The National Park Service Photographs
A selection of Ansel Adams' breathtaking images, remastered to celebrate over 100 years of The National Park Service.
Ansel Adams was hired by the United States Department of the Interior to photograph America's national parks, producing this group of breathtaking images.
In 1941, Ansel Adams photographed America's national parks for a series of murals that would celebrate the country's natural heritage. Because of the escalation of World War II, the project was suspended after less than a year, but not before Adams had produced these images, which illustrate both his early innovations and the shape of his later, legendary career as America's foremost landscape photographer.
The invitation to photograph the nation's parklands was the perfect assignment for Adams, as it allowed him to express his deepest convictions as artist, conservationist, and citizen. These stunning photographs of the natural geysers and terraces in Yellowstone, the rocks and ravines in the Grand Canyon, the winding rivers and majestic mountains in Glacier and Grand Teton national parks, the mysterious Carlsbad Caverns, the architecture of ancient Indian villages, and many other evocative views of the American West demonstrate the genius of Adams' technical and aesthetic inventiveness.
In these glorious, seminal images we see the inspired reverence for the wilderness that has made Ansel Adams' work an enduring influence on environmentalism as well as art.
Ansel Adams (1902–1984) was one of the most prolific and highly acclaimed photographers of the twentieth century, and the author of dozens of publications. He helped establish the department of photography at New York’s Museum of Modern Art and founded the Friends of Photography in Carmel, California, and the Center for Creative Photography at the University of Arizona in Tucson. A member of the board of directors of the Sierra Club for thirty-seven years, Adams was instrumental in the growth of the American conservationist movement.
Alice Gray is a writer and editor based in Louisville, Kentucky. Her work has appeared in such publications as Art & Auction and Art News.
The Catalog of Producers, Prices, Models, and Specifications
Complete information on over 1,400 models from 130 international brands—the essential guide for the collector of fine mechanical watches.
With Wristwatch Annual, collectors have at hand a wealth of information on the latest offerings from today’s most important watch producers, from Swiss mainstays like Rolex and Patek Philippe to the maverick independent brands springing up across Europe and the U.S. The book is arranged alphabetically by producer, and the movement, functions, case, band, price, and variations of each pictured watch are fully described.
This year’s edition, like its predecessors, will feature a variety of additional articles on independent watchmaking, key personalities in the watch world, and the technical aspects of horology. An illustrated glossary and a primer on watch care help acclimate the reader to the world of fine timepieces.
Peter Braun is editor-in-chief of the renowned German wristwatch magazine Armbanduhren.
Marton Radkai, an independent journalist, has edited the English-language edition of Wristwatch Annual since 2011.
Michaux and Redouté's American Masterpiece
A remarkable selection of American forest trees surveyed by François-André Michaux and Thomas Nuttall from The North American Sylva, held in the LuEsther T. Mertz Library of The New York Botanical Garden, featuring illustrations by celebrated botanical artists such as Pierre-Joseph Redouté and Pancrace Bessa, with an afterword by natural history artist David Allen Sibley
François-André Michaux (1770–1855) was a French botanist whose work on the trees of North America gave the world’s first illustrated account of American trees east of the Mississippi. From 1841 to 1849 Thomas Nuttall (1786–1859), an English botanist and one of the greatest plant explorers of North America, prepared supplementary volumes to Michaux’s landmark work, The North American Sylva.
Full-color reproductions of all of the more than 270 plates are now included in a single volume for the first time. Mirroring Abbeville’s best-selling National Audubon Society Birds of America, the book includes capsule summaries of every tree species featured, written by New York Botanical Garden staff, along with reference illustrations by David Allen Sibley.
Garden President Gregory Long looks at the book in the context of the New York Botanical Garden; NYBG Library Director Susan M. Fraser examines this landmark of American botanical history; award-winning garden writer Marta McDowell recounts the two botanist-explorers uncovering the continent’s arboreal riches; and best-selling ornithologist and natural history artist David Allen Sibley offers an aesthetic appreciation.
Beautifully illustrated and extensively researched, The Trees of North America will entice gardeners, art connoisseurs, and nature lovers alike.
The New York Botanical Garden hosts more than one million annual visitors to its 250-acre National Historic Landmark site, which features over one million living specimens, as well as one of the world’s preeminent plant research and conservation programs. Founded in 1899, the Garden’s Mertz Library is one of the largest, most comprehensive botanical libraries in the world.
David Allen Sibley is one of the world’s best-known natural history illustrators and the author of acclaimed field guides, including The Sibley Guide to Trees, which have sold more than one million copies.
Gregory Long is Chief Executive Officer and The William C. Steere Sr. President of The New York Botanical Garden.
Susan M. Fraser is Vice President and Director of the LuEsther T. Mertz Library at The New York Botanical Garden.
Marta McDowell is a gardener, lecturer, and horticultural writer. Her books include All the Presidents’ Gardens (2016) and Beatrix Potter’s Gardening Life (2013), winner of the Gold Award from the Garden Writers Association.
From the Biblical Dream to Surrealism
The first-ever history of the representation of dreams in Western painting, illustrated with works by more than 130 artist.
Organized by period, from the Middle Ages to the present, this engaging book shows how the idea of the dream, andits depictions, have shifted throughout history, from th e biblical dream—a communication from God—to the deeply personal dream, the lighthearted fantasy, the nightmare.
Sometimes these ideas have existed simultaneously: thus we have, only a few years apart, Raphael’s limpid High Renaissance composition of Jacob dreaming his Ladder; Albrecht Dürer’s watercolor of a mysterious deluge that he saw in his own slumbers; and Hieronymus Bosch’s nightmarish hellscapes.
More recently, movements such as Symbolism and Surrealism have taken the dream as a primary source of inspiration, even conflating dreaming and the creative process itself. This rich vein of visionary art runs from Gustave Moreau and Odilon Redon, through De Chirico and Dalí, down to the present—demonstrating, as Bergez reminds us, that Morpheus was a god of form as well as of dreams.
Daniel Bergez is a scholar, curator, and critic whose work focuses on the relationship between painting and literature. His monograph on Nobel laureate Gao Xingjian won the Prix Bernier of the Académie des Beaux-Arts.
Posters from Presley to Punk
The best-selling visual history of the rock concert poster, now available at an irrestible price
Electric, outrageous, erotic, rebellious—rock concert posters are the visual equivalent of the music they advertise. The Art of Rock traces the history of this energizing art form from the bold letterpress posters advertising Elvis's early shows, through the multicolored fantasies of the psychedelic era, to the avant-garde collages of new wave and punk. More than 1,500 posters and other graphics—tickets, backstage passes, buttons, handbills—are presented in their original blazing color (or their stark black and white, as the case may be). The text features dozens of exclusive interviews with musicians, concert promoters, and the poster artists themselves, including legends like Stanley Mouse, Alton Kelley, or Wes Wilson—who also designed the cover of this book. A visual journey through thirty years of rock and roll, as well as a valuable reference, The Art of Rock is an essential volume for every music lover (and art lover).
An elegant survey of over 70 works of art featuring women reading throughout history.
What is it about a woman reading that has captivated hundreds of artists over the centuries? Stefan Bollmann’s Women Who Read Are Dangerous explores this popular subject in more than 70 artworks—drawings, paintings, photographs, and prints—by iconic artists such as Henri Matisse, Edward Hopper, Suzanne Valadon, August Sander, Rembrandt, and many more.
As the book’s provocative title indicates, a woman reading was once viewed as radical. In chapters such as “Intimate Moments” and “The Search for Oneself,” Bollmann profiles how a woman with a book was once seen as idle or suspect, and how women have gained autonomy through reading over the years. Bollmann offers intelligent and engaging commentary on each work of art in Women Who Read Are Dangerous, telling us who the subject is, her relationship to the artist, and even what she is reading. With works ranging from a 1333 Annunciation painting of the angel Gabriel speaking to the virgin Mary, book in hand, to twentieth-century works, such as a stunning photograph of Marilyn Monroe reading Ulysses, this appealing survey provides a veritable slideshow of the many iterations of a woman and her book—a compelling subject to this day.
An excellent gift for graduates, teachers, or Mother’s Day, this elegant book is a must read for anyone interested in art, literature, or women’s history.