Art and Design

Remedios Varo

Unexpected Journeys

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The adventures that fill the strange and wonderful paintings by Remedios Varo (1908-1963) reflect the physical and psychological journeys of her own tumultuous life.

Raised in a strict Spanish family and rigorously trained in academic art, Varo first found escape in Barcelona's bohemian avant-garde. After fleeing the Spanish Civil War with the poet Benjamin Péret, later her husband, she entered the inner circle of the Surrealists in Paris. Forced to flee again by the Nazis, she and Péret faced a year of mounting danger in Marseilles before securing passage to Mexico. Finding welcome refuge in Mexico City, where she remained until her death, Varo produced the extraordinary paintings for which she gained renown.

Janet A. Kaplan's vivid chronicle, the first on the subject in English, weaves Varo's life with the artist's exquisite work. Painted with a jewellike palette and old-master precision, Varo's intimate tableaux, rich with details of women's experience, tell fantasy tales of alchemy, science, mysticism, and magic. Fifty color reproductions capture the wit and beauty of her major paintings; numerous black and white illustrations document other works and portray the compelling artist with her circle of lifelong friends and admirers. The book is further enlivened by her own voice, conveyed in hilarious letters and surreal stories, published here for the first time. It concludes with an invaluable chronology as well as a newly updated bibliography and list of exhibitions.

A woman of intense magnetism and powerful imagination, Varo had been little known outside Mexico, but she has recently found enthusiastic audiences in Europe, the Americas, Australia, and Japan. The fascinating story of her life and the dazzling intricacy of her art will prove a revelation.

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Antonio Gaudi

Master Architect

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A beautifully illustrated and comprehensive view of the fanciful, exuberant buildings by this inspired Spanish architect, whose structures and sculptures have defined Barcelona's cityscape.

Antonio Gaudí (1852-1926) is one of the most admired architects of the twentieth century. Even today, some seventy-five years after Gaudí's death, his fanciful, exuberant buildings define Barcelona's cityscape and continue to influence architects, sculptors, and designers. Perhaps best known for the dynamic, sculptural facades, found on such buildings as the church of the Sagrada Familia and Casa Milà, Gaudí is as much respected as a technological innovator as a daring stylist.

In this enlightening volume, a concise, knowledgeable text by the director of the Royal Gaudí Chair at the Polytechnical University of Catalonia (Barcelona) combines with striking images by a well-known architectural photographer to provide a new perspective on Gaudí's remarkable career. The text covers the full range of his oeuvre, describing early assignments in the 1870s as a draftsman for leading architects in Barcelona, the innovative buildings he created for the Güell Palace and Estate, daring new structural solutions at Bellesguard, architecture inspired by nature at the Casa Calvet and in the Park Güell, and the construction of his unfinished masterpiece, the Church of the Sagrada Familia, which occupied him until his death. The author traces all the influences that led to his definitive style, from his fascination with the Orient and neogothicism to his affinity for naturalism and specific geometric forms.

Brilliantly illustrated, this incisive overview of Gaudís visionary work is ideal for those who delight in his architecture as well as those who look forward to traveling to Spain to see his monumental legacy.

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Childe Hassam, Impressionist

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Hassam's impressive career as one of America's foremost Impressionists is celebrated and illuminated in this dazzlingly beautiful volume.

No other American Impressionist ever surpassed the quality and variety of Hassam's output as a painter and draftsman. Equally talented in oils, watercolors, and prints, he explored rain-swept city scenes, glorious gardens, exquisite women, and stirring flag-lined streets. Many of these irresistible pictures are hidden in private collections and are rarely, if ever, accessible to the public; others are on view at major museums across the country, from the Metropolitan Museum to the Museum of Fine Arts, Boston, to the Los Angeles County Museum of Art.

By approaching Childe Hassam (1859-1935) from different angles, the three authors reveal this multitalented artist's many facets and uncover previously unknown aspects of his life and work. The authoritative essays are illustrated with a brilliant array of color illustrations that represent all of Hassam's styles, from Barbizon-inspired Tonalism to Impressionism to Post-Impressionism. The book concludes with an invaluable illustrated chronology and an annotated bibliography.

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Chiparus

Master of Art Deco (Second Edition)

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The definitive study of the life and work of Demetre Chiparus—one of Art Deco's greatest sculptors—now expanded with fifty-three new color illustrations.

Born in Romania, Demetre Chiparus (1886-1947) studied in Italy and France before settling in Paris, where he perfected the chryselephantine technique of combining ivory with bronze. Produced as multiples, his works were greatly admired as small-scale decorative objects and today are among the most coveted objects form the Art Deco period, capturing the lively and sensuous spirit of the time.This lavishly illustrated volume examine Chiparus's work as an embodiment of the Art Deco style.

The author explores the various contemporary inspirations for the sculptor's art, including haute couture, the music hall, Diaghilev's ballets, and the stage designs of Leon Bakst. Focusing on Chiparus's bronze and ivory pieces, he outlines their development from idea through finished piece, with illustrations of plasteline models that document the artist's working methods. The book provides much previously unknown information about Chiparus's life; and this new edition also offers an appendix devoted to his newly rediscovered paintings.

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Japanese Prints

The Art Institute of Chicago

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A compendium of the golden age of Japanese prints from one of the world's foremost collections.

The dazzling variety of Japanese woodblock prints, from serene landscapes to portraits of flamboyant actors and courtesans, is captured in this captivating volume. The book is divided into four chapters: "Primitives" (the term for Japanese woodblock prints produced between approximately 1660 and 1765); Courtesans; Actors; and Landscapes. Most of the images are printed in multiple colors and range from the seventeenth century to the late nineteenth century. The artists include such masters as Hiroshige, Hokusai, and Utamaro, who are represented by lesser-known treasures as well as by some of their most celebrated series, including Thirty-six Views of Mount Fuji and One Hundred Famous Views of Edo.

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The Art of Florence

(two volumes, slipcased)

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This popular monument of scholarly and publishing history, winner of the prestigious Prix Vasari in France, is now available at an irresistible low price.

Since the radiant years of the Renaissance, the city of Florence has come for many to represent the greatest triumph of the Western cultural tradition. This is the city where humanism was born, where Plato was discussed passionately in the narrow streets, and where men and women first found themselves to be the measure of all things. For more than three centuries Florence nurtured a creative community of astounding, even revolutionary genius. Here, starting in the late 1200s, Giotto painted the grave and powerful frescoes that drew Florence and the world toward a radical new vision of realism, and here, ushering in the dazzling era of the High Renaissance, Michelangelo began his incomparable career as architect, sculptor, and painter. During the intervening years, Brunelleschi, Donatello, Ghiberti, Fra Angelico, Botticelli, Raphael, Leonardo, and hundreds of the most splendidly talented artists in history lived and worked in this small city on the Arno and collaborated in the creation of the great urban museum we know as Florence.

Matching an elegant and sophisticated text by three leading art historians with hundreds of glorious color photographs, The Art of Florence immerses us in a city and a time of unparalleled cultural ferment. This important and uncommonly beautiful publication analyzes the history of Florentine art in terms of the distinctly Florentine and Tuscan influences that shaped it—an approach never before employed in a study of this breadth and complexity. The fascinating and lucid text by Glenn Andres, John Hunisak, and Richard Turner gracefully links Florentine architecture, sculpture, and painting to the rich social fabric and the dramatic political life of the city. Woven into this compelling history is the most luxurious and comprehensive visual documentation available of Florence's unrivaled treasures. More than 700 color images and another 854 duotones and architectural drawings have been reproduced with a meticulous care worthy of the Renaissance craft tradition. Joining visual beauty with intellectual rigor in a fashion that truly invokes the spirit of this great city, The Art of Florence presents as rich a vision of human creativity as we can find anywhere outside Florence itself.

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Andrea Del Sarto

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Illustrated with 200 splendid reproductions, this monograph challenges the conventional wisdom about Andrea del Sarto, the most important painter working in Florence when Raphael and Michelangelo were active in Rome.

By returning to original sources, Natali succeeds in introducing a new Andre del Sarto (1486-1530), one whose brilliant and moving pictures leap off the pages with startling freshness. Since the 16th century, Andrea has been pictured as a "timid soul," a view first proposed in Vasari's Lives and perpetuated without revision by later writers. According to this view, the artist was so shy and irresolute that he squandered his gift, living in near obscurity and refusing prosperity and worldly honors.

Not so, says Natali, who argues instead that Andrea chose a simple but culturally vibrant life in a circle of like-minded friends—intellectuals and common folk who practiced material austerity and humility. How, asks Natali, can we label as timid an artist who painted a fresco cycle in Florence's most prestigious sacred institution when he was barely twenty years old? How irresolute was the man who accepted an open-ended invitation from French king Francis I to join his court in an era when few artists left Florence; who—amid rigid orthodoxy and accusations of heresy—filled his sacred paintings with bold theological content; who headed teams of renowned artists in learned artistic debates and in the execution of major commissions? With such provocative insights, this volume is certain to stimulate and delight art historians and non-scholars alike.

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Barkitecture

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From miniature chateaus to modernist boxes, from anthromorphic abodes to classical temples, this book showcases nearly fifty one-of-a-kind doggy domiciles from across America.

In Barkitecture, architecture and design writer Fred Albert has collected some of the most wonderful and fantastic doghouses ever created. Examples include doghouses with clock towers and thatch roofs, doghouses shaped like TV sets, and even some thant look like dogs.

The book begins with an introduction that includes an entertaining history of the doghouse, accompanied by photos and drawings of noteworthy historical examples. Four Chapters follow: "Putting on the Dog" highlights stylish period reproductions; "Modern Barkitecture" includes cutting-edge "Bowhouse" designs; "A Breed Apart" features houses inspired by everyday objects; and the final chapter, "Puppourri," showcases wacky, one-of-a-kind structures that defy categorization.

Each house is illustrated by one or two color images and is accompanied by a witty, tounge-in-jowl text that describes the structure's design and building materials, the creators' inspirations,and their dogs' reactions.

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Shaker: Life, Art, and Architecture

Hands to Work, Hearts to God

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In this pioneering study, historian Scott T. Swank reveals the links between the daily life of the Shakers in their planned religious communities and their art and architecture.

As the Director of Canterbury Shaker Village, the author has had unlimited access to the Village's archives, resources, and grounds, examining papers and artifacts, exploring the 25 remaining buildings, and experiencing the seasons. He has literally been able to walk in the footpaths of the Canterbury Shakers, whose community remained prominent for 200 years. It is one of the oldest, most typical, and most completely preserved of all the Shaker villages, the only community with an intact first-generation meetinghouse and first dwelling house on their original sites. The result of the author's painstaking research and close observation is this perceptive book, filled with discoveries, presenting the full sweep of Shaker art and architecture in the context of a specific Shaker community in Canterbury, New Hampshire.

Two centuries ago, the Shakers established America's most successful communal societies. They lived in isolated, rural villages, pursuing work and worship in communities where religion, social behavior, and environmental design were constructed as a harmonious whole. These utopian communities were regulated by "gospel order" which assured their members that their disciplined lives were in harmony with God's will. In these spiritual havens, they endeavored to accomplish their founder's twin mandates, "Hands to work, hearts to God."Shaker designs have endured long after the communities that created them have passed from the American scene. Shaker style, encompassing all elements of art and architecture, has been greatly esteemed for its craftsmanship, sense of proportion, simplicity, and practicality. The author's well researched text, detailed captions, and excerpts from diaries and letters bring life to the legacy of Shaker objects as well as to the architecture. He also provides a time line, a bibliography, and notes.

Accompanying the text are 250 illustrations including 150 in color principally by Bill Finney, who has been photographing Canterbury for over twenty years. There are also historical pictures and maps and newly created plans and diagrams.This insightful book should especially interest collectors, historians, interior designers, and architects, giving readers a deeper understanding and appreciation of the Shakers' artistic legacy.

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Giovanni Bellini

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A lavish volume on the life and masterworks of the artist whose name is synonymous with Venetian Renaissance painting.

In his seventies, Giovanni Bellini (c. 1430-1516) was described by the German master Albrecht Dürer as "very old, but still the best painter of all" and modern art historians agree that he was the most inventive of the Northern Italian painters. Giovanni, the youngest of the three Bellini artists, was the Doge's chief painter and the teacher of Titian, Giorgione, and dozens of others. He showed great imagination and versatility in producing numerous Madonna paintings for churches and private patrons, exquisitely calibrating his style for a variety of commissions from small devotional works to huge altarpieces. Beautifully observed landscapes and natural details often appear in his moving sacred scenes and in his sensitive and boldly simple portraits.

Giovanni Bellini's paintings-prized works in the collections of major museums throughout America and Europe-are presented here in stunning full-color photography to complement Anchise Tempestini's thorough and lucid text. An opening essay placing the painter in his historical and art-historical context is followed by twenty-five short essays on paintings of major importance, illustrated with enlarged details. The book closes with a catalogue raisonné of all Bellini's works, a bibliography, and indexes of works and their locations.Complete and authoritative, this elegant volume will become a standard reference for art historians and the general reader.

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Cimabue

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The first modern monograph on this master of the Middle Ages.

Definitive and richly illustrated, this volume is the first extensive examination of Cimabue's work to appear in English in more than thirty years. Cimabue (c. 1240-1302) was the most admired artist of his time in Tuscany and Central Italy. His paintings and mosaics are seen by some as the last great flowering of Medieval art, and by others as the first works of the Renaissance. His somber crucifixion scenes are complemented by his shining mosaic work in the Baptistery in Florence, and by his majestic panels of the Madonna seated on a gilded throne and attended by angels with great multicolored wings.

The earthquakes that shook Central Italy in late 1997 struck hardest at the legacy of Cimabue, crumbling his brilliantly-colored paintings in the vault of the Upper Basilica of San Francesco in Assisi. The tragic Florentine flood of 1966 had already destroyed much of the master's famous Santa Croce Crucifix. But in this book a combination of archival and newly commissioned photographs — including pictures of the Assisi vault shot just moments before its collapse — offer a complete panorama of the artist's works, before flood or earthquake damage, and before and after recent restorations.

Luciano Bellosi takes into consideration all recent scholarship and reports on the staggering changes that have forever altered the physical reality of Cimabue's creations. Two hundred and forty illustrations, most of them in color, cover the whole world of the artist, including work by his contemporaries. The superbly reproduced images, some on double gatefold pages, make this a glorious volume for art historians and art lovers alike.

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Illuminated Manuscripts

Treasures of the Pierpont Morgan Library

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Spectacular examples of early book illustration from one of the greatest libraries of illuminated manuscripts in the world.

Glorious works of art as well as documents of bygone eras, painted an illuminated manuscripts supply perhaps the greatest and by far the best-preserved evidence of daily life during the Middle Ages and Renaissance. This Tiny Folio draws on one of the greatest collections in the world to illustrate the angels, demons, and everyday denizens of the medieval world.

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Passion by Design

The Art and Times of Tamara De Lempicka

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A daughter's intriguing look at the life and times of Tamara de Lempicka, a remarkable artist, personality, and icon of the Jazz Age and Art Deco style.

Tamara de Lempicka captured the whirlwind decade of the 1920s on canvas, painting (and charming) the rich and famous of Europe in Art Deco portraits. The threat of a second world war sent Tamara packing to America, where she reveled among the famous in Hollywood and the wealthy of New York, In the 1970s she was rediscovered when a gallery owner in Paris mounted a retrospective of her work, and today paintings that were unsellable for three decades fetch many hundreds of thousands of dollars.

Much of the story of de Lempicka's amazing life is told in moving detail by her daughter, whose recollections are amplified by anecdotes from others who knew the artist. The is illustrated by dozens of photographs from Tamara's personal album and by 50 full-color reproductions of her evocative paintings.

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Coastal Images of America

Paintings by Ray Ellis

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With masterly paintings by Ray Ellis, representing more than two decades of work, and an authoritative text by Robert Ballard, an intrepid undersea explorer and scientist, this captivating book portrays the beauty, majesty, and diversity of America's Atlantic and Pacific coastlines.

Ray Ellis depicts the full sweep of the coasts in his highly praised, impressionistic style, from the Maine shoreline to the Florida Keys and from the Northwest's inland waters to Baja, California. This unsurpassed collection of oils and watercolors includes views of New England's rocky shores and sandy beaches, Chesapeake Bay oystermen caught in a squall, South Carolina's haunting Low Country, the rugged Oregon coast where Lewis and Clark first sighted the Pacific Ocean, the spirit of sailing across San Francisco Bay, and the expanse and loveliness of Big Sur. His paintings are as varied as the water's edge itself, encompassing landscapes and seascapes, as well as lighthouses, marine creatures, sailors, and beachcombers. In Walter Cronkite's words, Ellis "has the ability to see beauty in almost anything."

Robert Ballard's knowledgeable text, complementing Ray Ellis's paintings and captions, is a fascinating kaleidoscope of coastal history and natural history and provides an account of how the shoreline was formed and its condition today as well as stories of early settlers and present-day residents. The author is a foremost authority on the sea, having organized and conducted more than one hundred deep-sea expeditions, including those that located the Titanic and the Bismarck and more recently Roman ships in the Mediterranean. This is an ideal gift book for anyone who enjoys living, boating, or vacationing along the seacoasts.

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Reflections of Nature

Paintings by Joseph Raffael

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Sun-dappled carp, radiant blossoms, and tumultuous waters are among the wonders and mysteries of nature captured in Joseph Raffael's brilliant close-up paintings.

At a time when beauty is much out of favor in the art world, Joseph Raffael has taken what some would consider the highly radical step of daring to paint beautiful pictures. Long one of contemporary art's most highly regarded painters, Raffael transforms intense observations of nature into color-drenched, deeply felt works of art. He often works on a very large scale, using either watercolor, oil, or acrylic to achieve the painstaking detail of his dazzling images.

Amei Wallach's warmly perceptive introduction, inspired by a visit to the artist's home and studio in the south of France, explores Raffael's life history, his sources, and his ideas about art. Her individual chapter openers address the predominant subjects within the artist's work, including water and shore scenes, flowers, animals, fish and lilies, sacred symbols, and Raffael's wife, Lannis. A thought-provoking essay by Donald Kuspit places Raffael's painting within the larger context of twentieth-century art, psychology, and philosophy. Complementing these texts are the paintings themselves-sun-dappled carp, luminous iris, tumultuous rivers, and other wonders of nature captured in radiant visual meditations.

The artist has also contributed two engaging written pieces, both of which illuminate the pleasures and occasional terrors of the creative process. His "Diary of a Painting" traces the evolution of one major work over several months, from the original slide to the finished wall-size watercolor, providing insight into the emotional and technical demands of creating a work of art. His informative and revealing "Autobiographical Chronology" provides a personal look back, from his Brooklyn childhood to his art-making career in New York, California, and the south of France, where Joseph Raffael lives and works today.

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The Rockefeller Family Home: Kykuit

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A warm, intimate portrait of the grand family estate of six generations of Rockefellers.

Kykuit-the country home of John D. Rockefeller Sr., John D. Rockefeller Jr., Nelson A. Rockefeller, and their families-stands majestically atop a hill overlooking the Hudson River. Built between 1906 and 1913 by architects Delano and Aldrich, it has just recently been opened to the public. But visitors will never see the estate in as intimate a way as it is presented in this volume.

To preserve the memory of what Kykuit was like when it was a private home, photographer Mary Louise Pierson, granddaughter of Nelson Rockefeller, spent years photographing the estate: the Big House-as family members call the main residence-and its interiors, designed by the renowned Ogden Codman; the outbuildings, including the Coach Barn, which now houses an impressive collection of horse-drawn carriages and an equally noteworthy collection of vintage cars, the orangerie, and the Playhouse, a Tudor-style mansion containing an indoor swimming pool, tennis court, fully equipped gym, and bowling alley; and the magnificent gardens, from the formal gardens designed by William Welles Bosworth to the golf course to the Japanese garden, and all the sculptures that three generations of Rockefellers installed on the grounds.

The text, by Ann Rockefeller Roberts, Governor Rockefeller's daughter, recounts the history of the magnificent estate, from its founding early in the century through its recent transfer to the National Trust, focusing on how each successive generation left its stamp on the decor, the gardens, and the painting and sculpture collections. Illustrated with dozens of historical photos, ranging from the construction of the house to snapshots of family members, the text includes never before published reminiscences of five generations of Rockefellers.

Complete with a family tree, a map of the gardens, and visitor information, The Rockefeller Family Home: Kykuit offers a deeply personal look at the country residence of one of America's most distinguished families.

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California Impressionism

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Lavishly illustrated, meticulously researched, and gracefully written, this is the definitive study of California's distinctive style of Impressionism.

In recent years, the richly colored, exuberantly painted canvases by artists such as Franz Bischoff, Alson Clark, Joseph Raphael, Guy Rose, and William Wendt have attracted an expanding circle of admirers all across the country. In addition to the work of these established West Coast masters, many less-known California Impressionists are presented here, including John Frost, Evelyn McCormick, Bruce Nelson, and others whose work has not yet been widely discovered.

In his far-ranging introductory essay, Dr. Gerdts explores the context of California Impressionism, surveying the movement's sources abroad, the most influential exhibitions in America, and the critical responses to the art and the artists. He introduces the work of an almost entirely forgotten foursome—Helena Dunlap, Detlef Sammann, Ernest Browning Smith, and Jack Gage Stark—who were the first local painters to be identified as Impressionists in Los Angeles and who contributed to an important but long-overlooked moment in the city's cultural history.

Will South supplies an enlightening chronological narrative of the California Impressionists, starting with their often-ignored roots in the Hudson River school and other American realist art. Tracing the trajectory of their work from the innovations of the late 1800s to the style's final days in the 1920s and '30s, he offers vital new information and insight about their training and careers, as well as their ideas about art, nature, and the Golden State. Dr. South also provides detailed artists' biographies and an extensive bibliography.

At a time when interest in all aspects of regional Impressionism continues to flourish, California Impressionism commands the greatest interest of all. This book will be an invaluable resource and source of pleasure for the innumerable collectors, scholars, and art lovers who find this work—with its wind-swept coasts, majestic mountains, and poppy-strewn fields—irresistibly appealing.

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