Modern Masters

Andy Warhol

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With his tomato soup cans, silk-screened disasters, and matter-of-fact commercialism, Andy Warhol helped create the Pop art ethos. Warhol's life-long infatuation with glamour and the media provided the touchstone for all his work, from his earliest shoe advertisements to the most recent celebrity portraits, all of which can be seen here.

About the Modern Masters series

With informative, enjoyable texts and over 100 illustrations—approximately 48 in full color—this innovative series offers a fresh look at the most creative and influential artists of the postwar era. The authors are highly respected art historians and critics chosen for their ability to think clearly and write well. Each handsomely designed volume presents a thorough survey of the artist's life and work, as well as statements by the artist, an illustrated chapter on technique, a chronology, lists of exhibitions and public collections, an annotated bibliography, and an index. Every art lover, from the casual museum-goer to the serious student, teacher, critic, or curator, will be eager to collect these Modern Masters. And with such a low price, they can afford to collect them all.

Praise for the Modern Masters series

"Each author has thoroughly done his or her homework, knows the historical, critical and personal contexts intimately, and writes extraordinarily well." -- Artnews

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Arshile Gorky

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With informative, enjoyable texts and over 100 illustrations—approximately 48 in full color—the Modern Masters series offers a fresh look at the most creative and influential artists of the postwar era.

About the Modern Masters series

With informative, enjoyable texts and over 100 illustrations—approximately 48 in full color—this innovative series offers a fresh look at the most creative and influential artists of the postwar era. The authors are highly respected art historians and critics chosen for their ability to think clearly and write well. Each handsomely designed volume presents a thorough survey of the artist's life and work, as well as statements by the artist, an illustrated chapter on technique, a chronology, lists of exhibitions and public collections, an annotated bibliography, and an index. Every art lover, from the casual museumgoer to the serious student, teacher, critic, or curator, will be eager to collect these Modern Masters. And with such a low price, they can afford to collect them all.

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Constantin Brancusi

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When you see a fish, Brancusi once commented, "you do not think of its scales, do you? You think of its speed, its floating, flashing body seen through water. . . . Well, I've tried to express just that... I want just the flash of its spirit." Brancusi captured that "flash of spirit" in works of extraordinary beauty and intense simplicity. Though enjoying the pose of a canny peasant, he was, in fact, a sophisticated artist who distilled a multitude of sources into his highly complex work.

This volume in the Modern Masters series is an important and perceptive study of the sculptor Constantin Brancusi, whose arresting forms have exerted a powerful impact on the art of this century. By incisively evaluating the diverse influences that channeled into the artist's work — including his academic training and brief apprenticeship with Auguste Rodin, the folk art and architecture of his native Romania, Cubism, and African art — Eric Shanes has produced an insightful study that reveals how this complex artist achieved the expressive simplicity of his innovative sculptures. An extensive "Notes on Technique" section, illustrated with evocative views of the artist's studio, illuminates Brancusi's methods of working in all media, including photography, which he used to record his own ideas about how his sculpture should be seen. The many photographs by Brancusi are complemented by sensitive color illustrations that capture the essence of his art. Written with a clarity of prose that well serves the clarity of the sculptor's own work, this much-needed book presents the fascinating story of a profoundly influential artist.

About the Modern Masters series

With informative, enjoyable texts and over 100 illustrations — approximately 48 in full color — this innovative series offers a fresh look at the most creative and influential artists of the postwar era. The authors are highly respected art historians and critics chosen for their ability to think clearly and write well. Each handsomely designed volume presents a thorough survey of the artist's life and work, as well as statements by the artist, an illustrated chapter on technique, a chronology, lists of exhibitions and public collections, an annotated bibliography, and an index. Every art lover, from the casual museumgoer to the serious student, teacher, critic, or curator, will be eager to collect these Modern Masters. And with such a low price, they can afford to collect them all.

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David Hockney

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Hockney's engaging personality, his quirky but always enlightening ideas about art, and his inexhaustible inventiveness are captured with clear-eyed intelligence and grace in this volume from Abbeville's renowned Modern Masters series.

For a contemporary artist of serious aesthetic purpose, David Hockney enjoys immense, perhaps unequaled public visibility: the shock of dyed blond hair, the owlish glasses, and the shy, schoolboy grin are known as much through the popular press as through the journals of the art world. His engaging personality, his quirky but always enlightening ideas about art, and his inexhaustible inventiveness both of imagery and of techniques ranging from oil painting to photography to faxes are captured by Peter Clothier with clear-eyed intelligence and grace in this concise but comprehensive overview.

From his theatrical early canvases to his more recent photographic collages and operatic set designs, Hockney has tackled the challenge of space on a grand scale. At the same time, much of his work has been devoted to the things most dear to him-friends, family, home, and studio. An intellectual of wide-ranging erudition and a world traveler who makes his home in Hollywood, he still cherishes his roots in Bradford, the northern British town where he was born in 1937.

Invention, the driving force behind Hockney's art, is in good part play: "If art isn't playful," he once commented, "it's nothing." This illuminating, color-rich volume conveys with vivid clarity Hockney's serious delight in making art that gives pleasure to both its creator and its audience.

About the Modern Masters series


"Each author has thoroughly done his or her homework, knows the historical, critical and personal contexts intimately, and writes extraordinarily well." -- Artnews

With informative, enjoyable texts and over 100 illustrations--approximately 48 in full color--this innovative series offers a fresh look at the most creative and influential artists of the postwar era. The authors are highly respected art historians and critics chosen for their ability to think clearly and write well. Each handsomely designed volume presents a thorough survey of the artist's life and work, as well as statements by the artist, an illustrated chapter on technique, a chronology, lists of exhibitions and public collections, an annotated bibliography, and an index. Every art lover, from the casual museumgoer to the serious student, teacher, critic, or curator, will be eager to collect these Modern Masters. And with such a low price, they can afford to collect them all.

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David Smith

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Though David Smith died nearly twenty years ago, his art looms larger every year. His inexhaustible creativity, forthright ambition, and fearless exploration of new styles and media all contribute to the image of Smith as a larger-than-life American artist-hero. In this insightful new study, Karen Wilkin strips away the myths that have obscured an accurate view of Smith's life and art. Clearly, perceptively, she recounts the history of Smith's creative evolution, from his earliest paintings to the great monumental sculptures of his final years.

Having realized quite early that he had to be an artist, Smith made his way to New York and the Art Students League. There he experimented with variations on the revealing styles of Cubism and Surrealism, and slowly discovered his own technique, particularly the use of industrial methods such as welding to construct his sculptures. The results — though responsive to such varied influences as Picasso and pin-up girls — were imaginative, and often strikingly beautiful. Smith's art has inspired generations of followers, but his position as one of the masters of 20th-century sculpture remains unchallenged.

About the Modern Masters series

With informative, enjoyable texts and over 100 illustrations — approximately 48 in full color — this innovative series offers a fresh look at the most creative and influential artists of the postwar era. The authors are highly respected art historians and critics chosen for their ability to think clearly and write well.

Each handsomely designed volume presents a thorough survey of the artist's life and work, as well as statements by the artist, an illustrated chapter on technique, a chronology, lists of exhibitions and public collections, an annotated bibliography, and an index. Every art lover, from the casual museumgoer to the serious student, teacher, critic, or curator, will be eager to collect these Modern Masters. And with such a low price, they can afford to collect them all.

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Francis Bacon

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With their searing colors and dramatically contorted figures, the paintings of Francis Bacon compel attention. Unlike most painters of his generation, who preferred to investigate the rigors of abstraction, the 75-year-old Bacon has devoted his skills to portraying the human body.

The power and magnitude of his life's work are vividly conveyed by this thorough evaluation written by Hugh Davies, director of the La Jolla Museum of Contemporary Art, and art historian Sally Yard. Born in Dublin, as a teenager Bacon moved to London, where he worked as an interior designer and taught himself to paint. Responding to influences as diverse as Michelangelo and the photographer Muybridge, he has created a motion-filled style uniquely his own. Fascinated by the challenge of capturing what he calls "the mysteries of appearance," Bacon confronts us with emotional images that demand an emotional response.

About the Modern Masters series

With informative, enjoyable texts and over 100 illustrations--approximately 48 in full color--this innovative series offers a fresh look at the most creative and influential artists of the postwar era. The authors are highly respected art historians and critics chosen for their ability to think clearly and write well. Each handsomely designed volume presents a thorough survey of the artist's life and work, as well as statements by the artist, an illustrated chapter on technique, a chronology, lists of exhibitions and public collections, an annotated bibliography, and an index. Every art lover, from the casual museumgoer to the serious student, teacher, critic, or curator, will be eager to collect these Modern Masters. And with such a low price, they can afford to collect them all.

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George Segal

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George Segal (born 1924) has brought realistic sculpture back to life with his evocative plaster figures, cast directly from the model and often left a ghostly white. They are frequently arranged in familiar urban environments such as diners, movie theaters, and butcher shops. More recent and more colorful work — including the bronze monuments, fragments, and pastels — is also thoroughly represented in the book.

About the Modern Masters series

With informative, enjoyable texts and over 100 illustrations--approximately 48 in full color--this innovative series offers a fresh look at the most creative and influential artists of the postwar era. The authors are highly respected art historians and critics chosen for their ability to think clearly and write well.

Each handsomely designed volume presents a thorough survey of the artist's life and work, as well as statements by the artist, an illustrated chapter on technique, a chronology, lists of exhibitions and public collections, an annotated bibliography, and an index. Every art lover, from the casual museumgoer to the serious student, teacher, critic, or curator, will be eager to collect these Modern Masters. And with such a low price, they can afford to collect them all.

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Georges Braque

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The renowned partner of Picasso during the Cubist years and later the grand old man of French painting, Braque is one of the best-known and least-understood artists of our century.

From his friends' affectionate recollections, the artist emerges as a cheerful and energetic dandy, renowned for his sturdy good looks. His art suggests a different persona, however, for he was devoted to making thoughtful, deeply felt images — whether as a Fauve, a Cubist, or a mature painter working in his own distinctive style. Both the quiet intelligence of the man and the originality of his passionate yet elegant paintings emerge from the pages of this invaluable study.

About the Modern Masters series

With informative, enjoyable texts and over 100 illustrations — approximately 48 in full color — this innovative series offers a fresh look at the most creative and influential artists of the postwar era. The authors are highly respected art historians and critics chosen for their ability to think clearly and write well. Each handsomely designed volume presents a thorough survey of the artist's life and work, as well as statements by the artist, an illustrated chapter on technique, a chronology, lists of exhibitions and public collections, an annotated bibliography, and an index. Every art lover, from the casual museumgoer to the serious student, teacher, critic, or curator, will be eager to collect these Modern Masters. And with such a low price, they can afford to collect them all.

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Hans Hofmann

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Hans Hofmann's brilliance as a teacher to generations of American artists has tended to overshadow his equally brilliant accomplishments as a painter. Cynthia Goodman provides an insightful evaluation of Hofmann's two careers and makes strikingly clear the beauty and originality of his work.

As a young man in Paris, Hofmann participated in the artistic revolutions before World War I, than ran an influential art school in Germany between the wars. He came to America in 1930 and established schools in New York and Provincetown that has had a profound impact on the development of American art. By presenting his life's work, from the rare landscapes and portraits of his early years to the majestic late abstractions, this vibrantly colorful book establishes Hofmann's major contribution to the art of this century.

About the Modern Masters series

With informative, enjoyable texts and over 100 illustrations — approximately 48 in full color — this innovative series offers a fresh look at the most creative and influential artists of the postwar era. The authors are highly respected art historians and critics chosen for their ability to think clearly and write well. Each handsomely designed volume presents a thorough survey of the artist's life and work, as well as statements by the artist, an illustrated chapter on technique, a chronology, lists of exhibitions and public collections, an annotated bibliography, and an index. Every art lover, from the casual museumgoer to the serious student, teacher, critic, or curator, will be eager to collect these Modern Masters. And with such a low price, they can afford to collect them all.

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Isamu Noguchi

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This invaluable new monograph offers a provocative chronicle of the man and an enlightening analysis of his art.

A man of inexhaustible energy and invention, the sculptor Isamu Noguchi was always in motion. His career extended for more than sixty years, during which he often worked simultaneously on many diverse endeavors.Born in the United States of mixed parentage, Noguchi had a Japanese childhood and an American adolescence. His notion of modern art was forged in the Paris studio of Constantin Brancusi and modified through the utopianism of R. Buckminster Fuller. Combined with his experience of the traditional Japanese house and garden and with his work on the avant-garde stage of Martha Graham, these influences led him toward a broadened conception of sculpture as the creation of social space.

In pursuit of this ideal, Noguchi created plazas and gardens, furniture and interiors, ignoring the boundary between art and design. But he also continued the carving of stone and wood that brought him critical attention in New York during the 1940s, and the stonework he did during his last decades, in his studio complex on the Japanese island of Shikoku, allowed him to integrate his metaphysical concerns with modernist sculptural practice.

Ranging across this century and filled with engaging persons and places, Noguchi's story is a compelling one, told with refreshing verve and insight. Little-known documentary photographs from the artist's own archives and striking full-color images from every aspect of his multifaceted career complement the perceptive and gracefully written text.

About the Modern Masters series

With informative, enjoyable texts and over 100 illustrations — approximately 48 in full color — this innovative series offers a fresh look at the most creative and influential artists of the postwar era. The authors are highly respected art historians and critics chosen for their ability to think clearly and write well. Each handsomely designed volume presents a thorough survey of the artist's life and work, as well as statements by the artist, an illustrated chapter on technique, a chronology, lists of exhibitions and public collections, an annotated bibliography, and an index. Every art lover, from the casual museumgoer to the serious student, teacher, critic, or curator, will be eager to collect these Modern Masters. And with such a low price, they can afford to collect them all.

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Jackson Pollock

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An important look at an influential — and controversial — artist.

Jackson Pollock (1912–1956) revolutionized the art of this century with his famous "pouring paintings" of the late 1940s and early '50s. No artist of our time has been more controversial, and Pollock's reputation as the archetypal Abstract Expressionist has assumed mythic overtones. The balanced evaluation presented in this well-reasoned overview is long overdue.

About the Modern Masters series

With informative, enjoyable texts and over 100 illustrations — approximately 48 in full color — this innovative series offers a fresh look at the most creative and influential artists of the postwar era. The authors are highly respected art historians and critics chosen for their ability to think clearly and write well.

Each handsomely designed volume presents a thorough survey of the artist's life and work, as well as statements by the artist, an illustrated chapter on technique, a chronology, lists of exhibitions and public collections, an annotated bibliography, and an index. Every art lover, from the casual museumgoer to the serious student, teacher, critic, or curator, will be eager to collect these Modern Masters. And with such a low price, they can afford to collect them all.

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Jasper Johns

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A thoroughly readable text that achieves the rare feat of making Johns's complex ideas comprehensible to the nonspecialist. The result is an enlightening new interpretation of one of today's most influential artists.

For more than thirty years Jasper Johns has been making art that teases viewers with the willful obscurity of its content, while offering rich visual pleasures with the beauty of its form, color, and surface. In 1955 he painted his first Flags, which, with the Target and Numbers that soon followed, were to become his most famous work. His transformation of such common place images into art helped to shatter the dominance of Abstract Expressionism and to make possible the later innovations of Pop art and Minimalism. Johns's acclaimed recent work, which is well represented in this book, combines his continuing fascination with ready-made images with an exciting new use of illusionistic painting.

About the Modern Masters series

With informative, enjoyable texts and over 100 illustrations — approximately 48 in full color — this innovative series offers a fresh look at the most creative and influential artists of the postwar era. The authors are highly respected art historians and critics chosen for their ability to think clearly and write well. Each handsomely designed volume presents a thorough survey of the artist's life and work, as well as statements by the artist, an illustrated chapter on technique, a chronology, lists of exhibitions and public collections, an annotated bibliography, and an index. Every art lover, from the casual museumgoer to the serious student, teacher, critic, or curator, will be eager to collect these Modern Masters. And with such a low price, they can afford to collect them all.

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Jim Dine

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The first book ever to integrate Jim Dine's diverse accomplishments into one coherent chronological narrative.

The youngest of a handful of brash upstarts (soon to be labeled Pop artists) who stole the art world's spotlight from the Abstract Expressionists in the late 1950s and early '60s, Dine has been a restlessly creative force in the art world. Insatiable for new experiences, he has refused to limit himself to any one place or any one way of making art, though he has been surprisingly faithful to certain subjects, including his famous hearts, tools, bathrobes, and Venuses.Born and raised in Cincinnati, Dine has lived in New York, London, and Vermont and has spent extended periods working in numerous other cities, from Paris and Munich to Key West, Los Angeles, and Walla Walla, Washington. His aesthetic progress has been equally peripatetic, taking him from his early Pop painting and performance art to experimentation with sculpture and print-making.Dine's works are found in major collections worldwide, including the Stedelijk Museum, Boston Museum of Fine Art, Art Institute of Chicago, Tate Gallery, Metropolitan Museum of Art, Pompidou Center, San Francisco Museum of Modern Art, and National Gallery of Art.

About the Modern Masters series

With informative, enjoyable texts and over 100 illustrations — approximately 48 in full color — this innovative series offers a fresh look at the most creative and influential artists of the postwar era. The authors are highly respected art historians and critics chosen for their ability to think clearly and write well. Each handsomely designed volume presents a thorough survey of the artist's life and work, as well as statements by the artist, an illustrated chapter on technique, a chronology, lists of exhibitions and public collections, an annotated bibliography, and an index. Every art lover, from the casual museumgoer to the serious student, teacher, critic, or curator, will be eager to collect these Modern Masters. And with such a low price, they can afford to collect them all.

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Lee Krasner

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The first monograph devoted to Krasner's work, this volume skillfully explores the twists and turns of her career, offering new information and insight about one of the most intriguing painters of the postwar era.

Lee Krasner never took the easy way out — not in life, not in art. Brought up in a poor Brooklyn neighborhood and originally named Lena Krasner by her immigrant parents, she decided early on to create a new name and a new identity for herself. Later, as one of the few female painters in the aggressively male circle of Abstract Expressionists, she had to contend not only with the critics' skepticism about their new way of making art but also with the skepticism that greeted any woman's attempts to become a professional artist.

Many of Krasner's male colleagues — including her husband, Jackson Pollock — developed a unique "signature" style that identified them throughout their careers. Krasner, however, experimented with one style after another, from her early geometric abstractions (created while she was one of Hans Hofmann's most talented students), through her large-scale organic images of mid-career, to the hard-edge compositions of her late years. Certain elements recur throughout — most notably, her distinctive sense of color, her affinity for swelling forms inspired by nature, and her fearlessness in experimenting with new techniques.

Krasner's unwillingness to stick to one style, her readiness to put her career aside to focus on Pollock's, and her feuds with some of the period's most powerful critics all reduced her visibility in the art world. She has been the subject of exhibition catalogs, but this is the first monograph devoted to her work, and it brings to light all the intriguing complexities of her approach to making art. Dr. Robert Hobbs skillfully explores the twists and turns of her career, offering new information and insight about one of the most intriguing painters of the postwar era

About the Modern Masters series

With informative, enjoyable texts and over 100 illustrations — approximately 48 in full color — this innovative series offers a fresh look at the most creative and influential artists of the postwar era. The authors are highly respected art historians and critics chosen for their ability to think clearly and write well.

Each handsomely designed volume presents a thorough survey of the artist's life and work, as well as statements by the artist, an illustrated chapter on technique, a chronology, lists of exhibitions and public collections, an annotated bibliography, and an index. Every art lover, from the casual museumgoer to the serious student, teacher, critic, or curator, will be eager to collect these Modern Masters. And with such a low price, they can afford to collect them all.

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Marc Chagall

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Chagall's sprightly fiddler on the roof and his romantic airborne lovers--affectionate icons from the artist's early years in a Russian village--are among the most familiar and best-loved figures in modern art.

This beguiling volume tells the story of Chagall's long and adventure-filled life and presents his works in diverse media--oil, watercolor, graphics of all types, pottery, and stained glass.

Chagall's early achievements in Russia attracted the first of his many guardian angels, who made it possible for him to move to Paris, where he enthusiastically enjoyed the heady pleasures of bohemia and his own precocious success. Back in Russia on a visit in 1914, he was trapped by the onset of the Revolution, which unexpectedly elevated him to the lofty position of art commissar--and just as quickly demoted him. Not until eight years later was he back in his beloved France, where he stayed the rest of his life except for a reluctant exile to the United States during World War II. However tumultuous his life became, Chagall remained almost unsinkably lighthearted, expressing an exuberant joy in living that infused his art and makes this engaging book such a delight to look at and read.

About the Modern Masters series

With informative, enjoyable texts and over 100 illustrations--approximately 48 in full color--this innovative series offers a fresh look at the most creative and influential artists of the postwar era. The authors are highly respected art historians and critics chosen for their ability to think clearly and write well. Each handsomely designed volume presents a thorough survey of the artist's life and work, as well as statements by the artist, an illustrated chapter on technique, a chronology, lists of exhibitions and public collections, an annotated bibliography, and an index. Every art lover, from the casual museumgoer to the serious student, teacher, critic, or curator, will be eager to collect these Modern Masters. And with such a low price, they can afford to collect them all.

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Max Beckmann

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Max Beckmann's powerful paintings and prints have had a profound impact on 20th-century art.

Even now, some forty-five years after his death, the works created by Max Beckmann exert an intense influence on contemporary art. His piercing self-portraits, his enigmatic yet compelling triptychs, his incisive prints all have earned him a well-deserved reputation as a creator of provocative work that is both emotionally and intellectually stimulating.

Born in Leipzig, Germany, in 1884, Beckmann lived an international life, studying and working in Weimar, Frankfurt, Paris, and Berlin. Successful almost from his earliest days as a professional artist, he exhibited work to acclaim throughout Europe and America. With the Nazis' rise to power, his style and his subjects became dangerously out of fashion, and he was forced into exile-first to Amsterdam, where he spent World War II, and eventually to the United States, where he died, in New York, in 1950.

Although some scholars have categorized Beckmann as a German Expressionist, he always resisted belonging to any group, asserting that "the greatest danger which threatens mankind is collectivization." He also resisted abstraction, remaining passionately committed to the figure throughout his long career. His paintings have much to say about sex, politics, and religion-which is no doubt why they so outraged the Nazis and no doubt why they have remained so absorbing to new generations of admirers.

About the Modern Masters series

With informative, enjoyable texts and over 100 illustrations--approximately 48 in full color--this innovative series offers a fresh look at the most creative and influential artists of the postwar era. The authors are highly respected art historians and critics chosen for their ability to think clearly and write well. Each handsomely designed volume presents a thorough survey of the artist's life and work, as well as statements by the artist, an illustrated chapter on technique, a chronology, lists of exhibitions and public collections, an annotated bibliography, and an index. Every art lover, from the casual museumgoer to the serious student, teacher, critic, or curator, will be eager to collect these Modern Masters. And with such a low price, they can afford to collect them all.

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Philip Guston

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That Guston was not only a brilliant painter and a fearless innovator, but also a humanist who rejected easy answers about both painting and life, is made admirably clear by Robert Storr's perceptive text.

The story of Philip Guston's life is, in many ways, a chronicle of the ideas and events that transformed American painting in this century. Having been a muralist in the 1930s, by the 1940s Guston had turned away from public art to explore a more private vision. These haunting tableaux gave way in the 1950s to shimmering abstractions that represent one of the most poetic contributions to Abstract Expressionism.

In the last and most important decade of his life, Guston's work changed yet again, as he invented bizarre, cartoonlike characters to enact monstrously comic fantasies. This abrupt shift from abstraction to figuration enraged the art establishment, but it also helped embolden a younger generation of artists to risk a new style of painting that became known as Neo-Expressionism.

About the Modern Masters series

With informative, enjoyable texts and over 100 illustrations--approximately 48 in full color--this innovative series offers a fresh look at the most creative and influential artists of the postwar era. The authors are highly respected art historians and critics chosen for their ability to think clearly and write well. Each handsomely designed volume presents a thorough survey of the artist's life and work, as well as statements by the artist, an illustrated chapter on technique, a chronology, lists of exhibitions and public collections, an annotated bibliography, and an index. Every art lover, from the casual museumgoer to the serious student, teacher, critic, or curator, will be eager to collect these Modern Masters. And with such a low price, they can afford to collect them all.

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Roy Lichtenstein

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Roy Lichtenstein (born 1923) became famous in the early 1960s for his deadpan recreations of popular imagery, particularly paintings based on war and romance comics. As this book demonstrates, Lichtenstein's interest in quoting subjects form both high and low art has continued throughout his career, producing a fascinating and varied body of work.

About the Modern Masters series

With informative, enjoyable texts and over 100 illustrations--approximately 48 in full color--this innovative series offers a fresh look at the most creative and influential artists of the postwar era. The authors are highly respected art historians and critics chosen for their ability to think clearly and write well. Each handsomely designed volume presents a thorough survey of the artist's life and work, as well as statements by the artist, an illustrated chapter on technique, a chronology, lists of exhibitions and public collections, an annotated bibliography, and an index. Every art lover, from the casual museumgoer to the serious student, teacher, critic, or curator, will be eager to collect these Modern Masters. And with such a low price, they can afford to collect them all.

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Willem De Kooning

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Willem de Kooning is the old master of Abstract Expressionism, whose ferocious women and seemingly spontaneous brushwork have been primary influences on American and European artists of the postwar era. Still fervently painting at age 79, he continues to produce canvases of piercing beauty, which serve as a brilliant finale to this book on one of the great masters of contemporary art.

About the Modern Masters series

With informative, enjoyable texts and over 100 illustrations — approximately 48 in full color &mdash this innovative series offers a fresh look at the most creative and influential artists of the postwar era. The authors are highly respected art historians and critics chosen for their ability to think clearly and write well. Each handsomely designed volume presents a thorough survey of the artist's life and work, as well as statements by the artist, an illustrated chapter on technique, a chronology, lists of exhibitions and public collections, an annotated bibliography, and an index. Every art lover, from the casual museumgoer to the serious student, teacher, critic, or curator, will be eager to collect these Modern Masters. And with such a low price, they can afford to collect them all.

 

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