A visual delight, and a designer's dream-the decorative details of great European paintings transformed into beautiful two-dimensional patterns

Richly embroidered robes. Intricate lace collars. Elaborately laid floor tiles. Delicately carved and modeled cornices and capitals. These are among the details of decorative art that the Old Masters lovingly rendered in their paintings, to establish a setting, convey a portrait subject's social status, or sometimes just enliven a scene. Together these details-so easy to overlook in the imposing harmony of draftsmanship, color, and composition that makes up a great painting-form a veritable history of ornament.

This inventive book plucks these decorative motifs from the background of paintings by masters like Bronzino, Fra Angelico, and Jacques-Louis David and transforms them into vibrant two-dimensional patterns. Seeing these patterns side-by-side with the original paintings deepens our appreciation of both. Pattern in Painting will be a resource for graphic designers, and a revelation for all art lovers.

The first monograph on a pivotal figure of postwar American art
 
Best known for his monumental sculptures, Ronald Bladen (1918–1988) was regarded as an artistic forerunner by such minimalist artists as Donald Judd, Sol Lewitt, and Carl Andre. But in contrast to the matter-of-fact work of these artists, Bladen’s pieces evoke the emotional power of sculpture, what the artist called “presence.” His objects fill entire rooms, pressing outward against the walls and ceiling; his themes include the force of gravity, the dynamism of planar surfaces, the impact of scale, and confrontation with the viewer.
 
This splendidly illustrated volume presents a comprehensive overview of Bladen’s career: his breakthrough sculptures such as Three Elements (1965), a standout at the Jewish Museum’s legendary Primary Structures exhibition, later acquired by the Museum of Modern Art; his monumental outdoor commissions of the late 1960s through the 1980s; and his intricate reflective wall reliefs of the 1980s. Bladen’s working models and drawings are examined in detail, and his early career as a painter is considered in the light of his later work. Also included are selections from the critical literature on Bladen, and an illustrated chronology of his life and work.
 
Ronald Bladen: Sculpture is an essential volume on an artist who continues to influence a wide range of sculptors, from Richard Serra to Ursula von Rydingsvard.

A masterful new edition of the classic guide to the wines of the world—and how they are made
 
Wine from Grape to Glass is the essential guidebook for wine lovers who want to understand how their favorite wines are grown, how they are produced, and how best to savor them. The first half of the book is devoted to the process of winemaking and wine appreciation. The mysteries of the vineyard and terroir, the grape harvest, fermentation, and aging are all explained in full, as are the intricacies of serving, tasting, and storing wine. The second half of the book examines the best wines of the world, country by country, in a level of detail that is satisfying without being overwhelming. More than one thousand color illustrations, including numerous maps, make this a visual as well as a textual guide.
 
This fourth edition of Wine from Grape to Glass is revised and updated throughout. It includes new sections on recent trends in winemaking—including rosés and natural wines—and expanded coverage of many winemaking regions, including Eastern Europe, the Middle East, South America, China, and Japan.

A visual journey through Zen’s influence on Japanese life, from calligraphy to the martial arts
 
Formed by a convergence of the Buddha’s teachings with Taoism and local tradition, Zen has had a profound impact on the art and culture of Japan. As a philosophy, Zen promotes a recognition of emptiness and impermanence. As an aesthetic, it is marked by striking simplicity and a reverence for space. It operates on the principle of wabi-sabi, the harmony found in all things transient and imperfect. Countless Japanese artists, artisans, and designers have engaged with the Zen tradition, their work the fruit of its wisdom.
 
Author Gavin Blair has spent nearly two decades as a writer and journalist in Japan. In these pages, he shows how Zen has found expression in all aspects of Japanese culture, be it the tea ceremony, origami, or bonsai. Gorgeous full-color photographs highlight the simple beauty of the Zen aesthetic, from the hanging noren curtains that adorn entrances and doorways, to the intricate craftwork of a wagasaumbrella. Together these images speak to the quiet power of Zen.
 
Above all, Zen is an invitation to contemplate the mind, to cultivate harmony with nature and ease through understanding. This book is for any reader who is curious about Japanese culture and the Zen tradition.

A beautiful facsimile edition of the final masterpiece of ukiyo-e—strictly limited to 3,000 numbered copies

Yoshitoshi (1839–1892) was the last virtuoso of the Japanese woodblock print, and the One Hundred Aspects of the Moon, published between 1885 and 1892, were his crowning achievement. This series—illustrating scenes from history, legend, and contemporary life, unified by the motif of the moon—abounds with stylistic innovations, drawn from Western art and the artist's own fertile imagination. Even as traditional woodblock prints were being supplanted by mass media like lithography, an eager public snapped up Yoshitoshi's images—many of which were sold out on the morning of their publication.

This magnificent facsimile of One Hundred Aspects of the Moon reproduces each print at its original size, facing an explanation of the subject. A thorough introductory text, augmented with many comparative illustrations, traces Yoshitoshi's career and the genesis of this series. Printed and bound to the most exacting specifications, this volume will be a must for aficionados of Japanese prints.

Meet the renegades of Victorian art in this gorgeously illustrated exploration of their work and influence
 
In the revolutionary year of 1848, a group of young British artists set out to return a lost vibrancy to European art. Calling themselves the Pre-Raphaelite Brotherhood, they mounted an artistic front against what they saw as the confining standards of the Victorian art world, and the dehumanizing aspects of the industrial age. Among their ranks were Dante Gabriel Rossetti, John Everett Millais, and William Hunt, who found followers in Edward Burne-Jones and William Morris. Their works drew from Shakespeare, Keats, and Tennyson. They also depicted religious and contemporary themes in striking realism, bringing viewers into intimate contact with the subjects and causing scandal in their time.