The Art Institute of Chicago
A compendium of the golden age of Japanese prints from one of the world's foremost collections.
The dazzling variety of Japanese woodblock prints, from serene landscapes to portraits of flamboyant actors and courtesans, is captured in this captivating volume. The book is divided into four chapters: "Primitives" (the term for Japanese woodblock prints produced between approximately 1660 and 1765); Courtesans; Actors; and Landscapes. Most of the images are printed in multiple colors and range from the seventeenth century to the late nineteenth century. The artists include such masters as Hiroshige, Hokusai, and Utamaro, who are represented by lesser-known treasures as well as by some of their most celebrated series, including Thirty-six Views of Mount Fuji and One Hundred Famous Views of Edo.
Treasures of the Pierpont Morgan Library
Spectacular examples of early book illustration from one of the greatest libraries of illuminated manuscripts in the world.
Glorious works of art as well as documents of bygone eras, painted an illuminated manuscripts supply perhaps the greatest and by far the best-preserved evidence of daily life during the Middle Ages and Renaissance. This Tiny Folio draws on one of the greatest collections in the world to illustrate the angels, demons, and everyday denizens of the medieval world.
The Prado is internationally renowned for its unsurpassed collection of masterpieces by Diego Velázquez, Francisco de Goya, Hieronymus Bosch, El Greco, and Peter Paul Rubens.
When it opened on November 19, 1819, the Prado Museum, in Madrid, consisted entirely of works from the Spanish royal collections. Numerous treasures have been added since opening day, but the unique strengths of the Prado's collection can still be traced to that original core of remarkable works-many acquired or commissioned from the artists themselves during the sixteenth, seventeenth, and eighteenth centuries.
The Prado is internationally renowned for its unsurpassed collection of masterpieces by Diego Velázquez, Francisco de Goya, Hieronymus Bosch, El Greco, and Peter Paul Rubens. As this richly illustrated little volume makes clear, it also possesses a brilliant collection of paintings and drawings by other artists throughout Europe as well as fascinating decorative arts and notable sculptures.
America's Master Architect
A pocket-sized overview of the architect's entire career, with more than 200 photographs, drawings, and examples from Wright's own collection of Asian art.
This diminutive survey features all aspects of Wright's art, from lowslung Prairie houses to the dramatic, seminal Fallingwater, to larger projects such as his two homes, Taliesin and Taliesin West, culminating in that icon of modernism, New York's Guggenheim Museum. This satisfying volume is complete with drawings and rarely seen works from Wright's own Asian art collection.
By Diane Kelder
With its lively narrative and profuse illustrations, this volume captures the visual riches of a remarkable era.
Born in controversy, christened in scorn by a sarcastic critic, and developed amid a continuing struggle for recognition and solvency, French Impressionism finally emerged as a powerful and immensely popular artistic movement whose appeal remains undiminished today.The Great Book of French Impressionism celebrates the richness and exuberance of the Impressionists' world--a world of light and color, of sunlit fields and shimmering waterscapes, of bustling city views and intimate domestic scenes.
This handsomely designed Tiny Folio packs over 200 full-color illustrations, faithfully capturing the subtle nuances of light and keen perception that make French Impressionist painting unique.The text traces the development of Impressionism from its roots in landscape and Realist painting through its focus on modern urban life to its ultimate goal: to fix on canvas the fleeting moods and effects of nature in a world that stands still for no one. The works of the major Impressionists and Post Impressionists, Manet, Monet, Renoir, Degas, Toulouse-Lautrec, Seurat, and Cézanne, are featured and show how they influenced others in the movement, ultimately giving rise to the new art of the twentieth century.
332 Magazine Covers
At the outset of his career, Norman Rockwell was not the most likely candidate for long-term celebrity; he was just one of many skillful illustrators working within the conventions of the day. But there was something tenacious about his vision, and something uncanny about his access to the wellsprings of public taste. Although technically he was an academic painter, he had the eye of a photographer and, as he became a mature artist, he used this eye to give us a picture of America that was familiar-astonishingly so-and at the same time unique.
It seems familiar because it was everyones dream of America; and it was unique because only Rockwell managed to bring it to life with such authority. This was, perhaps, an America that never existed, but it was an America the public wanted to exist. And Rockwell put it together from elements that were there for everyone to see.
Rockwell helped preserve American myths, but, more than that, he recreated them and made them palatable for new generations. His function was to reassure people, to remind them of old values in times of rapid change.