By Beth Moon
From the best-selling photographer of Ancient Trees, an arresting collection of black-and-white chicken portraits paired with quotations from classic literature.
Fierce, funny, and flamboyant, fifty-two heritage-breed chickens assess the camera with a keen gaze. By focusing on the faces of her avian subjects, Beth Moon reveals them to us not just as beautiful and exotic creatures, but as individuals in their own right.
Moon’s intimate portraits capture a startling range of emotions and personalities, underscored by excerpts from literature. A martial Spanish White Face is flanked by a passage from Beowulf; a fantastical Buff-Laced Polish, by a line from Alice’s Adventures in Wonderland; and a refined Blue Polish, by a character sketch from Swann’s Way.
Essays by chicken keeper and best-selling author Melissa Caughey and cultural critic Collier Brown shed additional light on this fresh and remarkable body of work, which will appeal to animal lovers and literature buffs alike.
Beth Moon, a New York–based photographer, has gained international recognition for her large-scale, richly toned platinum-palladium prints. Her other books include Ancient Trees: Portraits of Time and Ancient Skies, Ancient Trees.
From the Biblical Dream to Surrealism
The first-ever history of the representation of dreams in Western painting, illustrated with works by more than 130 artist.
Organized by period, from the Middle Ages to the present, this engaging book shows how the idea of the dream, andits depictions, have shifted throughout history, from th e biblical dream—a communication from God—to the deeply personal dream, the lighthearted fantasy, the nightmare.
Sometimes these ideas have existed simultaneously: thus we have, only a few years apart, Raphael’s limpid High Renaissance composition of Jacob dreaming his Ladder; Albrecht Dürer’s watercolor of a mysterious deluge that he saw in his own slumbers; and Hieronymus Bosch’s nightmarish hellscapes.
More recently, movements such as Symbolism and Surrealism have taken the dream as a primary source of inspiration, even conflating dreaming and the creative process itself. This rich vein of visionary art runs from Gustave Moreau and Odilon Redon, through De Chirico and Dalí, down to the present—demonstrating, as Bergez reminds us, that Morpheus was a god of form as well as of dreams.
Daniel Bergez is a scholar, curator, and critic whose work focuses on the relationship between painting and literature. His monograph on Nobel laureate Gao Xingjian won the Prix Bernier of the Académie des Beaux-Arts.
By Sara Ball
Flip and flop heads, tails, and bodies to make 1,000 crazy canines!
From the best-selling illustrator of Flip-o-saurus and Flip- o-storic comes another book with charming artwork and die-cut pages for mix-and-match fun—this time with
dogs! Mix-a-Mutt lets you create wacky combinations often different breeds, including both popular pets like the Labrador Retriever and show dogs like the shaggy Komondor and the wrinkly Shar-Pei.
Each flap features a fun fact about the pictured breed, and inside the front cover is a chart showing the relative size of the dogs featured, from the Yorkshire Terrier to the Great Dane.
Sara Ball is a prolific illustrator of children’s books, including Abbeville’s Flip-o-saurus and Flip-o-storic.
A palm-sized visual history of tarot cards, from hand- painted Renaissance decks to the creations of modern artists like Salvador Dali.
Originally used by northern Italian aristocrats in complex games resembling bridge, tarot cards became more popular with the spread of printing in the sixteenth century and were eventually used by Freemasons, fortune-tellers, and mystics to reveal hidden truths about the past, present, and future. More recently, artists have used the imagery and potency of tarot as a springboard for creativity.
As a path to revelation or simply as a pastime, tarot is fascinating. A carefully curated selection of decks from the past six centuries—showing the chief turning points in their development—make this little book an indispensable guide to the history of tarot.
Christina Olsen, an art historian and museum director, wrote her PhD thesis on the history of tarot cards.
A sequel to the best-selling Women Who Read Are Dangerous, presenting portraits and profiles of fearless women writers past and present.
Writing has not always been considered a suitable career for women. Indeed, it was once common for women authors to adopt a masculine pseudonym in order to be taken seriously. And even today, some women writers still struggle to obtain the same recognition that is given to their male counterparts. Nevertheless, women throughout the ages have overcome these obstacles to create literature of enduring importance.
This attractive book brings together paintings, drawings, prints, and photographs of some fifty outstanding women authors, from Mary Wollstonecraft, Jane Austen, and George Sand to Dorothy Parker, Simone de Beauvoir, and Toni Morrison. Each image is accompanied by an engaging commentary on the writer depicted, discussing the highlights of her career and the major themes of her work. Full of insight and inspiration, this is the perfect gift for any woman who writes.
Stefan Bollmann is the author of several books, including the best-selling Women Who Read Are Dangerous.
Francine Prose, prolific novelist and essayist, is past president of the PEN America Center.
By Yan Morvan
A monumental photo book documenting the scenes of more than 3,000 years of human conflict.
After a distinguished—and death-defying—career documenting the wars of today, Yan Morvan decided to undertake a different kind of battlefield photography, one that would show how war has imprinted its awful memory on all of human history, and on the landscape as well. Traveling the globe, he sought out the scenes of history’s most important battles, positioning his 8 × 10 Deardorff view camera to capture the perspective of the soldier on the front lines.
The result of his decade-long quest is this monumental volume, presenting 430 images of 250 historic battlefields, from the Trojan War to Muammar Gaddafi’s last stand. In between are the battlegrounds of the Persian Wars, the Napoleonic Wars, the American Civil War, the World Wars, the Vietnam War, and many others. The text includes a concise account of each battle, as well as an interview with Morvan about his work.
Battlefields is a staggering work of art, an important historical document, and a memorial to all those who have fought and died on the battlefield.
Yan Morvan, an award-winning photographer based in Paris, has photographed armed conflicts in Lebanon, Iraq, Afghanistan, Northern Ireland, Kosovo, Cambodia, Rwanda, and Libya.