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Mary Cassatt

Paintings And Prints

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These paintings and prints by the American artist are among the finest examples of Impressionism.

Mary Cassatt's paintings and prints have long been treasured as some of the finest examples of Impressionist art. A rebel by the Victorian standards of her time, Mary Cassatt moved from the art schools of staid Philadelphia to the boulevards of Paris, where the young Impressionist movement was flourishing. Degas, her friend and mentor, encouraged her involvement in the new art movement.

Cassatt's luminous, observant, and innovative works-chiefly interiors with women and children-helped define Impressionism and have been compared to Raphael's paintings for their beauty and dignity. Frank Getlein, noted art critic and historian, has selected 72 of Cassatt's finest works, each reproduced here in full color. His accompanying text relates the intimate details of her life to her paintings while clearly defining her relation to fellow artists and her place in modern art.

The publication of this book marks the first time that so many of Cassatt's paintings and prints, some rarely seen by American audiences, have been made available at a popular price.

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The Japanese Tattoo

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The definitive book on a fascinating art form, whose popularity continues to increase.

A crimson fish wrestles a man. A horned demon stares menacingly. These vivid scenes are tattoos, created in pain, incised in the flesh of the Yakuza, Japan's feared secret society of gangsters. They are the visions of the Irezumi, the legendary tattoo artists, who spend years creating living masterpieces. Photographer Sandi Fellman describes this strange and violent world both in her text and in her stunning, large Polaroid photographs.

American photographer Sandi Fellman used a rare large size Polaroid camera to create these photos of Irezumi Japanese men and women who wear elaborate full-body tattoos. Fellman treats the tattoos as artworks and their creators as artists. Her text touches on the tattooing process, common motifs, the sociology of the tattoo, and relationships between the tattoo masters and their clients. Author D.M. Thomas has contributed two pages of his reactions to these unusual and even disturbing images. The 46 color plates in this volume, most of them whole body nudes, should prove provocative, fascinating, or repellant to a wide variety of library patrons. -- Library Journal

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Karel Appel

Works on Paper

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A celebration of the graphic works of Karel Appel, this is the most complete collection assembled on his collages, gouaches, drawings, and waterworks.

Jean-Clarence Lambert interweaves narrative and poetry in a witty text that captures Appel's exuberant spirit.

Marshall McLuhan's foreword pays tribute to the vibrant medium of Appel's message...

"that we can nourish our creativity by unlocking the child at play with us"

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Chinese Calligraphy

From Pictograph to Ideogram: The History of 214 Essential Chinese/Japanese Characters

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An illuminating history of 214 Chinese/Japanese calligraphic characters.

Written Chinese can call upon about 40,000 characters, many of which originated some 6,000 years ago as little pictures of everyday objects used by the ancients to communicate with one another. To convey more abstract ideas or concepts, the Chinese stylized and combined their pictographs. For instance, the character for “man”—a straight back above two strong legs—becomes, with the addition of a head and shoulders and arms held sternly akimbo, the character for “official.” This book, modeled after a classic compilation of the Chinese language done in the 18th century, introduces readers to the 214 root pictographs or symbols upon which this writing system, whose rich complexities hold a wealth of cultural meaning, is based. These key characters, called radicals, are all delightfully presented in this volume, with their graphic development traced stage-by-stage to the present representation, where even now (in many of them) one can easily make out what was originally pictured—with the author’s guidance. Centuries ago, when the Japanese took up writing, they also adopted these symbols, though they gave them different names in their own spoken language.

Each of the 214 classic radicals is charmingly explored by the author, both for its etymology and for what it reveals about Chinese history and culture. Chinese characters are marvels of graphic design, and this book even shows the proper way to write each radical, stroke by stroke. Finally, there are also samples of each radical combined with other radicals and character elements to demonstrate how new characters are formed—some 8,000 have been added to the language since the eighteenth century. With all its expertly executed calligraphic illustrations and fascinating commentary, this book serves as an excellent introduction to Chinese writing and its milieu.

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Roy Lichtenstein

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Roy Lichtenstein (born 1923) became famous in the early 1960s for his deadpan recreations of popular imagery, particularly paintings based on war and romance comics. As this book demonstrates, Lichtenstein's interest in quoting subjects form both high and low art has continued throughout his career, producing a fascinating and varied body of work.

About the Modern Masters series

With informative, enjoyable texts and over 100 illustrations--approximately 48 in full color--this innovative series offers a fresh look at the most creative and influential artists of the postwar era. The authors are highly respected art historians and critics chosen for their ability to think clearly and write well. Each handsomely designed volume presents a thorough survey of the artist's life and work, as well as statements by the artist, an illustrated chapter on technique, a chronology, lists of exhibitions and public collections, an annotated bibliography, and an index. Every art lover, from the casual museumgoer to the serious student, teacher, critic, or curator, will be eager to collect these Modern Masters. And with such a low price, they can afford to collect them all.

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Beverly Pepper

Sculpture In Place

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An illumination of the work of one of contemporary sculpture's greatest masters.

Two decades of Beverly Pepper's bold sculptural statements are presented here, from the highly polished stainless-steel works of the 1960s to the earthbound geometrics of the 1970s to the more recent monoliths. Pepper has figured centrally in such watershed modern movements as Constructivism, Assemblage, and Minimalism. Published in conjunction with a major Albright-Knox Art Gallery exhibition, this beautifully illustrated treatment of a contemporary master includes superb essays by Douglas Schultz, and Rosalind Krauss.

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Fallingwater

A Frank Lloyd Wright Country House

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Considered Frank Lloyd Wright's domestic masterpiece, Fallingwater is recognized worldwide as the paradigm of organic architecture. Here, in beautiful photographs, the first as-built measured plans, and an intimate narrative by the only key figure still alive, is the fascinating story of this masterwork.

Fallingwater is the most famous modern house in America. Indeed, readers of the Journal of the American Institute of Architects voted it the best American building of the last 125 years! Annually, more than 128,000 visitors seek out Fallingwater in its remote mountain site in southwestern Pennsylvania. Considered Frank Lloyd Wright's domestic masterpiece, the house is recognized worldwide as the paradigm of organic architecture, where a building becomes an integral part of its natural setting.

This charming and provocative book is the work of the man best qualified to undertake it, who was both apprentice to Wright and son of the man who commissioned the house. Edgar Kaufmann, Jr., closely followed the planning and construction of Fallingwater, and lived in the house on weekends and vacations for twenty-seven years-until, following the deaths of his parents, he gave the house in 1963 to the Western Pennsylvania Conservancy to hold for public enjoyment and appreciation.

This is a personal, almost intimate record of one man's fifty-year relationship to a work of genius that only gradually revealed its complexities and originality. With full appreciation of the intentions of both architect and client, Mr. Kaufmann described this remarkable building in detail, telling of its extraordinary virtues but not failing to reveal its faults. One section of the book focuses on the realities of Fallingwater as architecture. A famous building right from its beginnings (only partly because it was Wright's first significant commission in more than a decade), Fallingwater has accumulated considerable publicity and analysis-much of it off the mark. Mr. Kaufmann outlined and dealt with the common misunderstandings that have obscured the building's true values and supplied accurate information and interpretations. In another section Mr. Kaufmann provided an in-depth essay on the subtleties of Fallingwater, the ideology underlying its esthetics. A key element of this is the close interweaving of the house and its rugged, challenging setting, which he explicated in fascinating detail.

The author maintained throughout the direct approach of one who knew and loved Fallingwater. As an apprentice and loyal admirer of the architect, Mr. Kaufmann was well attuned to the architecture. And as a retired professor of architectural history and frequent lecturer and panelist, he had considerable experience in presenting and interpreting Wright's ideas. Thoroughly versed in the books, articles, drawings, and buildings of Frank Lloyd Wright, Mr. Kaufmann was eminently situated to place Fallingwater in that context. This unique record was presented in celebration of Fallingwater's fiftieth anniversary.

Special features of this volume include: numerous never-before published photographs of the house under construction, during its entire history, and of the family in residence; a room-by-room pictorial survey in full color taken especially for this volume; isometric architectural perspectives that explain visually how the house was constructed; and the first accurate, measured plans of the house as built.

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Heads

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Unmasked and stripped of makeup and hairdos, what do the human face and head tell us? This striking book provides the answers.

A hat designer, Punk musician, sculptor, fireman, professional rent-a-Buddha, heavyweight boxer, peace movement worker, gourmet chef, United Nations official, dog trainer, chiropractor, sanitation worker, Marine Corps pilot, tire retreader-these and many more: 184 men and women with only one thing in common. They are bald.Unmasked, void of make-up and shorn of hair, stripped of civilized disguise, what does a human face say? And how does it make us feel?

Avant-garde photographer Alex Kayser launches us on an odyssey into the emotionally charged topography of the human countenance. Kayser shares the story of his work in a delightfully candid conversation, and National Book Award winner Richard Howard provides a brilliant and provocative afterword.

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Colt

An American Legend

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A must-have for every collector and enthusiast, this official history of Colt firearms illustrates and describes every model in every variation, from 1836 to 1986.

No inventor in the history of American industry has captured the imagination the way Samuel Colt did. His revolving pistol became synonymous with American genius and invention, gave birth to a great manufacturing empire, and was legendary in the history of the Civil War, in the taming of the West, and in campaigns and adventures all over the world--wherever Colonel Colt's invention "made men equal."

With more than 3300 color photographs and 115 in black-and-white (all taken especially for this book), Colt: An American Legend illustrates and describes every model Colt produced between 1836 and 1986. There has never been a bigger, more beautiful, or more extraordinary book in the firearms field. The large format of the book allows many of the firearms to be shown full size, and the history, development, and importance of each model and variation are presented and described in authoritative detail.

A unique appendix traces the complete serial numbers and year of manufacture of every Colt model — making this book a remarkable and invaluable guide for every serious collector and dealer.

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Franz Kline

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Acclaimed as the definitive volume on Kline, this book provides firsthand accounts of his Bohemian life and powerful work.

Franz Kline spent years struggling to find a style for himself and then achieved "overnight success" with his dramatic black-and-white abstractions. They were, in fact, so successful that they overwhelmed every other aspect of Kline's art, and as a result he has been oversimplified and underestimated. Based on nearly 20 years of research, this seminal monograph provides a comprehensive view of Kline's life and work and reveals how unexpectedly complex they both were.Using interviews with the artist's friends and critics, and quoting from his letters, the author has created an evocative portrait of Kline's evolution from ambitious art student, to penniless Greenwich Village artist painting murals in bars, to, finally, a mature artist in command of his own unique and hard-won style. With its detailed yet thoroughly readable text and 170 illustrations (many published here for the first time), this book brings to light much new information about Kline and enriches our appreciation and understanding of his art.

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Eisenstaedt on Eisenstaedt

A Self-Portrait

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In pungent, often hilarious remarks, Eisenstaedt tells the story of some of the best-known portraits of our time, making this album a page-turner as well as a unique diary of the man and his century.

Internationally celebrated photojournalist, master of the candid camera, Alfred Eisenstaedt enlivened Life magazine and Associated Press media with memorable pictures for over sixty years. Giving history a face, the more than one hundred photographs especially assembled for this book range from Hitler's Germany to Berlin in 1980, from Hemingway in Cuba to Jack and Jackie Kennedy on Cape Cod, from Marlene Dietrich as a top-hatted star in 1928 to V.J. Day in Times Square, 1945. Ninety-two covers of Life carried photographs by "Eisie," as the irrepressible bantam-size photographer was known, and he traveled worldwide on more than 2,500 assignments. His pungent, often hilarious anecdotes tell how he captured some of the best-known portraits and subjects of our time and make this album a page-turner as well as a unique diary of the man and his century.

With brilliant duotone reproductions and a full chronology of Eisenstaedt's exuberant life, this book will delight the photography lover and the general reader alike. With its gallery of personalities and engaging human-interest subjects, Eisenstaedt on Eisenstaedt evokes the era when press photographers strived to create a universal language-insightful, urbane, sometimes comic, always succinct in content and form. The book is based on interviews with Eisenstaedt by Peter Adam, the British television personality, for the acclaimed BBC TV series, "Great Master Photographers."

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The Hawaiian Shirt

Its Art and History

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In this beautiful little book — illustrated with dozens of shirts — Thomas Steele tells the story of this remarkable art form, details its different varieties, discusses the materials, designers, and manufacturers, and presents the fine points that make a shirt collectible.

Unknown in the Islands until missionaries introduced a drab forerunner to cover "heathen nakedness" — which the irrepressible Hawaiians soon decorated with hand-printed geometric motifs from the traditional tapa cloth — the genuine Hawaiian shirt is now regarded as a work of art and avidly sought out by collectors. When tourism came to Hawaii in the late 1920s, these unusual shirts were among the first things that visitors had to have. Local designers and tailors worked quickly to meet the demand and began to expand the range of decoration to include palm trees and romantic beaches, tropical jungles and volcanoes, exotic flowers and scenes from Polynesian legend. The Hawaiian shirt had been born.

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Old Master Paintings in North America

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Old Master Paintings in North America reveals the astonishing variety and quality of North American collections, the results of over one hundred years of inspired collecting by individual collectors and public institutions. It may be no surprise that the Metropolitan Museum and the Frick Collection in New York and the National Gallery in Washington, D.C. have a large number of El Grecos, for example. But how many of us are aware that works by El Greco can also be found in Los Angeles and San Francisco, California; Sarasota, Florida; Glen Falls, New York; and in Ottawa and Montreal?

The only guide of its kind, Old Master Paintings in North America provides a complete and fully captioned listing of every painting in U.S. and Canadian collections by fifty selected old master painters–from the early Renaissance to the mid-nineteenth century. This volume also contains a valuable geographical index which provides vital museum-going information: addresses, hours, and admission fees, as well as listing of other important painters represented in the museums.

In addition to helping the reader locate these masterpieces, Old Master Painting in North America also provides the means for more fully enjoying these great treasures. The author, Mr. John Morse–a noted art historian and critic–provides brief biographical entries for each of the fifty painters, and longer essays analyzing the significance of their work. The book is lavishly illustrated with large full-page color plates as well as over one hundred black-and-white illustrations. This book is not only for the tourist, but also for the armchair traveler who can also enjoy the wonderful treasures in North America’s museums.

Old Master Paintings in North America is a beautiful addition to anyone’s art-book library, and an indispensable companion for the art-living traveler, for the student and scholar.

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