A sumptuously illustrated, authoritative introduction to the principal architectural and decorating styles of the American house, from Colonial times to the mid-twentieth century.
In this lavishly produced volume, authors Virginia and Lee McAlester explore outstanding landmark houses that exemplify America's major architectural and interior design styles from Colonial times to the mid-twentieth century. These twenty-five houses are illustrated with more than 350 specially commissioned full-color photographs of interior and exterior views, 125 black-and-white line drawings and floor plans, historical paintings, and vintage photographs
The text not only discusses the houses' architectural innovations and design elements but also profiles the architects and their clients. The featured houses were built by many of the country's leading architects — from Alexander Jackson Davis, Richard Morris Hunt, Henry Hobson Richardson, and McKim, Mead and White to Frank Lloyd Wright, the Greene brothers, and Walter Gropius — and owned by some of its most celebrated citizens, including Thomas Jefferson, Mark Twain, Thomas Edison, Jay Gould, the Guggenheims, the Phippses, and the Vanderbilts. As a result, the book is as much a cultural history as it is an architectural study. The authors also include an informative discussion of each style as it can be seen in vernacular versions around the country.
Located all over the United States, most of the featured houses are open to the public, and the book provides their addresses and other helpful information for visitors. Great American Houses and Their Architectural Styles will be irresistible to all house lovers, architects, and designers, and will give readers a deeper understanding and appreciation of our rich architectural heritage.
The Figurative Tradition
Commemorating the 100th anniversary of the National Sculpture Society, this important history traces America's rich heritage of figurative sculpture from the Columbian exposition of 1893 to the present.
Illustrated with outstanding examples of American figurative sculpture of the last century, this volume begins with an analysis of the influence of the Beaux-Arts tradition on the creation of the great public monuments of the young republic. With this background, the book moves on to survey important categories of sculpture chronologically.Equestrian monuments and countless tributes to war heroes are surveyed in one category. In another important grouping, author David Martin Reynolds surveys portrait sculpture. He also includes a section on medallic art, a category usually neglected in sculpture surveys.
In another innovation, Dr. Reynolds devotes a chapter to American Indians, both as widely favored subjects for sculpture and as sculptors themselves. Not neglecting genre, the author deals extensively with the large group of sculptors who concentrated on animals. Finally he surveys the figurative tradition in the twentieth century and speculates on future trends in sculpture.
This invaluable new monograph offers a provocative chronicle of the man and an enlightening analysis of his art.
A man of inexhaustible energy and invention, the sculptor Isamu Noguchi was always in motion. His career extended for more than sixty years, during which he often worked simultaneously on many diverse endeavors.Born in the United States of mixed parentage, Noguchi had a Japanese childhood and an American adolescence. His notion of modern art was forged in the Paris studio of Constantin Brancusi and modified through the utopianism of R. Buckminster Fuller. Combined with his experience of the traditional Japanese house and garden and with his work on the avant-garde stage of Martha Graham, these influences led him toward a broadened conception of sculpture as the creation of social space.
In pursuit of this ideal, Noguchi created plazas and gardens, furniture and interiors, ignoring the boundary between art and design. But he also continued the carving of stone and wood that brought him critical attention in New York during the 1940s, and the stonework he did during his last decades, in his studio complex on the Japanese island of Shikoku, allowed him to integrate his metaphysical concerns with modernist sculptural practice.
Ranging across this century and filled with engaging persons and places, Noguchi's story is a compelling one, told with refreshing verve and insight. Little-known documentary photographs from the artist's own archives and striking full-color images from every aspect of his multifaceted career complement the perceptive and gracefully written text.
About the Modern Masters series
With informative, enjoyable texts and over 100 illustrations — approximately 48 in full color — this innovative series offers a fresh look at the most creative and influential artists of the postwar era. The authors are highly respected art historians and critics chosen for their ability to think clearly and write well. Each handsomely designed volume presents a thorough survey of the artist's life and work, as well as statements by the artist, an illustrated chapter on technique, a chronology, lists of exhibitions and public collections, an annotated bibliography, and an index. Every art lover, from the casual museumgoer to the serious student, teacher, critic, or curator, will be eager to collect these Modern Masters. And with such a low price, they can afford to collect them all.
In a wild mix of words and images, this unusual volume gives us a startling and entertaining glimpse of Versace's fervid imagination.
From the theatrical to the whimsical, Gianni Versace's designs have something for everyone. On these pages, his sketches and finished works of haute couture, ready-to-wear, accessories, jewelry, and opera and ballet costumes — as well as artworks created by Richard Avedon, Irving Penn, and Bruce Weber. The pictures are accompanied by a variety of writing, including commentary by Hamish Bowles of American Vogue, a new short story by Isabella Bossi Fedrigotti, an excerpt from the memoirs of Lady Julia Trevelyan Oman, and quotations and features from fashion magazines around the world.
Vanitas focuses on the master craftspeople and the history of the development of their creations based on the skilled handcrafting of each unique creation. With almost three hundred brilliant pictures, the book offers insight into the evolution of the Versace style since 1982.
By Bill Laws
With inspirational photographs paired with practical information, this is the perfect book on decorating the exterior and interior of a country cottage.
Offering a delightful escape to the simple country life, The Perfect Country Cottage includes lively photographs of small country houses from Cornwall to Maine, from Scandinavia to Greece, making it an essential companion for everyone wanting to decorate and style a country retreat.
Chapters focus not only on interiors spaces--kitchens, living rooms, and bedrooms--but also on exterior spaces such as flower and vegetable gardens, patios, and decks. Exterior details are fully explored, and close attention is given to topics special to decorating a country cottage, such as soft furnishings, floors, painted furniture, architectural details, garden furniture and storage. In addition, the author, who specializes in country buildings, traces the evolution of the country cottage from simple farmworkers' dwellings to modern rural oases from hectic urban life.
Featuring gardens, plants, and flowers that appeal to our senses of sight, smell, touch, taste, and hearing, this invaluable book will enrich the pleasures of gardening and of visiting gardens.
In a text that is both inspirational and useful, author Jeff Cox explains not only how to truly appreciate the gardens we visit but also how to design a garden to fully satisfy our own preferences. He points out that one of the best ways to unleash your creativity is to look at what other successful gardeners have wrought.
Jerry Pavia's marvelous photographs illustrate many examples of the techniques and themes under discussion. For this book Pavia traveled throughout the United States and Europe to photograph the sort of beauty that touches the senses and, through them, the heart.
Cox shows us how to employ all of our senses to heighten our awareness of the key elements of a garden. We learn, for example, how to understand color and its perception; assess form and line; plan fragrant plants according to season; increase the tactile interest in a garden; create natural symphonies; and grow tasty plants. Special features include recommended plants for each of a garden's sensual qualities, practical garden design tips, and a descriptive plant list.
A sumptuously illustrated portrait of perhaps the most fascinating architectural marvel of all time.
Built between 1632 and 1643 by the Mughal emperor Shah Jahan in honor of his deceased wife Mumtaz Mahal, the Taj Mahal is unquestionably the most renowned mausoleum in the world. Now this legendary monument to love can be seen as no visitor to the site has ever viewed it. On the pages of this exquisitely illustrated volume, the Taj Mahal is revealed detail by detail. Starting inside the mausoleum, a sequence of closeups show the semiprecious stones, inlaid in white marble, that form the interior's Koranic calligraphy and floral patterns. The next sequence of images presents the octogonal plan of the structure, emphasizing both its perfect symmetry and its subtle variations. The final sequence is devoted to the decorative patterns carved in the walls of the mosque and entrance gate. In addition, four lavish fold-out photographs show the entire Taj Mahal complex from different perspectives.
In their informative texts, authors Amina Okada and M.C. Joshi provide historical and architectural analyses of the Taj Mahal. Quotations from the Koran and from the journals of travelers as diverse as Jean-Bapiste Tavernier, Pierre Loti, and Aldous Huxley complete a breathtaking tribute.
Before his death in 1992, photographer Jean-Louise Nou captured the beauty of India in many books, including The Art of India.
Amina Okada, curator of the Musée National des Arts Asiatiques Guimet in Paris, is the author of numerous books and articles on Mughal India.
Dr. M.C. Joshi is a member of the Archaeological Survey of India in New Delhi.
Fantastic Thoughts for a Starry Night
A charming collection of more than 250 wishes to make on a falling star.
We have forgotten how to wish. We may make wishes on birthdays or at Christmastime, but adulthood steals our grand dreams of a better world. An excess of reason tempers our thoughts and deeds. Shooting stars are there to help us. They look no bigger than our fingertips, yet their power is great. Whatever we wish the moment we see them fall will surely come to pass.
This little book, filled with wishes gathered from schoolchildren across Germany, is sure to inspire everyone to wish on a star.
From early colonial times to the onset of the Civil War, the finest examples of antebellum architecture in the South are revealed in glorious photographs and a scholarly text.
This handsome volume is the culmination of a distinguished series that has explored the historic buildings of the Old South. The fruit of fifteen years of travel and research, Architecture of the Old South surveys the most beautiful and historic buildings of the region and illustrates them with color photographs, old prints and drawings. The authoritative, and sometimes amusing, text documents a surprising conclusion: that most of the great buildings of the Old South were created by Yankee builders and that the South participated more fully in the mainstream of American life before the Civil War than has been fully appreciated.
Indeed, the illustrations and text of Architecture of the Old South, though presenting famous shrines, explore the unexpected by-ways of Southern architecture and history. The great buildings of great cities—Baltimore, Charleston, Savannah and New Orleans—and plantations and country houses of the gentry are well represented. But here also can be found a wealth of the unfamiliar: frontier cabins, eccentric houses built by gentlemen amateurs, grand designs of professional designers from England and Europe.
When the Architecture of the Old South series was begun in 1981, the New York Times praised the first of these volumes as "dignified and handsome, with engaging texts that strike a neat balance between architectural scholarship and social history."
By Robert Hobbs
The first monograph devoted to Krasner's work, this volume skillfully explores the twists and turns of her career, offering new information and insight about one of the most intriguing painters of the postwar era.
Lee Krasner never took the easy way out — not in life, not in art. Brought up in a poor Brooklyn neighborhood and originally named Lena Krasner by her immigrant parents, she decided early on to create a new name and a new identity for herself. Later, as one of the few female painters in the aggressively male circle of Abstract Expressionists, she had to contend not only with the critics' skepticism about their new way of making art but also with the skepticism that greeted any woman's attempts to become a professional artist.
Many of Krasner's male colleagues — including her husband, Jackson Pollock — developed a unique "signature" style that identified them throughout their careers. Krasner, however, experimented with one style after another, from her early geometric abstractions (created while she was one of Hans Hofmann's most talented students), through her large-scale organic images of mid-career, to the hard-edge compositions of her late years. Certain elements recur throughout — most notably, her distinctive sense of color, her affinity for swelling forms inspired by nature, and her fearlessness in experimenting with new techniques.
Krasner's unwillingness to stick to one style, her readiness to put her career aside to focus on Pollock's, and her feuds with some of the period's most powerful critics all reduced her visibility in the art world. She has been the subject of exhibition catalogs, but this is the first monograph devoted to her work, and it brings to light all the intriguing complexities of her approach to making art. Dr. Robert Hobbs skillfully explores the twists and turns of her career, offering new information and insight about one of the most intriguing painters of the postwar era
About the Modern Masters series
With informative, enjoyable texts and over 100 illustrations — approximately 48 in full color — this innovative series offers a fresh look at the most creative and influential artists of the postwar era. The authors are highly respected art historians and critics chosen for their ability to think clearly and write well.
Each handsomely designed volume presents a thorough survey of the artist's life and work, as well as statements by the artist, an illustrated chapter on technique, a chronology, lists of exhibitions and public collections, an annotated bibliography, and an index. Every art lover, from the casual museumgoer to the serious student, teacher, critic, or curator, will be eager to collect these Modern Masters. And with such a low price, they can afford to collect them all.
How Photographs Changed Our Lives
Selected by Choice magazine as one of its outstanding books of 1993.
The Power of Photography is a seminal work of such importance that it should become mandatory reading in the fields of communications, media, photography, and sociology. Taking specific images from the history of photography. Vicki Goldberg weaves her analysis of the impact that specific images have had on society. The quality of research and Goldberg's keen perception, along with her personable writing style, combine to keep the reader interested and entranced.
A Guide to Modern Ideas, Movements, and Buzzwords, 1848-1944
This successor to the phenomenally popular Artspeak: A Guide To Contemporary Ideas, Movements, and Buzzwords chronicles international art from realism through surrealism.
An invaluable guide through the intricacies of the first century of modern art, ArtSpoke features the same lucid prose, thought-provoking ideas, user-friendly organization, and striking design as its predecessor, ArtSpeak: A Guide to Contemporary Ideas, Movements, and Buzzwords.
Chronicling international art from Realism through Surrealism, ArtSpoke explains such popular but often misunderstood movements and organizations as Impressionism, Post-Impressionism, the Salon, the Fauves, the Harlem Renaissance, and so on—as well as events ranging from the 1913 Armory Show to Brazil's little-known Semana de Arte Moderna. Concise explanations of potentially perplexing techniques, media, and philosophies of art making-including automatism, calotype, found object, Pictorialism, and Readymade-provide information essential to understanding how artists of this era worked and why the results look the way they do. Entries on concepts that were crucial to the development of modern art—such as androgyny, dandyism, femme fatale, spiritualism, and many others—distinguish this lively guide from any other art dictionary on the market.
Also unique to this volume is the ArtChart, a handy one-page chronological diagram of the groups discussed in the book. In addition, there is a scene-setting timeline of world history and art history from 1848 to 1944, overflowing with invaluable information and illustrated with twenty-four color reproductions.
Students, specialists, and casual art lovers will all find ArtSpoke an essential addition to their reference shelves and a welcome companion on visits to museums and galleries.
This bestselling volume chronicles one of the most innovative, influential, and beloved architects of the early 20th century.
Gracefully written and brilliantly illustrated, this handsome new volume captures the vision, the wit, and the down-to-earth inventiveness of one of the most influential and beloved architects of the early twentieth century.
Raised in Greenwich Village and trained in Paris, Maybeck spent most of his long career in northern California. An irrepressible bohemian with no desire to run a large office, he spent much of his time designing houses for friends and family, as well as for other patrons so loyal that they often hired him to design more than one house. Maybeck also created two of the most beautiful buildings in all of California: the exhilarating Church of Christ, Scientist, in Berkeley, and the gloriously romantic Palace of Fine Arts, in San Francisco.
This incisive overview—the first to feature color reproductions of Maybeck's exquisite interiors and exteriors—analyzes every aspect of his life and work. Not only his architecture but also his furniture, his lighting designs, and his innovations in fire-resistant construction are thoroughly discussed and illustrated. The book is also enlivened by documentary photographs, by clearly drawn plans, and by several of Maybeck's dazzling, previously unpublished visionary drawings.
Bernard Maybeck is a major study of an internationally significant architect whose environmentally responsive work has much to offer today's designers and whose houses have given enormous pleasure to those fortunate enough to visit or dwell in them.
Private Palm Beach
By Jennifer Ash
An intimate glimpse at a score of homes exhibiting a wide range of approaches to living under the tropical sun.
Both old and new money flocks to Palm Beach for "the season", and the houses that line the oceanfront and Intercoastal Waterway exhibit a remarkable range of approaches to living under the subtropical sun. Among the twenty homes that are featured in this lavish volume are those of Dorothy Spreckels Munn and Lilly Pulitzer Rousseau. All the most renowned Palm Beach architects — Addison Mizner, Maurice Fatio, Howard Major, and Belford Shoumate — are represented.
But author Jennifer Ash also takes us off the beaten path to fascinating residences known to natives alone: an artist's bungalow on the bohemian Root Trail, a luxuriously appointed yet fully seaworthy yacht, a cozy retreat in a landmark church. And while relating the gossip-packed history of many of the island's famous residents, she gives us a guided tour of interiors created by both local and world-renowned designers, including David Easton and Juan Pablo Molyneux.
From the rococo splendor of Mar-a-Lago — designed by Joseph Urban for Marjorie Merriweather Post and now owned by Donald Trump — to the ultra-modern chic of a house by Richard Meier, Private Palm Beach affords intimate access to life behind the island's meticulously manicured hedges.
Architecture, Theatre, Opera, Film
The long-awaited major biography of an important architect who was equally famous in his day for opera, stage, and film designs.
Joseph Urban already enjoyed an enviable reputation in Vienna for architecture, stage design, and book illustration before coming to America in 1911 to design productions for the Boston Opera. Soon his sets and innovative lighting caught the eye of both Florenz Ziegfeld, who lured him away to design the Follies in the 1920s, and William Randolph Hearst, who hired him as artistic director of his movie studio.Urban's lush stagecraft revolutionized American theatre design. In 1917 he was named artistic director of the Metropolitan Opera, and many of his original settings were used into the 1950s.
As an architect, Urban made memorable additions to New York's cityscape. Many have vanished, including the original Ziegfeld Theatre, but the Hearst Building and the New School for Social Research, the city's first International Style building, remain. Several of his works in Palm Beach still stand, including his most extravagant, Mar-a-Lago, the former Post estate now owned by Donald Trump. A study of this scope has long been overdue.
A dazzling exploration of both traditional and contemporary jewelry.
Spectacular photographs of the breathtaking beautiful objects and sensitive portraits of the artists combine with an insightful, informative text to capture the spirit of this work and the vital cultures from which it springs.
This ground-breaking volume opens by surveying the vividly colored necklaces, earrings, and pins made in shell and stone from prehistoric times to the present, particularly in the Santo Domingo and Zuni pueblos. The focus then shifts to the much-admired and avidly collected work in silver — often set with turquoise and other stones — by Navajo, Hopi, and Zuni artists. The book culminates in an exploration of striking contemporary work in which many artists have adapted traditional approaches to create original designs. A collector's guide offers invaluable advice as well as an illustrated glossary of materials, techniques, objects, and designs. A nationwide directory of sources concludes the book.
Extraordinary Twentieth-Century Shoes
By Mary Trasko
Some of the most startling and delightful shoes ever created are represented here, from the hand-crafted wonders Yantourney produced in the 1920s, to the supremely comfortable yet elegant platforms from Ferragamo during the '40s, and a recent collection from Vivier embroidered with pearls, feathers, and crystal beads.
They might seem like mundane necessities, down there shuffling around in the dust. But as virtually every woman and a great many men know, shoes have long inspired imaginative caprice and private longing on an extravagant scale.Some of the great designers of the twentieth century have found the form of the shoe a source of extraordinary inspiration. Ferragamo, Vivier, Yantourney, and Perugia; Charles Jourdan, Manolo Blahnik, and Maud Frizon — all have devoted their rich creativity to shoe design, an enterprise Vivier describes as "a sculptural problem in which the center is always void."
Elegant, fanciful, extravagant, and quirky, twentieth-century shoes put their best foot forward in Heavenly Soles. This book introduces us to some of the most startling and delightful shoes ever created, from the magnificent hand-crafted wonders Yantourney produced in the 1920s using antique laces and velvets, to the supremely comfortable yet elegant platforms from Ferragamo during the '40s, and a recent collection from Vivier embroidered with pearls, feathers, and crystal beads.But there's more to the story then design and glamor. Heavenly Soles also tell us about the changing position of women in the twentieth century — the first era in which it has been fashionable for them to walk, freely and comfortably, and the first in which shoes have been perfected for fit and balance. In contrast, the wonderfully illustrated text shows the import of the sexy and crippling stiletto heel of the '50s while also providing fascinating information about the larger fashion context of the times.
This beautifully designed survey concludes with an international compendium of the best of contemporary models, none of which belongs to Imelda.