Kykuit offers a deeply personal look at the country residence of one of America's most distinguished families.

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California Impressionism

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Lavishly illustrated, meticulously researched, and gracefully written, this is the definitive study of California's distinctive style of Impressionism.

In recent years, the richly colored, exuberantly painted canvases by artists such as Franz Bischoff, Alson Clark, Joseph Raphael, Guy Rose, and William Wendt have attracted an expanding circle of admirers all across the country. In addition to the work of these established West Coast masters, many less-known California Impressionists are presented here, including John Frost, Evelyn McCormick, Bruce Nelson, and others whose work has not yet been widely discovered.

In his far-ranging introductory essay, Dr. Gerdts explores the context of California Impressionism, surveying the movement's sources abroad, the most influential exhibitions in America, and the critical responses to the art and the artists. He introduces the work of an almost entirely forgotten foursome—Helena Dunlap, Detlef Sammann, Ernest Browning Smith, and Jack Gage Stark—who were the first local painters to be identified as Impressionists in Los Angeles and who contributed to an important but long-overlooked moment in the city's cultural history.

Will South supplies an enlightening chronological narrative of the California Impressionists, starting with their often-ignored roots in the Hudson River school and other American realist art. Tracing the trajectory of their work from the innovations of the late 1800s to the style's final days in the 1920s and '30s, he offers vital new information and insight about their training and careers, as well as their ideas about art, nature, and the Golden State. Dr. South also provides detailed artists' biographies and an extensive bibliography.

At a time when interest in all aspects of regional Impressionism continues to flourish, California Impressionism commands the greatest interest of all. This book will be an invaluable resource and source of pleasure for the innumerable collectors, scholars, and art lovers who find this work—with its wind-swept coasts, majestic mountains, and poppy-strewn fields—irresistibly appealing.

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American Art of the Twentieth Century

Treasures of the Whitney Museum of American Art

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The Whitney Museum in New York is one of the country's premier showcases for 20th-century American art.

This survey of the Whitney's Permanent Collection presents a selection of remarkable works, in a variety of media, by the most notable American artists. Among the more than two hundred images are paintings by Edward Hopper, Georgia O'Keeffe, Frank Stella, Franz Kline, Andy Warhol, and Jasper Johns; sculpture by Alexander Calder, Claes Oldenburg, and David Smith; photographs by Robert Frank, Man Ray, Robert Mapplethorpe, and Diane Arbus; and drawings by Hopper, Philip Guston, and Jackson Pollock.

A handy companion to the Whitney's Permanent Collection, this Tiny Folio offers a century of masterpieces from a superlative institution.

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Frank Lloyd Wright

America's Master Architect

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A comprehensive and affordable view of the master architect's entire oeuvre, including private residences, public buildings, furnishings, and decorative pieces.

Frank Lloyd Wright (1867-1959) is unquestionably America's most celebrated architect. Even today, almost forty years after his death, he continues to tower over the architectural landscape. In fact, his career was so long and his accomplishments so varied it can be difficult still to grasp the full range of Wright's achievement.

In this refreshing new study, Wright scholar Kathryn Smith does just that, exploring the grace and beauty found in all facets of Wright's work: from office desks and chairs to his first residential commissions, from magazine cover designs to major public buildings. The concise text and brilliant color photographs chart Wright's entire career, beginning with his apprenticeship to Adler and Sullivan before the turn of the century. Readers witness the Prairie period, Wright's years in Japan and California, his major designs of the late 1920s and 1930s, his Usonian houses, and the monumental late works of his last decades. Smith shows examples of Wright's drawings, furniture, and decorative arts, too, supplementing our understanding of Wright's aesthetic. The book concludes with a glimpse at the architect's seldom-seen collection of Asian art, which once comprised tens of thousands of pieces — a source of much inspiration and edification for the architect and his students, and a key to understanding Wright's views on art and nature.

Here is a broad portrait of the master builder who sought the title "greatest architect of all time." Although it may never be possible to fully assess Wright's legacy, Kathryn Smith's authoritative book is a fitting testament to his lasting genius.

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Italian Frescoes: The Flowering of the Renaissance

1470-1510

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The second volume in the only comprehensive modern survey of the surviving frescoes created during the middle years of the great Italian Renaissance.

Praised by historians and art lovers alike, Steffe Roettgen's first volume on the frescoes of the early Italian Renaissance is the most comprehensive survey of the surviving fresco cycles painted from 1400 to 1470. In this second volume, featuring paintings from 1470 to 1510, scores of new photographs document the brilliance of works by Botticelli, Ghirlandaio, Filippino Lippi, Mantegna, Perugino, and Signorelli in palaces and chapels stretching from the Alps to Rome.Professor Roettgen's concise and authoritative text illuminates such celebrated sites as the Tornabuoni Chapel in Florence, the Sistine Chapel in the Vatican, and the Camera degli Sposi in Mantua. She also reveals the charm of lesser-known works, such as those in the tiny northern town of Issogne, which capture fifteenth-century men and women bargaining and flirting at an outdoor market.

Descriptive and interpretive essays on each of the seventeen cycles touch on all aspects of fresco painting: the artists and their patrons, cultural and historical conditions, local traditions, and technique. Each essay concludes with a diagram of the site, followed by a stunning series of full-page and double-page color plates of the wall paintings, many of them newly restored. This second volume of Professor Roettgen's survey builds on the strengths of Italian Frescoes: The Early Renaissance, and easily stands alone as a record of the spectacular art of a flourishing culture.

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Shingu

Message From Nature

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Susumu Shingu's graceful wind and water-powered kinetic sculptures represent the perfect harmony between high technology and nature.

Although originally trained as a painter, Shingu became interested in sculpture when he saw one of his shaped canvases turning softly in the wind. The work that followed relied on natural forces to make it move or make sound, and he began using more sophisticated materials for outdoor works. By the time of Expo '70 in Osaka, Shingu had been commissioned to create a piece for the plaza. It contained many of the elements he would use later: parts of it were moved by both wind and water, in some ways harnessing their power but also buffeted by it. His work walks the fine line between complementing nature and being an integral part of it. The pieces, though large, colorful, and usually made of modern materials, adopt nature's rhythms in their movement.

Shingu's sculpture is found around the world, from Japan to France, Italy, and the United States. In addition to creating sculptures, he has written and illustrated several children's books and designed several theater pieces that integrate his sculptures and installations with dramatic stories. All of these endeavors are collected here — along with the artist's comments on many of the sculptures, essays by Pierre Restany and Renzo Piano, and an interview with Joseph Giovannini — in a monograph that provides a complete portrait of Shingu's diverse career.

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Antiquespeak

A Guide to the Styles, Techniques, and Materials of the Decorative Arts, from the Renaissance to Art Deco

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Continuing the popular and illuminating "Speak" series, this handsomely designed volume offers a user-friendly lexicon of the decorative arts.

Understanding antiques requires knowledge of a specialized vocabulary that tells initiates what something is, where it came from, and when it was made. AntiqueSpeak provides this essential information in concise but illuminating essays that cover almost a millennium of styles (such as Baroque and Art Deco), materials (glass, ivory), types of objects (furniture, toys and games), specialized areas of collecting (folk art, Judaica), and concerns involved with acquiring and caring for antiques (auctions, condition, marks and signatures).

In addition, the book includes a handy one-page StyleChart; a section of color plates (one for each major style); an album of ornaments and classical orders, represented by line drawings; labeled drawings of selected furniture types; an introduction that explains how to use the book; and an invaluable index that provides dates and nationalities for all the designers, craftsmen, artists, and others discussed in the entries.

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Sargent Abroad

Figures and Landscapes

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With impressive new scholarship and many previously unpublished, color-drenched images, this gloriously beautiful book reveals a new aspect of the artist's remarkable career.

Although most renowned for his dazzling society portraits, Sargent took greatest pleasure in escaping his studio to paint out of doors. In the past, his far-flung expeditions have been dismissed as little more than tourist jaunts. But with this book-the first significant study of the figures and landscapes that Sargent painted from 1900 (after he had established himself as one of the foremost portraitists of the age) through 1914 (when World War I changed his world)-it becomes clear that his travel paintings constitute a far larger and more important aspect of his work than previously realized. Many of these oils and watercolors come from private collections and have rarely, if ever, been seen in the years since the artist's death in 1925.

Three of the book's five chapters approach Sargent's paintings thematically, investigating the work he produced in the Alps, around the Mediterranean, and in Venice; as these enlightening essays make clear, each locale inspired a distinctive response from the artist. In the mountains he painted bubbling streams, distant views, and languorous girls in alpine meadows. In the south, he painted fruits and flowers, fragments of architecture, and villas and gardens that are dreamlike in their evocation of the past. The first essay provides a useful background to Sargent's preoccupation with landscape subjects after 1900 and traces the broad development of his style and the major influences on his work. The final essay recounts the diverse critical responses to Sargent's plein-air painting during his lifetime.

For the first time, Sargent's extensive travels are thoroughly documented here, using letters and diaries written by his companions. Charming vintage photographs, including some that Sargent is believed to have taken himself, chronicle his adventures and cast new light on this intensely private artist. The book also includes an invaluable chronology of the artist's travels as well as brief biographies of his traveling companions-mostly beloved family and dear friends-who accompanied Sargent on his creative journeys.

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Angels

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A myriad of angels in a multitude of guises, as portrayed by artists ranging from Giotto, Fra Angelico, and Botticelli to Bernini, Rembrandt, Rossetti, and Keith Haring.

With nearly 300 radiant images, Angels surveys every aspect of artists' long-held fascination with this irresistible subject. Included are angels from the first millennium to contemporary times, represented in frescoes, oil paintings, mosaics, prints, stained glass, tapestries, manuscript illuminations, and sculpture.

Divided into seven chapters—Angel Portraits, Heavenly Messengers, Hosts of Angels, Cherubs, Patterns of Flight, Battles of Good and Evil (which includes the fallen angels), and Guardian Angels and Companions—this captivating little book offers a fresh look at an ancient and eternally popular subject.

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Goddesses

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Female deities of all types and temperaments, from around the world and throughout history.

Since time immemorial, artists have created impassioned images of the goddess as the ultimate generator and destroyer of life, as fertility figure, and as ruler of love and war. Encompassing a variety of media — sculpture, painting, photography, performance art, and film — Goddesses also provides an enlightening text exploring all her many guises.

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Treasures of 19th and 20th Century Painting

The Art Institute of Chicago

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The Art Institute of Chicago houses some of the most celebrated European and American paintings from the nineteenth and twentieth centuries.

Included in this collection are numerous masterpieces of realism, Impressionism, Post-Impressionism, Surrealism, Cubism, Abstract Expressionism, and other aspects of modernism. Today a number of these paintings are revered as icons of modern Western culture, emblems of the inspired experimentation that has taken place on both sides of the Atlantic.

For the last century, the Art Institute has supported the achievements of the most distinguished artists from Europe and America, acquiring and exhibiting now-beloved works of Edgar Degas, Henri Matisse, Georgia O'Keeffe, Jackson Pollock, and others. This folio is presented as both an introduction to this collection and as a survey of the styles, subjects, and themes of Western art of the last two centuries, from the linear classicism of Jean-Auguste-Dominique Ingres through the optical studies of Claude Monet and the Impressionists; from the lyrical, colorful abstractions of Vasily Kandinsky to the fractured picture planes of Pablo Picasso and the Cubists; from the enigmatic compositions of Salvador Dali and the Surrealists to the media-appropriated Pop-art portraits of Andy Warhol. These magnificent paintings eloquently narrate the discussions of the nature of art, quality, innovation, style, and form that have defined the modern era in art history.

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Fra Angelico

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Breathtaking details and a thought-provoking text make this volume a beautiful and important reassessment of this Florentine Renaissance painter.

Called "Angelico" for his inimitable depictions of paradise, this artist (1400? -1455) and Dominican friar succeeded Masaccio as the foremost painter of the early Renaissance in Italy. Fra Angelico's painting has been beloved for centuries since as an emblem of the flowering genius of quattrocento Florence.In his engaging new appraisal, John Spike reveals the unexpectedly innovative qualities of Angelico's art, including his use of linear and geometric perspective (even before the publication of Leon Battista Alberti's famous treatise). Another of Angelico's inventions was the Renaissance altarpiece known as the sacra conversazione (sacred conversation), in which the Virgin and Child and saints, formerly each rigidly enclosed in separate panels, now gesture and relate to each other within a clearly unified space.

Fra Angelico had a lifelong fascination with the written word, and as Spike persuasively demonstrates, the accuracy of his Greek, Latin, and Hebrew inscriptions reveal his participation in the linguistic studies that flourished in Florence and Rome in the first half of the fifteenth century. He created some of the most visionary and learned compositions of his century, from his Deposition for the private chapel of the humanist Palla Strozzi to the extensive commissions in Rome for the erudite Pope Nicholas v.

In this volume Spike presents a major discovery: the secret program of the forty frescoes in the cells of the Dominican monastery of San Marco in Florence. All previous studies of this artist had concluded that the subjects and arrangement of these frescoes, the artist's masterworks, were chosen at random, or by the friars themselves. Instead, as the author now shows, Fra Angelico drew upon the mystical writings of the early church fathers to construct a spiritual exercise organized into three ascending levels of enlightenment. The San Marco frescoes can finally be seen as not only the most extensive cycle of works by any single painter of this century, but indeed the most complete pictorial expression of Renaissance theology.

With fresh insights that will influence studies of quattrocento art for years to come, Spike uses his perceptive eye and judicious readings of documents to reassess the works of Angelico, his masters, and his assistants. This essential volume contains an extensive essay on the artist's life and work, followed by large color plates with detailed discussions of individual works. Finally, a catalog presents the artist's oeuvre, as revised by the author's new attributions. With lavish details of Angelico's works and an up-to-date bibliography, this volume is not only a feast for the eyes but an indispensable resource for anyone interested in this critical period of the Renaissance.

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Goddesses in Art

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An extraordinary range of images, from prehistory to the 1990's, representing female deities of all types and temperaments from a world wide array of cultures.

Fascination with the goddess as a powerful figure throughout humanity's history has been growing since the contemporary women's movement evolved in the 1960s. An elemental part of religious pantheons before the Iron Age, goddesses have resurfaced in the modern era as embodiments of female strength and wisdom. Encompassing a variety of media — sculpture, painting, photography, performance art, and film — Goddesses in Art offers an abundance of images of the goddess as the ultimate creator and destroyer of life; as fertility figure; and as a ruler of love and war.

The artists who have portrayed her in all her guises range from prehistoric and tribal shamans to European painters and sculptors such as Bernini, Rubens, and Titian to modern artists including Louise Bourgeois, Audrey Flack, Frida Kahlo, Henry Moore, and Andy Warhol.

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Holy Terrors

Gargoyles on Medieval Buildings

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A charming survey of these mischievous creatures, illustrated with engaging color photographs from the rooftops of Europe and Great Britain.

Multitudes of gargoyles haunt the medieval buildings of western Europe, peering down from churches and cathedrals, houses and town halls. Holy Terrors offers a fresh and irresistible history of these wildly varied characters — a society of stone creatures perched high above the workaday world.

The true gargoyle is a waterspout, an architectural necessity that medieval artisans transformed into functional fantasies. The informative introduction to Holy Terrors explains everything that is known or conjectured about the history, the construction, the purposes, and the mysterious meanings of these often rude and rowdy characters. The three chapters that follow are devoted to the gargoyles themselves, imaginatively carved of stone in the form of people, real animals, and fantastic beasts. In clear, lively language, Janetta Rebold Benton puts these personality-filled sculptures into the context of medieval life and art and captures their quirky diversity in her engaging color photographs.

Concluding the book is an invaluable guide to gargoyle sites throughout western Europe, as well as suggestions for further reading. This is the first book for adults to provide an intelligent and entertaining overview of medieval gargoyles, and it is bound to increase the already abundant legions of gargoyle admirers.

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